The roster of "great critics and historians of American literature in this century," the New York Times Book Review once announced, "would have to include Leslie [Aaron] Fiedler, by far the least acad...
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Best known for his studies of the American novel, Leslie A. Fiedler brings a distinctive mixture of psychological, political, and sociological concerns to bear on the description and analysis of Ameri...
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Critical Essay by Charles R. Larson
One cannot help asking just whom Fiedler was trying to put on when he wrote ["Come Back to the Raft Ag'in, Huck Honey"]—just as the sam...
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Critical Essay by Robert Alter
Leslie Fiedler is, of course, better known as a critic than as a writer of fiction, and criticism has in fact been the more congenial medium for the exercise of his mos...
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Critical Essay by Jonathan Yardley
Middle aged, and having to his credit a substantial body of publications, Leslie Fiedler can no longer lay claim to the title of enfant terrible of American letters...
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Critical Essay by Sam Bluefarb
Leslie Fiedler's The Last Jew in America (1966), the first [and title novella] of three novellas in a single collection, is set in the small Western college town...
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Critical Essay by Doris Grumbach
Freaks: What a compendium! It is almost an encyclopedia. Fiedler admits that research assistants helped him gather this mountain of anecdote, fact, rumor, hearsay, li...
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Critical Essay by William Barrett
Readers of Leslie Fiedler's writings in the little magazines during the past half decade or so may well have wondered whether this brilliant young writer woul...
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Critical Essay by Kenneth Rexroth
In a trilogy of critical works, "Love and Death in the American Novel," "Waiting for the End," and now "The Return of the Vanishin...
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Critical Essay by Robert Maurer
If Leslie Fiedler cannot seem to get his mind off the image of Natty Bumppo and Chingachgook sitting night after night over their domestic campfires amidst James Fenim...
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Critical Essay by Peter Michelson
Leslie Fiedler is one of those literary personalities who has the effect of polarizing his readers. Already his new study of American Western mythology [The Return o...
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Critical Essay by Charles Molesworth
[The Stranger in Shakespeare] can be read in two quite distinct ways. The book may be regarded as epiphenomenal, an outgrowth of his previous theories, assumption...
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Critical Essay by Gabriel Pearson
Fiedler has long been a lone ranger in those marches where academic respectability merges into individual guru-mongering and self-promotion. And it has been a specia...
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Critical Essay by Arnold L. Goldsmith
The most controversial of all the American Myth Critics, and the most important, is Leslie Fiedler …, whose first book, An End to Innocence, Essays on Cul...
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Critical Essay by Sanford Pinsker
There is something haunting and magical about Leslie Fiedler's criticism. We are, of course, familiar with the general outlines: its relentless probing into o...
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Critical Essay by Earl Rovit
In a somewhat rambling series of essays [What Was Literature?: Class Culture and Mass Society]—partly analytical, partly polemical, and partly autobiographical...
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Critical Essay by Larzer Ziff
The first of the linked essays that make up What Was Literature? is called "Who Was Leslie A. Fiedler?" The answer to that question is the key to respondin...
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Critical Essay by Granville Hicks
For a decade or so Leslie Fiedler has been a kind of wild man of American literary criticism. Although there have been useful insights in the essays he has written, ...
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Critical Essay by William Van O'connor
Leslie Fiedler takes his title [No! In Thunder] from a comment Melville made about Hawthorne: "There is the grand truth about Nathaniel Hawthorne....
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Critical Essay by Stephen P. Ryan
[Mr. Fiedler is a] dedicated and insistent "nay-sayer," [and] the very title of his present collection of essays [No! In Thunder] … tells us tha...
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Critical Essay by Irving Howe
Leslie Fiedler, a man of learning and intelligence, has composed another of those fascinating catastrophes with which our literary scholarship is strewn. Love and Death ...
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Critical Essay by The Times Literary Supplement
[In Love and Death in the American Novel, Professor Leslie Fiedler] is not content with one or two or even a handful of his country's novelists;...
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Critical Essay by Seymour Krim
Aggressive, cocksure, intellectually sadistic, dogmatic, gossipy, and more keenly involved with contemporary America than probably any of his critical peers, Professor ...
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Critical Essay by Philip Rahv
[Fiedler] is nothing if not brilliant, even at the cost of adopting postures that betray and attitudes that pall. His enormous knowingness about literature and patent in...
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Critical Essay by Hugh Kenner
Leslie Fiedler, suggests his publisher, "can no longer be called 'the wild man of American literary criticism,'" but no alternative is sugges...
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As far as I can determine, 2004 seems to be neither the best nor the worst year for movies, at least as far as the proportion of good (low, as always) to bad (high, as always) is concerned. Of cour...
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By the time I sat down for a studio screening of Ang Lee’s Brokeback Mountain, I was braced by all the advance hype from Venice and Toronto, as well as the local showbiz columns and media out...
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By the time I sat down for a studio screening of Ang Lee’s Brokeback Mountain, I was braced by all the advance hype from Venice and Toronto, as well as the local showbiz columns and media out...
Read more