Malcolm Bradbury is part of a new breed of British academic who is as seriously involved in novel writing as he is in literary criticism and theory. His university teaching seems to reinforce his writ...
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Malcolm Bradbury has been one of the central figures in British literature since 1960. As a critic, editor, commentator, entrepreneur, anthologist, and judge for fiction awards he has tirelessly promo...
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Critical Essay by C. P. Snow
I am very interested in how this book ["Eating People Is Wrong"] goes down in the United States. For several reasons, I am sure the author is one of the mos...
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Critical Essay by Martin Green
Stepping Westward is a great advance over Malcolm Bradbury's first novel, Eating People Is Wrong; in fact, it shows a really significant comic talent. (p. 53)
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Critical Essay by Malcolm Bradbury
The History Man is a novel about dehumanization; behind the book is a strong visual analogy, of a flat, hostile landscape, not our good old friend, of multi-storey ...
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Critical Essay by John Walsh
Although he claims, in the Introduction [to All Dressed Up and Nowhere to Go], to having never been an Angry Young Man in the 1950s (they were all ten years older than he...
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Critical Essay by Martin Amis
It is not every year that Malcolm Bradbury writes a novel. It is every decade that Malcolm Bradbury writes a novel. Already he has called 'Rates of Exchange...
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Critical Essay by Roger Lewis
[In Malcolm Bradbury's Rates of Exchange] Slaka is a volatile state in the Soviet orbit. Its 'history is a mystery' because at various times it has ...
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Critical Essay by Francis King
What is best in [Rates of Exchange] is not the plot, which is essentially thin, nor the characters, who are essentially stereotypes derived from other Iron Curtain nove...
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Critical Essay by Hermione Lee
To cover all of twentieth century fiction in 200 pages is no easy task; Professor Bradbury's survey ['The Modern American Novel'] does it smoothly ...
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Critical Essay by David Montrose
A critical record, in a mere 186 pages, 'of the achievement of American fiction since the turning-point of the 1890s', Malcolm Bradbury's [The Mo...
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Critical Essay by Joel Conarroe
[Rates of Exchange] manages to be funny, gloomy, shrewd and silly all at once. Much of it, especially the first hundred pages or so, reads less like fiction than like ...
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Critical Essay by Rachel Billington
Malcolm Bradbury, the author of "Rates of Exchange," has always been concerned with defining the value of language. He once wrote that the novel ...
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Critical Essay by Martin Tucker
Hail the bumbling, fumbling conquering hero. Malcolm Bradbury has written a first novel [Eating People Is Wrong] that is sloppy, structurally flabby, occasionally inan...
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Critical Essay by The New Yorker
["Eating People Is Wrong"] is full of jokes and witticisms of almost every description, but there are no funny situations, and the few comic episodes th...
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Critical Essay by Edwin Morgan
Malcolm Bradbury's first novel Eating People Is Wrong had a well-deserved success as a witty examination of the liberal conscience in a middle-aged professor at ...
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Critical Essay by A. S. Byatt
[The Social Context of Modern English Literature] treats literature as a social product: it occupies "a middle ground between literary study, sociology and intell...
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Critical Essay by John Spurling
It may well be … that the period of bitterly opposed [literary] factions is already over, that novelists are starting to put sides to middle, borrowing elements...
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Critical Essay by Margaret Drabble
The hero, if so he could be called, of "The History Man" is a predatory, unprincipled and ruthlessly fashionable sociologist, Dr. Kirk…. The de...
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Critical Essay by George Steiner
Malcolm Bradbury is a master of enumeration. "The History Man" … is packed with ludicrous or gloomy taxonomies. The female lead, Barbara Kirk, is...
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Critical Essay by Nick Totton
It must be … self-admiration that leads Malcolm Bradbury to fill a third of Who Do You Think You Are? with poor and loutish parodies of other writers, many of who...
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