Short story writer Katherine Mansfield (1888-1923) is noted for her short stories with themes relating to women's lives and social hierarchies as well as her sense of wit and characterizations.Katheri...
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Even before she died at the age of thirty-four Katherine Mansfield had achieved a reputation as one of the most talented writers of the modern short story in English. From 1910 publications in periodi...
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While working on a carefully guarded film project in 1982, Steven Spielberg invited the versatile writer William Kotzwinkle to Hollywood. Spielberg had read and enjoyed Kotzwinkle's vivid evocation of...
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In the following excerpt, Gurr comments on Katherine Mansfield's attitude toward her being, in effect, an exile in England from her native New Zealand.
1. the Little Colonial
The exiled artist ...
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In the following essay, Trotter discusses Relevance Theory, a version of pragmatics, as applied to Mansfield's “A Cup of Tea” and James Joyce's Ulysses.
1. Introduction
Fro...
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In the following essay, Dilworth views evolution as a central theme in “Bliss” and deems the story as “a wonderful aesthetic achievement.”
For such a popular and much-antho...
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In the following essay, Darrohn contends that “The Garden Party” explores issues of class and gender as well as the devastating impact of World War I on Mansfield's generation.
&#...
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In the following essay, D'Arcy examines the political commentary and sexual politics found in “Bliss.”
In the final part of To the Lighthouse, Lily Briscoe, the amateur artist, is...
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In the following essay, Norman identifies T. S. Eliot's poem “The Love Song of J. Alfred Prufrock” as an influence on Mansfield's“The Daughters of the Late Colonel.&...
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In the following essay, Breuer offers a psychoanalytic interpretation of “The Stranger” and investigates the literary source of the story's title.
Katherine Mansfield's sho...
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In the following essay, Stafford and Williams elucidate Mansfield's attitude toward her homeland of New Zealand and consider her place in the movement of literary nationalism known as Maoriland...
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In the following essay, Boddy traces the differences between “Late Spring” and the posthumously published story “This Flower.”
When Virginia Woolf reviewed the first editio...
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In the following essay, McFall contends that Mansfield's “concision, mobilization of imagery and rhythm, irony, ambiguity, and submerged lyric voice” necessitate that readers affo...
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In the following essay, Mortimer provides a reading of the “second story” found near the end of “Bliss.”
When the heroine of Mansfield's well-known, extraordinary sh...
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In the following essay, Lee explores “the role of language in the mediation of perspective in both the literal and metaphorical sense” as exemplified in Mansfield's story “...
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In the following essay, Lohafer recommends a “storiographical” approach to “Life of Ma Parker,” contending that a close analysis of this type reveals otherwise unappreciate...
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In the following essay, Caserio outlines the defining characteristics of Mansfield's short fiction and discusses her status among English modernist authors.
Has the celebrated Katherine Mansfie...
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In the following excerpt, Dunbar considers various influences on Mansfield's short fiction and discusses her contribution to the modernist short story.
In January 1921, just two years before sh...
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In the following essay, Winston explores the connection between Mansfield's “Carnation” and Virginia Woolf's “Moments of Being: ‘Slater's Pins Have No ...
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In "Miss Brill" by Katherine Mansfield, there is this passage: "Oh, how fascinating it was! How she enjoyed it! How she loved sitting here, watching it all! It was like a play. It was exactly like a p...
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Katherine Mansfield
Katherine Mansfield
