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Katherine Anne Porter.
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Biography EssayKatherine Anne Porter's literary reputation rests on the twenty-seven stories in her Collected Stories (1964) rather than on the best-selling novel Ship of Fools (1962), on which she wo...
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The works of Katherine Anne Porter (1890-1980), American writer, were characterized by delicate perceptions and painstaking craftsmanship.Katherine Anne Porter was born on May 15, 1890, in Indian Cree...
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"I practiced writing in every possible way that I could," Katherine Anne Porter once told Barbara Thompson in a Paris Review interview. "This has been the intact line of my life which directs my actio...
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Katherine Anne Porter claimed in later years that during the twenties, when many American writers were hastening to Europe, she felt she had no business there and went to Mexico instead. In fact, she ...
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Katherine Anne Porter is among the most distinguished writers of American fiction. Her stories and short novels are meticulously crafted in the tradition of Henry James, Katherine Mansfield, and Jame...
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Katherine Anne Porter 's literary reputation rests on the twenty-seven stories in her Collected Stories (1964) rather than on the best-selling novel Ship of Fools (1962), on which she worked intermitt...
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In the following essay, Troy offers a favorable review of Flowering Judas and Other Stories.
In the five years that have passed since the almost surreptitious publication of Flowering Judas Miss Porte...
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In the following essay, Joselyn maintains that a reading of Porter's “The Grave” “will serve to illustrate several of the main characteristics of the ‘lyric’ ...
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In the following essay, Perry appraises Porter's story “Hacienda” as a combination of her major thematic concerns, concluding that change is the most important theme in the piece....
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In the following essay from his full-length study of Porter's work, Hendrick classifies Porter's short fiction into four main categories based on common thematic concerns, stylistic tech...
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In the following essay, Baker places Porter's short fiction within a literary context and traces the influence of her time in Mexico on her life and her fiction.
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“The Downward Path to ...
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In the following essay, which was originally published in PMLA in 1969, Gottfried examines Porter's use of religious imagery and language in “Flowering Judas.”
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I have a great de...
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In the following essay, Howell evaluates Porter as a Southern writer.
Although the body of Katherine Anne Porter's work has little regional implication and though Miss Porter has spent most of ...
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In the following essay, Rooke and Wallis assert that critical interest in Porter's “The Grave” has long ignored the story's dominant themes—particularly the fall of ...
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In the following essay, Gernes explores the autobiographical nature of the death sequence in Porter's Pale Horse, Pale Rider.
“It's a true story …” Katherine Anne Po...
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In the following essay, Moddelmog offers a psychoanalytical reading of Porter's “He.”
“He” has received varied critical attention in the fifty-five years since its p...
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In the following essay, Gwin praises the sensory details of Porter's short fiction, in particular her depiction of eating and drinking in the stories comprising Flowering Judas.
Many efforts ha...
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In the following essay, Walsh evaluates the autobiographical nature of Porter's story, “Flowering Judas.”
Over the years Katherine Porter furnished many autobiographical details a...
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In the following essay, Unrue explores Porter's attitude toward art, religion, politics, and philosophy as evinced in her short fiction.
Katherine Anne Porter portrays persons who never look wi...
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In the following essay, Brinkmeyer considers the role of memory in Porter's work, concluding that her “exploration of memory places her in the company of a number of other modern Souther...
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In the following essay, Stout examines the reticence of the central character, Miranda, and perceives it as evidence of her wisdom.
I loved that silence which means freedom from the constant pressure ...
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In the following essay, Bell provides a detailed comparison of Katherine Mansfield's “The Garden Party” and Porter's “The Grave.”
From certain points of view ...
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In the following essay, Cheatham argues against an antiformalist approach to Porter's fiction.
I recently received a rejection notice for a paper I've written on Katherine Anne Porter...
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In the following essay, Titus discusses the relationship between aspects of Porter's life—particularly the death of her mother—and her short stories “The Grave” and ...
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In the following essay, Cheatham discusses the theme of death in Porter's Miranda stories.
Early in Pale Horse, Pale Rider, in one of Miranda Gay's dreams, Katherine Anne Porter introduc...
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In the following essay, Gretlund explores Porter's treatment of racism in her unfinished story “The Man in the Tree.”
Katherine Anne Porter's manuscript “The Man in ...
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In the following essay, Unrue provides a close reading of Porter's “Theft” in order to reveal “the extent to which politics was interwoven into Porter's concept and ...
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In the following essay, Jones discusses Porter's treatment of feminist issues in Old Mortality.
I won't have false hopes, I won't be romantic about myself. I can't live in ...
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In the following essay, Brinkmeyer traces Porter's growing interest in familial identity and Southern heritage and determines its effect on her fiction.
Katherine Anne Porter's developin...
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In the following essay, Blair explores the discrepancy between Porter's Old South origins as described in her fiction and the realities of her background.
When I first came to live in San Marco...
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In the following essay, French offers a thematic and stylistic analysis of Porter's “The Jilting of Granny Weatherall.”
In the introduction to his collection of critical essays on...
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In the following essay, Titus considers Porter's depiction of the female artist in “Holiday.”
According to Katherine Anne Porter's friend, Robert Penn Warren, the “a...
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In the following essay, Ciuba analyzes the roles of mourning and death in Porter's Pale Horse, Pale Rider.
Like all of Katherine Anne Porter's fiction, Pale Horse, Pale Rider is underwri...
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Critical Essay by M. Wynn Thomas
[Katherine Anne Porter's] sense of what makes for an ending is similar to that found in Aristotle's definition of Greek tragedy; and that was an analogy ...
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Critical Essay by Jane Flanders
Like so much American writing—particularly Southern writing—Katherine Anne Porter's stories of the Old South ("The Old Order" series ...
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Critical Essay by Joan Givner
[In a speech given to a group of University of Maryland students in 1972, Katherine Anne Porter] said that all her fiction is reportage, it really happened, but she arran...
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Critical Essay by Christopher Isherwood
Miss Porter has no genius but much talent. Her average level is high, and she doesn't let you down. She is more fundamentally serious than Katherine Mans...
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Critical Essay by Lodwick Hartley
Katherine Anne Porter remains chiefly a writer's writer. Such a circumstance is a pity, for in her short stories and novelle she has a great deal to say to all...
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Critical Essay by Robert Penn Warren
Many of [Katherine Anne Porter's] stories are unsurpassed in modern fiction, and some are not often equaled. She belongs to the relatively small group of wr...
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Critical Essay by Thomas F. Walsh
Katherine Anne Porter once wrote, "I have never known an uninteresting human being, and I have never known two alike; there are broad classifications and deep ...
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Critical Essay by Joan Givner
Because Katherine Anne Porter's fictional descriptions of the South of her childhood correspond so exactly to those in her factual accounts, her Miranda stories ha...
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Critical Essay by Robert B. Heilman
"Stylist" is likely to call up unclear images of coloratura, acrobatics, elaborateness of gesture, a mingling of formalism probably euphuistic with co...
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Critical Essay by John Edward Hardy
When Cousin Eva, the spinster suffragette in "Old Mortality," bitterly condemns the family as a "hideous institution," one that is ...
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Critical Essay by Constance Rooke and Bruce Wallis
About a decade ago, there arose a flurry of critical interest in Katherine Anne Porter's story "The Grave." This inquiry quickly...
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Critical Essay by Joan Givner
The main tenet of [Katherine Anne Porter's moral] philosophy is that the evildoers are not the most reprehensible people in the world, because they at least have t...
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Critical Essay by Eudora Welty
Most good stories are about the interior of our lives, but Katherine Anne Porter's stories take place there; they show surface Katherine Anne Porter 1890–1...
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Critical Essay by Jane Flanders
Katherine Anne Porter is seldom recognized as a feminist, and little known as a literary critic. She was both…. Porter exhibits in her work a well-trained critic...
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Critical Essay by Robert Penn Warren
No exploration of Katherine Anne Porter's "personality" … can explain the success of her art: the scrupulous and expressive intricacy o...
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Critical Essay by Jan Nordby Gretlund
[It] is a fact that K. A. Porter was as emotionally involved with the South as William Faulkner and Eudora Welty. Her love for her South is reflected in her writi...
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In the following review, the critic notes the strength of Porter's technical skill and offers brief assessments of each of the short stories in Flowering Judas.
Katherine Anne Porter is of that...
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In the following review, Price praises the publication of Porter's correspondence for offering new insight into the life and work of the author.
Katherine Anne Porter wrote letters of an astoni...
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In the following essay, Hoefel provides a feminist interpretation of "The Jilting of Granny Weatherall."
A central issue in the criticism of "The Jilting of Granny Weatherall...
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In the following review, Hosmer praises the publication of Letters of Katherine Anne Porter.
W. H. Auden was "an unusually stinking and opinionated sodomite"; Charlie Chaplin "an ...
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In the following excerpt, Kieft explores Porter's attitudes toward love and romantic relationships as shaped by her personal experiences and reflected in her writing.
Since love is a central th...
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In the following essay, Gordon draws attention to the literary accomplishments of Porter.
A writer pressing the case of the neglected hero gone before has a difficult role: part night nurse, part hit ...
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In the following review, Bogan praises Flowering Judas.
Miss Porter's stories, here collected for the first time, have appeared during a period of some years in Transition, "The American...
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In the following essay, Allen examines psychological devices and symbolism employed by Porter to illustrate hostility and frustration.
Katherine Anne Porter has published, as her admirers announce apo...
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In the following review, Samuels offers a mixed assessment of Porter's The Collected Essays and Occasional Writings, praising the author's technical skill while finding weakness in the s...
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In the following essay, Liberman explores the significance of symbolism in "Flowering Judas" and addresses previous critical readings of the story.
If one opens Jean Stafford's Co...
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In the following essay, Titus explores sexuality, gender politics, and the objectification of women in Porter's early published and unpublished writing.
"Her eagerness to be beautiful in...
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Is a woman's strength determined by her endurance to stay in a hurtful relationship or is it determined by her ability to move on? The early twentieth century is known to women as the "e...
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