Search "Li Bai"
|
|
Li Bai | |
|
About 202 pages (60,587 words) in 14 products |
|
summary from source:
 Li Bai Quotes
247 words, approx. 1 pages
 Li Bai or Li Po (701-762) was a Chinese poet living during the Tang Dynasty . He was traditionally known as Lǐ Bó in Chinese, hence the familiar name Li Po in Wade-Giles romanisation. Called the Poet Immortal , Li Bai is often regarded, along with Du...
Encyclopedia and Summary Information
summary from source:
 Li Bai Summary
230 words, approx. 1 pages(701–762), Chinese poet. Li Bai, or Li Bo, also known as Taibai and style named Qinglian, is often mentioned along with Du Fu as one of the two greatest Tang dynasty (618–907) poets. Although Li's hometown is recorded as a site in... summary from source:
 Li Po : Buddhist Terms
53 words, approx. 1 pagesFamous Chinese poet of the T’ang Dynasty in spite of being usually drunk. To the Bst. of interest as expressing perfectly the Chinese and Japanese love of nature. Of the mountains about which he loved to sing he wrote, ‘We never get tired... summary from source:
 Li Bai Information
2,311 words, approx. 8 pages
"Li Bai, Li Bo, or Li Po" (Chinese: 李白; pinyin: Lǐ Bái) (701-762) was a Chinese poet. He was part of the group of Chinese scholars called the "Eight Immortals of the Wine Cup" in a poem by fellow poet Du Fu. Li Bai is often regarded, along with Du...
 summary from source:
 Variety Poet Li Bai.(Opera review)
07/16/2007: 613 words, approx. 2 pages (CENTRAL CITY OPERA ROUSE; 550 SEATS; $87 TOP) CENTRAL CITY, Colo. A Central City Opera presentation of an opera in three acts by Guo Wenjing. Libretto by Diana Liao, Xu Ying. Directed by Lin Zhaohua. Conductor, Ed Spanjaard. Sets and costumes, Yi... summary from source:
Chemistry and Industry
 Literary Criticism
summary from source:
 Critical Essay by Paula M. Varsano
13,636 words, approx. 46 pages
In the following essay, Varsano contends that Li Po's deliberate use and manipulation of traditional poetic conventions plays an important role in his success as the quintessentially “immediate” poet who seems to respond spontaneously to the world around him, apparently unconstrained by the dictates of tradition.
summary from source:
Critical Essay by Elling Eide
11,610 words, approx. 39 pages
In the following essay, Eide discusses three neglected poems by Li Po—“My Trip in a Dream to the Lady of Heaven Mountain,” “Lu Mountain Song,” and “Song of the Heavenly Horse”—and comments on aspects of these poems, including techniques used and facts expressed, that other critics have overlooked.
summary from source:
Critical Essay by Paul W. Kroll
11,206 words, approx. 37 pages
In the following essay, Kroll elucidates some of Li Po's more opaque poems “in light of their precise Taoist diction and imagery.” Nearly a hundred substantive footnotes have been excised from this abridged version of Prof. Kroll's article, as have his more technical discussions of linguistic and prosodic matters and all Chinese characters. For the complete article, see Journal of the American Oriental Society,Vol. 106, No 1, (1986): 99-117.
|
Li Bai | |
|
About 202 pages (60,587 words) in 14 products |
|
|
