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Letter from an Unknown Woman.
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In the following essay, Burdick identifies similar themes in Ophuls's Letter from an Unknown Woman and Lola Montes, and Alain Robbe-Grillet's L'Immortelle.
One intuition of the me...
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In the following essay, Wilson explores cinematic techniques used by Ophuls's in Letter from an Unknown Woman.
It has been borne upon me this evening that perfect music has the same effect on ...
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In the following essay, originally published in 1984, Modleski examines the melodramatic elements in Ophuls's Letter from an Unknown Woman.
Max Ophuls' 1948 film, Letter from an Unknown ...
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In the following essay, Studiar examines the masochistic personality traits of the character of Lisa in both Ophuls's film Letter from an Unknown Woman and the original story by Stefan Zweig.
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In the following essay, Williams places Ophuls's Letter from an Unknown Woman in a cinematic tradition that includes Orson Welles's The Magnificent Ambersons and William Wyler's T...
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In the following essay, Koch, the screenwriter for Ophuls's Letter from an Unknown Woman, reminisces about meeting and working with the director to assert that Ophuls was not an auteur, but wor...
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In the following essay, Haskell places Ophuls's Letter from an Unknown Woman in a league of her favorite films, including Alfred Hitchcock's Vertigo, Preston Sturges 's Hail the C...
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In the following essay, Pipolo examines Ophuls's use of point of view in his Letter from an Unknown Woman.
One of the more intricate problems of narrative cinema is the handling of "poin...
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Critical Essay by Dolores M. Burdick
