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Mary Gordon.
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In 1978, with the publication of her first novel Final Payments, Mary Gordon appeared on the literary scene, not as a promising apprentice but as an accomplished and mature writer deserving of the ex...
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Critical Essay by Maureen Howard
With the natural instincts of a good narrator, Mary Gordon [in "Final Payments"] has elected to keep to the single-minded voice of her heroine, for Isabe...
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Critical Essay by Amanda Heller
Mary Gordon is a young writer who obviously knows the territory she writes about, semi-urban neighborhoods of houses "cared for with a fierce, unimaginative prid...
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Critical Essay by David Lodge
Final Payments is a well-made, realistic novel of refined sensibility and moral scruple, informed by the values of orthodox Christianity—qualities one does not exp...
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Critical Essay by Bruce Allen
Mary Gordon's much-praised Final Payments may be the best American feminist novel yet, though its thematic emphases are skillfully concealed beneath its wry surfac...
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Critical Essay by Paul Ableman
Final Payments is a work of casuistry concerned to examine the conflicting demands of morality, especially Catholic morality. Isabel Moore, the heroine, blunders about, ...
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Critical Essay by Francine Du Plessix Gray
If there was any doubt that Mary Gordon was her generation's preeminent novelist of Roman Catholic mores and manners when she published her remarkable...
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Critical Essay by James Wolcott
I thought Final Payments was foolishly overpraised—Isabel's friends and lovers were lukewarm dumplings, and Gordon had no flair for writing about sex ...
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Critical Essay by Susan Lardner
Morality and womanhood are the topics addressed by Mary Gordon in her two novels, "Final Payments" [and "The Company of Women"] …: mo...
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Critical Essay by Helen Mcneil
The Company of Women is a symbolic meditation disguised as a realistic Bildungsroman. Mary Gordon's study of faith, love and charity begins with four Catholic wom...
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Critical Essay by Brenda L. Becker
Ah, you may say, here it comes. Another Lapsed Literata has escaped the convent for the marketplace, there to hawk elegant self-portraits complete with stigmata indu...
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In the following review, See offers high praise for Temporary Shelter, lauding Gordon's craftsmanship, emotional authenticity, and inventiveness.
Repeatedly reading works of fiction seems somet...
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In the following essay, Higgins discusses the theme of Catholicism in the novellas of The Rest of Life.
Although my wife plays Mozart with considerable grace, she prefers Chopin, Debussy and Kunz. As ...
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In the following review of The Rest of Life, Teleky praises Gordon as the foremost American Catholic writer of her generation and “one of the finest writers of our time.”
In her latest b...
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In the following interview, Gordon comments on the theme of gender relations in The Rest of Life.
Authors have always talked about the source of their creative fire—dreams and nightmares, a tra...
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In the following review of The Rest of Life, Bush describes the collection's three novellas as striking narratives about self-assertive women.
“We don't know much yet about how wo...
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In the following review of The Rest of Life, Kemp addresses the subjects of life's instabilities and “the hazards of human existence.”
A surprising feature of The Rest Of Life is ...
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In the following review, Turner considers the stories in The Rest of Life to be original, insightful, and entertaining.
Mary Gordon has a name that sounds like the name of many other women writers. Th...
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In the following review of The Rest of Life, Weinman applauds the depth and compassion of Gordon's stories.
The novella, fiction's halfway house, needs the short story's focus and...
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In the following review of The Rest of Life, Hughes praises Gordon's prose for its high quality and precision.
Three rich, precise novellas make up Mary Gordon's The Rest of Life. Each o...
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In the following review of The Rest of Life, Messud describes the stories as both serious and accessible, and asserts that the title novella is the most moving in the volume.
Mary Gordon's is n...
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In the following review of The Rest of Life, Rodd praises the three novellas for their integrity, rich language, and authentic characterization.
In one of these three superb novellas [in The Rest of L...
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In the following review of Temporary Shelter, Lee comments that the best stories in this volume are written in a distinct voice that is both disturbing and comforting, although some are flawed by an o...
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In the following review of The Rest of Life, Breslin comments on the volume's confessional narrative voice and focus on themes of obsession and memory.
Three stories; three women; four men (one...
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In the following review of works by various writers, Wilhelmus praises the stories in Gordon's The Rest of Life for addressing the complications of life in the 1980s and 1990s.
Last year in The...
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In the following review of The Rest of Life, Knapp praises the stories as powerful narratives exploring each heroine's existential aloneness.
Mary Gordon's books are like favorite desser...
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In the following essay, Bennett explores major themes in the stories of Temporary Shelter.
Some months after the 1987 publication of Temporary Shelter,1 an interviewer suggested that Gordon didn...
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In the following essay, Bennett argues that the three novellas included in The Rest of Life “form a deliberately crafted whole,” and explore some dominant motifs that resonate throughout...
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In the following essay, Dwyer discusses the theme of Irish-American identity in the stories “Delia,” “Agnes,” and “Eileen,” included in Temporary Shelter.
Man...
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In the following review, MacCurtain criticizes Temporary Shelter, asserting that its narratives seem contrived and poorly structured.
“Nora remembered how they had laughed together. John and De...
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In the following essay, Wymward comments that the stories of Temporary Shelter are infused with the author's religious sensibilities.
Mary Gordon's comments on the liaison between her re...
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In the following review, Caldwell praises The Rest of Life, observing that the three novellas express a strong sense of voice, insight, and memory.
In the realm of intention, as any behaviorist will t...
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In the following review of The Rest of Life, Prose praises Gordon's portrayal of complex female characters, commenting that the stories are engaging and thought-provoking.
If, as Chekhov wrote,...
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In the following review of The Rest of Life, Pols comments on the theme of relationships between women and men in Gordon's collection.
I was barely 40 pages into Mary Gordon's new book, ...
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In the following review of The Rest of Life, Rubin asserts that the title novella is the strongest of the volume, while the others are unfocused.
If the marriage of lovers has provided the happy endin...
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In the following review, Akins praises The Rest of Life as a volume of fine novellas, written in well-crafted prose.
“All this” is how a woman in “The Rest of Life” refers ...
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