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Marge Piercy.
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Marge Piercy epitomizes a feminist maxim: "The personal is political." In the essay "Mirror Images" (1980) Piercy writes, "My poetry appears to me at once more personal and universal than my fiction. ...
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Marge Piercy's reputation as an important fiction writer began with the appearance of her first published novel, Going Down Fast, in 1969. Especially with Gone to Soldiers (1987) and City of Darknes...
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In the following essay, Piercy describes the initial steps of her creative process—inspiration and concentration.
Here is Henry Thoreau from his journal for October 26, 1853, although he is tal...
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In the following essay, Piercy explicates the final stages of her creative process, in particular how she revises and finishes her poems.
I have put together three accounts of the process of writing t...
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In the following essay, Bender provides a thematic overview of Piercy's verse.
Perhaps more than any other poet of her generation, Marge Piercy is most explicit in confronting the political, so...
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In the following essay, Lebow asserts that “the publication of Stone, Paper, Knife marks Piercy's full evolution into a doer, a user of tools, a woman who has created her own vision of t...
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In the following essay, Nelson considers the theme of healing in Piercy's verse.
Marge Piercy speaks of poetry as “utterance that heals on two levels.” First, it heals the psyche ...
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In the following essay, Bender explores Piercy's use of Tarot imagery and feminist perspective in Laying Down The Tower.
In the eleven poems of Laying Down the Tower, Marge Piercy takes a femin...
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Critical Essay by Anatole Broyard
I'd like to propose a program of civil rights for characters in novels. I don't think it is fair for authors to push them around or malign them just to ...
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Critical Essay by Dean Flower
Marge Piercy's assumption about our modern confusions of identity seems to be that we hide in ill-fitting categories because they protect us from pain…. Pie...
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Critical Essay by Charles Molesworth
The spirit most felt in ["The Twelve-Spoked Wheel Flashing"] is generous love, but love combined with scrutiny and even humor. Arranged around the se...
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Critical Essay by Keith Harrison
Marge Piercy's last book Living in the Open was an excellent one. [The Twelve-Spoked Wheel Flashing] extends some of the themes of the book—of being a wo...
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Critical Essay by Jean Rosenbaum
Piercy's poetry reflects the immediate, specific experiences of daily life—eating breakfast, making love, going to work. It is concerned with the routine...
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Critical Essay by Edna Longley
[Marge Piercy's drab style] is in fact a shabby raincoat draping [a] naked romanticism…. (p. 310)
The High Cost of Living reads more like a minority report...
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Critical Essay by Victor Contoski
Not content to wait for happiness and prosperity in some other life, [Piercy] is driven to find a social and personal happiness on this earth, and the driving force b...
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Critical Essay by Judith B. Walzer
[For] all its length and its large cast of characters [Vida] tells us little that we don't already know about radical politics in America. The novel is named ...
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Critical Essay by Vivian Gornick
Vida Asch is the center of [Vida]. Beautiful, passionate, capable, the most popular of the Upper West Side revolutionaries, Vida has been a fugitive for nearly 10 year...
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Critical Essay by Elinor Langer
Almost alone among her American contemporaries, Marge Piercy is radical and writer simultaneously, her literary identity so indivisible that it is difficult to say wher...
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Critical Essay by Betty Falkenberg
On the whole, what is supposed to pass for honesty in [Vida], in both sexual and political matters, turns out, on closer inspection, to be a routine application of &...
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Critical Essay by Jennifer Uglow
As a political novel Vida has certain weaknesses. The narrative is swollen by the need to do justice to the breadth of the counter-culture—everyone gets a menti...
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Critical Essay by Pearl K. Bell
Marge Piercy is a prolific novelist and poet, a one-time organizer for SDS, who has become a spokesman for radical feminism. Though she presents herself as a revolution...
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Critical Essay by John Leonard
Marge Piercy is full of exhortation. Her first novel ["Going Down Fast"]—about urban "renewal," the radical community, the tab-top non...
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Critical Essay by Renee Gold
This is Marge Piercy's seventh novel, a fact that numerologists would have us believe augurs well for its success. A more substantial contribution to that success i...
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Critical Essay by Wendy Schwartz
For her seventh and most poetically written novel [Braided Lives], Marge Piercy has chosen a subject often tapped by women in their first books—growing up in th...
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Critical Essay by Ron Schreiber
Shortly after I agreed to review Marge Piercy's latest collection of poems, The Moon Is Always Female, two poets warned me that this was a disappointing collecti...
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Critical Essay by Vickie Leonard
The title, Braided Lives, is far too nice for this story of a young Jewish woman who leaves her working class home in Detroit and goes off to the University of Michiga...
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Critical Essay by Publishers Weekly
Marge Piercy has evolved through six books of poetry and seven novels … into the outstanding spokeswoman for the '60s generation. It is less her skill...
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Critical Essay by Suzanne Juhasz
For over a decade Marge Piercy's has been the vehement and scrupulous voice of a political woman coming to terms with her times and herself. Circles on the Wate...
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Critical Essay by Roger Scruton
Marge Piercy is an established author, and presumably has an established readership—though it is very difficult to gauge from Braided Lives what qualities of com...
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Critical Essay by Margaret Atwood
["Circles on the Water"] is gathered from 20 years of poetry and includes poems from seven books. Just cause for jubilation, since anyone who can surviv...
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Critical Essay by Publishers Weekly
Marge Piercy is a forceful, direct and widely read feminist poet. In ["Stone, Paper, Knife"], her ninth volume of verse, Piercy continues to write abo...
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Critical Essay by Martin Levin
[Once inside Marge Piercy's "Going Down Fast"] you find a lively, vital montage of the protest establishment, Chicago style. The title implies a dow...
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Critical Essay by Erica Jong
Writers who serve two muses—the muse of poetry and the muse of prose—often find that their passionate and intense lyrical outbursts find their way into poems...
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Critical Essay by Jean Rosenbaum
In her poems, Piercy strikes out at the attitudes, institutions, and structures which impede natural growth and development and thus destroy wholeness; she also celebr...
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Critical Essay by Victor Contoski
Because of Marge Piercy's strong views on social reform, from the very beginning her work has almost automatically divided people into two groups: those oppose...
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Critical Essay by Jerome Mazzaro
In Marge Piercy's The Moon Is Always Female … interests in epistemology are reduced to interests in female and male consciousness. For Piercy, poetry bec...
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Critical Essay by Anne Stevenson
Marge Piercy is known in England mainly as a novelist. That the author of Vida and Woman on the Edge of Time is also a powerful, distinctively American poet may come a...
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Critical Essay by Judson Jerome
In my January column I promised I would return to the poetry of Marge Piercy. Now I'll tell you why. I had spent a rainy Sunday reading poetry—three volum...
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Critical Essay by Katha Pollitt
The rise of feminism over the last 15 years has been accompanied by a proliferation of feminist novels—frankly didactic Bildungsromans whose subject is the educa...
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Marge Piercy comments on societal norms and the gender clichés in which women are categorized by the generic males' ideals of perfection in her poem, "Barbie Doll" through the usage of several po...
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