Valdez, Luis (1940—)
Luis Valdez is considered to be the father of Chicano theater. He is the instigator of the contemporary Chicano theatrical movement and its most outstanding playwright. Val...
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In the following essay, which was written in 1970, Valdez attempts to define a uniquely Chicano theater.
What is Chicano theatre? It is theatre as beautiful, rasquachi, human, cosmic, broad, deep, ...
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Interview with Valdez (1988)
An interview with Luis Valdez, in In Their Own Words: Contemporary American Playwrights, by David Savran, Theatre Communications Group, 1988, pp. 257-71.
In the conver...
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In this essay, the authors trace the origins and evolution of El Teatro Campesino and Valdez's work with the group.
San Juan Bautista is a very ordinary, small town in central California. It...
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In this essay, Huerta examines the Chicano experience depicted in four plays by Valdez: The Shrunken Head of Pancho Villa, Bernabé, Dark Root of a Scream, and Zoot Suit.
Cucarachas on the Wall...
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Here, Huerta surveys Valdez's career, stressing the playwright's continual questioning of notions of reality and identity.
It is a pleasure to introduce the reader to Zoot Suit, Bandi...
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An American professor and critic, Huerta has written many books on Chicano literature and drama in addition to serving variously as founder, director, and actor in many Chicano theater groups in Calif...
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In the following interview, Valdez discusses his career as a playwright and the roles of politics and mysticism in his work.
One month into the 1965 Delano grape strike, which solidified the power ...
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In the following excerpt, Valdez defines "Chicano theatre" and discusses the significance of the acto in its development.
What is Chicano theatre? It is theatre as beautiful, rasquach...
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In the following excerpt, Huerta traces Valdez's maturation as a playwright and director, and discusses the defining qualities of his work.
For some, Luis Valdez needs no introduction; for o...
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