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Jules Laforgue.
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The work of the French poet Jules Laforgue (1860-1887) is distinguished by its qualities of skepticism and irony and its development of the technique of free verse.Jules Laforgue was born on August 16...
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Jules Laforgue, poet, critic and parodist, holds a unique place in the history of French literature as one of Charles Baudelaire's most astute and self-conscious inheritors, whose ironic and self-mock...
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In the late nineteenth century, Laforgue was still largely unknown to English and American readers; in the essay excerpted below, Moore seeks to expand the poet's reputation by articulating his...
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In the following excerpt, Holmes examines some of the elements that moved Laforgue toward free verse. She considers the influence of Impressionist aesthetics and looks at how Laforgue's poetic ...
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In this excerpt, Gorren places Laforgue in the context of other poets associated with Symbolism, commenting on both his similarities with and his differences from them.
. . . [Love] of the barest rhyt...
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In the following essay, Turnell addresses many of the issues central to early-twentieth-century Laforgue studies: Baudelaire's influence on the poet's development; the poet's arti...
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In the following excerpt, Ramsey—a leading Laforgue scholar—explores how the different philosophers then popular with Paris intellectuals shaped Laforgue's poetry. In particular, ...
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The following excerpt from Bailey's book treats the Symbolist fascination with Hamlet; she contends, through an analysis of "Hamlet" and other references to the figure in Laforgue...
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In the following essay, Stormon charts the apparent echoes of Laforgue in Eliot's verse. The critic sees an affinity between the two poets based mainly on Laforgue's "reaching aft...
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In the excerpt that follows, Lehmann places Laforgue's use of the terms rêve and the Unconscious in the context of how Symbolist poets in general understood certain abstract concepts.
Ri...
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In the essay excerpted below, King offers a detailed history and interpretation of the clown figure in French literature, concluding with a study of Laforgue's Pierrot, who is "both the ...
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In the following essay, Howe conducts a close study of Laforgue's verse, substantiating her assertion that the poet uses cliché and convention to forge his unconventional poetic forms.
&...
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Huneker was an American musician and critic who focused on discovering the best of European music and literature and introducing them to the American public. In the following excerpt, he records his i...
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Hannoosh is the author of Parody and Decadence: Laforgue's "Moralités légendaires" (1989). In the following essay, she interprets the story "Salomé" a...
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In the following review, Sieburth comments on the influence of Laforgue's Moral Tales on English-speaking Modernist authors.
Jules Laforgue's special allure for British and American mod...
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In the following essay, Hannoosh analyzes themes and symbols in "Lohengrin, fils de Parsifal, " especially as they relate to the function of parody in the story.
Laforgue's ...
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In the following excerpt, Holmes highlights affinities between the stories of Moral Tales and Laforgue's poetry.
Laforgue's completion of five short stories, later to be published with o...
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In the following review, the critic praises Moral Tales for its originality and irony.
The embarrassment of attempting to describe or classify [Six Moral Tales] in any of the usual ways is so great th...
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In the following review, Baugh lauds Francis Newman's 1928 translation of Moral Tales and notes the "lunar mockery" suffusing Laforgue's tales.
Ever since these prose tales...
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Fowlie is one of the most respected and versatile critics of French literature. His works include translations of major dramatists and poets of France as well as critical studies of the major figures ...
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In addition to Laforgue, Ramsey has written about such French poets as Stéphane Mallarmé, Paul Valéry, Leon-Paul Fargue, Guillaume Apollinaire, and Jules Supervielle. In the following e...
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In the following essay, Sonnenfeld maintains that Laforgue 's interpretation of William Shakespeare's fictional character Hamlet is highly influenced by German philosophy.
"Such w...
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Brooks is an American critic and educator. In the following excerpt, he argues that in the story "Hamlet" Laforque presents William Shakespeare's fictional character Hamlet as a D...
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An American poet, author of children's verse, critic, and dramatist, Smith has also translated Laforgue's Moral Tales and Selected Writings of Jules Laforgue. In the following essay, he ...
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An English-born Canadian educator, critic, and poet, Collie has published several books on Laforgue and produced a 1977 edition of Laforgue's verse collection Les complaintes. He has also publi...
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In the following essay, De Casseres records his impressions of Laforgue as an artist.
Jules Laforgue, Frenchman, who died at twenty-seven, left three volumes—a book of poems, a book of legendar...
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In the following essay, Turnell examines Laforgue poetic method, primarily through an analysis of his Dernier vers and a comparison of his poetry to that of Charles Baudelaire.
Je songe à une ...
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In the following essay, Smith comments on Les complaintes, Laforgue 's first published collection of poetry, highlighting the poet's innovative use of language in the work.
Les complaint...
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In the following essay, King examines Laforgue's attempt to make a new language for poetic expression.
Of the three principal poetic "movements" of nineteenth-century French liter...
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In the following essay, Collie studies the stylistic and thematic aspects of Laforgue's Dernier vers.
Derniers Vers
Having published the boldly inventive volume Les Complaintes in 1885 and the ...
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In the following excerpt, Howe undertakes a stylistic analysis of Laforgue 's poetry that focuses on its dramatic qualities.
i) From unicity to multiplicity
Quand j'organise une descent...
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In the following essay, McCann explains the creation of meaning in Laforgue 's poetry as a process characterized by intertextuality and the changeable nature of language.
Many readers may share...
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In the following essay, Holmes investigates the interplay of style, theme, and poetic technique in Laforgue 's Les complaintes.
the Idea of the Gi; the Idea of the complainte =~ Scomplainte
...
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