Mcmurtry, Larry (1936—)
A prolific writer of rare lyrical gifts, Larry McMurtry has enjoyed a reputation as the most eloquent voice of the contemporary American West. Born and raised in rural T...
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Biography EssayAlthough Larry McMurtry has moved beyond the status of a minor regional writer, he is still closely identified with Texas. His first six novels and a collection of essays (In a Narrow G...
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"I remember laboring, around 1971, on a screen offering for John Wayne, James Stewart, and Henry Fonda, a bittersweet, end-of-the-West Western, in which no scalps were taken and no victories were won,...
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LARRY McMURTRY is closely identified with Texas. All six of his novels and a collection of essays (In a Narrow Grave) reflect life in his native state. Born 3 June 1936 in Wichita Falls, he was educat...
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[This entry was updated by Sarah English (Meredith College) from the entry by John Gerlach (Cleveland State University) in DLB 143: American Novelists Since World War II, Third Series, pp. 137-150.]La...
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Larry McMurtry's work is marked by his imaginative connections with the American West. Drawn to place, McMurtry demonstrates in his work the mythic pattern of escape and return to his "blood's country...
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Critical Essay by David Bartholomew
McMurtry's point of view [in Somebody's Darling], in detailing dozens of brightly drawn, often scary characters, ranges from acerbic satire to bitter ...
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Critical Essay by Jill Robinson
[In Somebody's Darling, an] arresting, kindly and wry novel about love, hope and fame, Larry McMurtry manages to be funny as he slouches through Hollywood withou...
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In the following review, Clemons praises Leaving Cheyenne as McMurtry's best work, lamenting its lack of popularity.
Edmund Wilson on one of life's pleasures: "There are few thing...
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In the following essay, Cox compares the historic record of Billy the Kid with McMurtry's depiction of him in Anything for Billy.
When I was a little girl, about eight or nine years old, my gra...
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In the following review of Zeke and Ned, Maynard, a novelist, states that McMurtry and coauthor Diana Ossana have a created a rich, entertaining, embellished myth.
In his 20th novel [Zeke and Ned]...
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In the review below, Ronald, a professor at the University of Nevada, argues that Texasville does not measure up to earlier novels in the series such as The Last Picture Show.
Few literary sequels liv...
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In the following essay, Giles, a professor of American Literature at Northern Illinois University, considers the transformation of Texas literature and compares the work of McMurtry and John Rechy.
In...
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In the following essay, Phillips explores the transition in McMurtry's portrayal of the Western frontier legend, examining the symbolic treatment of the ranch in the author's first five ...
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In the review below, Champlin praises McMurtry for his analysis of the emerging problems with the American film industry.
Larry McMurtry, whose novels-into-films include Hud, The Last Picture Show, Le...
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In the review below, Gish, the author of Frontier's End, praises Anything for Billy as an intriguing example of a new type of Western.
There's much about the Old West and the Western nov...
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In the following review, Kingsolver, a novelist and author of The Bean Trees, states that despite a weak ending, Some Can Whistle is engaging and entertaining.
A novel about a novelist is a narcissist...
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In the following essay, Sanderson—in the context of considering modern Texan popular culture—critiques Anything for Billy, commenting on McMurtry's dual role as a writer reacting ...
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In the following review of Buffalo Girls, Schaeffer—also an author—praises McMurtry's work, saying the appeal of the novel stems from McMurtry's portrayal of an era at the ...
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Critical Essay by Charles D. Peavy
Larry McMurtry recently published his first non-fiction book [In a Narrow Grave], a collection of essays on Texas customs, beliefs, and cities. It will be interestin...
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Critical Essay by John Brosnahan
[Cadillac Jack, a] rambling drifter of a man—an antiques spotter who travels the country searching for collectible treasures and who acts as a middleman between...
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Critical Essay by Peter Prince
It isn't entirely Larry McMurtry's fault that his new novel [Cadillac Jack] gives off a strong sense of déjà vu—there has been a surfe...
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Critical Essay by Eden Ross Lipson
By his own account, Cadillac Jack McGriff, 6 feet 5 inches of Texas manhood without his boots or Stetson, 35 years old and twice divorced, is a natural scout and a n...
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Critical Essay by Joseph Browne
Like most "antique" collections, Larry McMurtry's eighth novel [Cadillac Jack] is actually two or three valuables and a whole lot of junk. This is ...
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Critical Essay by L. J. Davis
The principal trouble with Larry McMurtry's [Moving On] … is that it is about 500 pages too long. His characters are too amiable and ordinary, his action is...
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Critical Essay by Larry Goodwyn
One of the most interesting young novelists in the Southwest—and certainly the most embattled in terms of the frontier heritage—is Larry McMurtry. He shou...
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Critical Essay by Reed Whittemore
[All My Friends] focuses almost exclusively on sex for the first few chapters, then dwindles for a long stretch into life and literature, as if even McMurtry had grow...
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Critical Essay by Janis P. Stout
Northrop Frye writes in Anatomy of Criticism, "Of all fictions, the marvellous journey is the one formula that is never exhausted." I would add that the ...
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Critical Essay by Brina Caplan
Somebody's Darling has an interesting story to tell: Hollywood has chosen Jill Peel, a shy, witty, work-obsessed animator and cinematic technician, to be America&...
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Critical Essay by Joseph J. Esposito
Somebody's Darling employs some of the conventions of aesthetic realism and employs them well; the characters are rounded and believable and the story line ...
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Critical Essay by Kirkus Reviews
McMurtry's down-home fictions have always been juiced up with side-orders of raunchy charm and beer-barrel comedy—but this time [in Cadillac Jack] he tri...
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