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Leni Riefenstahl | |
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About 156 pages (46,661 words) in 18 products |
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Leni Riefenstahl Quotes
119 words, approx. 1 pages
 Leni Riefenstahl ( 22 August 1902 - 8 September 2003 ) was a German dancer, actress and filmmaker . Unsourced I've never done anything I didn't want to, and nothing I've been ashamed of. Hitler is a phenomenon that I admire, not a man I can fall in...


Encyclopedia and Summary Information
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Leni Riefenstahl Information
3,405 words, approx. 11 pages
 Helene Bertha Amalie "Leni" Riefenstahl (August 22 1902 – September 8 2003) was a German film director, dancer and actress widely noted for her aesthetics and innovations as a filmmaker. Her most famous film was Triumph des Willens, a propaganda film...




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 Film - Dienst
Leni Riefenstahl
10/01/2003: 580 words, approx. 2 pages Die letzten Bilder Leni Riefenstahls - für die arte-Produktion "Impressionen unter Wasser" (2002) - zeigten sie abgetaucht, schemenhaft auf dem Weg ins mysteriöse Tageslicht jenseits der Wasseroberfläche. Wer wollte, konnte diese Einstellung rückbeziehen auf ihr Regiedebüt "Das blaue Licht" (1932), in dem sie selbst...
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 Artforum International
Leni Riefenstahl: A Memoir.
12/01/1993: 1,518 words, approx. 5 pages It's terribly difficult knowing what to think about Leni Riefenstahl's Memoir. She began writing it when she was 80, finished it at 85, and now that she's 91 the English-language edition has just been issued. While the Memoir concludes in 1982, a new...
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 The New York Observer
Lesser Part of a Greater Sum, Riskin Languishes in the Shade
7/23/2006: 960 words, approx. 3 pages The problem with writing a book about a screenwriter is made obvious by the title of this book: If you have to give top billing to a director, you’re in trouble. Ian Scott’s In Capra’s Shadow examines one of the most interesting screenwriting talents of...
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 The New York Observer
Lesser Part of a Greater Sum, Riskin Languishes in the Shade
7/23/2006: 962 words, approx. 3 pages The problem with writing a book about a screenwriter is made obvious by the title of this book: If you have to give top billing to a director, you’re in trouble. Ian Scott’s In Capra’s Shadow examines one of the most interesting screenwriting talents...




Literary Criticism
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Critical Essay by Eric Rentschler
9,939 words, approx. 33 pages
 In the following essay, Rentschler examines the use of a popular German song in five different German films from different eras of German history, asserting that Riefenstahl's use of the song in Triumph of the Will represents an act of historical revisionism.
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Critical Essay by Susan Sontag
9,232 words, approx. 31 pages
 In the following essay, originally published in the February 6, 1975, edition of New York Review of Books, Sontag argues that Riefenstahl's The Last of the Nuba expresses a “fascist aesthetic” in its representation of the human body, which is further reflected in Riefenstahl's films.
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Critical Essay by Ruth Starkman
7,153 words, approx. 24 pages
 In the following essay, Starkman presents an overview of Riefenstahl's life and career and argues that The Wonderful Horrible Life of Leni Riefenstahl, a documentary film directed by Ray Müller, expresses a sense of awe regarding Riefenstahl's status as both filmmaker and a charismatic personality.
Featured Essays
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 Essay Grade: 92%
Leni Riefenstahl
642 words, approx. 2 pages
 Brief look at the life of Leni Riefenstahl and her involvment with the Nazi Regime.
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 Essay Grade: 83%
Leni Riefenstahl
356 words, approx. 1 pages
 A look at the life of German filmmaker Leni Riefenstahl before her involvement with the Third Reich. Riefenstahl's love of art, including dance, acting and cinematography, helped establish her as a prominent personality in Germany and led to the start of her film production company in 1931.


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Leni Riefenstahl | |
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About 156 pages (46,661 words) in 18 products |
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