Author of a few tendentious novels and a vast number of newspaper articles, reviews, government reports, and letters, Nikolai Semenovich Leskov is more admired and discussed a century after his death ...
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In the following excerpt, Ansberg discusses Leskov's trademark form, the frame story or skaz, and asserts that the author uses it for both aesthetic and practical purposes: to portray intimatel...
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In the following introduction to a volume of Leskov's stories, Pritchett discusses Leskov's style, his characters' psychological complexity, and some recurring elements in his tal...
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In the following excerpt, Benjamin praises Leskov's craftsmanship and admires what he considers the author's ability to tell a good tale and gently counsel his readers by sharing with th...
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In the following essay, Wehrle discusses one of Leskov's most popular stories, asserting that it illustrates two original elements in Leskov's works: anecdotism and the weaving together ...
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In the following excerpt from a full-length study of Leskov's life and career, McLean discusses Leskov's signature story, "The Lefthander," asserting that it expresses left...
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In the following excerpt, Lantz notes what he views as Leskov's strengths as a stylist, satirist, and storyteller, and identifies a unique Russian character in Leskov's writings.
Alth...
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In the following excerpt from the introduction to his translation of selected Leskov tales, McDuff presents an overview of the distinctive elements in Leskov's stories, including his dramatic n...
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In the following excerpt, Wigzell examines the influence of folklore and other traditional and popular forms in one of Leskov's best-known stories.
When Henry Gifford declares that 'L...
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In the following essay, Peace suggests that in the story "The Enchanted Wanderer," Leskov employs the central figure, Ivan, as a foil to reveal elements of the psychology of the narrator...
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