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Critical Essay by David Leitch
Emile Ajar—whoever he is—has lately become a household name in France. His fame stems from having declined a literary prize, the Goncourt [for La Vie devan...
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Critical Essay by Roland A. Champagne
[Momo, the narrator of La Vie devant soi,] is one of a group of children abandoned by Parisian prostitutes and brought up by a former Jewish streetwalker, Madame ...
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Critical Essay by Barbara Wright
"Le cas Ajar" became headline news in France with the publication of Ajar's first book, Gros-Câlin, in 1974; a year later he refused the Pr...
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Critical Essay by G. Mermier and F. Cohen
Romain Gary's La bonne moitié is a dramatic comedy in two acts; it is a play of the absurd, subtle, tragic and amusing, very much in the vein of...
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Critical Essay by David Leitch
