In the following excerpt, Brombert contends that despite Vallès's often misunderstood humor, his works viscerally communicate the tragic circumstances of Leftist intellectuals who were n...
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In the following excerpt, Redfern discusses Vallès's exile in London, from about 1872 to 1880, focusing on Vallès's contrasting views of Paris and London and the background...
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In the following excerpt, Stivale contrasts Vallès's and Emile Zola's representation of the Paris Commune of 1871, arguing that Vallès's emphasis on identifying and ...
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In the following essay, Edmonds considers the autobiographical aspects of Vallès's Jacques Vingtras trilogy and emphasizes Vallès's contribution to the development of Frenc...
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In the following essay, Redfern examines Vallès's use of wordplay, proposing that for Vallès the pun demonstrates both the power and the inadequacy of words. Moreover, Redfern sug...
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In the following essay, Birchall considers Vallès's trilogy Jacques Vingtras in relation to the German literary tradition of the bildungsroman, or educational novel. Birchall suggests th...
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In the following excerpt, Fischer demonstrates the value of Vallès's play La Commune de Paris as a detailed and personal history of the Paris Commune of 1871, arguing that although the p...
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In the following essay, Lloyd focuses on the depiction of space in the Jacques Vingtras trilogy, arguing that Vallès's negative portrayal of private spaces underscores the loneliness and...
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In the following essay, Lloyd applies Karl Marx's notion of alienation to illuminate the character Jacques Vingtras 's troubled relationship to both work and workers, emphasizing Vall...
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In the following essay, van Slyke discusses Le Bachelier as an example of militant autobiography, using such an approach to demonstrate how the novel brings both author and reader into the text. In pr...
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In the following excerpt, Redfern examines the first book of Vallès's Vingtras trilogy, L'Enfant, focusing on Vallès's use of sensory detail and his keen perception ...
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