Judith Wright belonged to the generation who began writing and publishing in The Bulletin and new literary journals such as Meanjin Papers in the 1940s, as World War II was drawing to its end. C. B. C...
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In this essay concerning Wright's Woman to Man, Lindsay asserts that Wright is the first woman poet to speak of love with a truly female voice.
Of Judith Wright's poetry it might well...
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The following essay was delivered as a seminar in 1981. In this analysis, Janakiram examines and applauds Wright's struggle, in both poems and in life, to create a relationship "to be wo...
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In this excerpt, Walker argues that Wright's collections Fourth Quarter and Phantom Dwelling represent a growth in the poet's already estimable talent and vision. Walker contends that in...
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Here, Brissenden examines Wright's first three volumes of poetry. The critic praises many aspects of the poet's work, but worries that the metaphysical panderings in the third volume, Th...
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In the following essay, Scott places the philosophical underpinnings of the poet's work within the context of a Platonic worldview, noting her dual views of nature: on one hand it represents th...
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In the following essay, Fleming takes issue with the generally warm response Australian critics have given Wright's poetry. He methodically attacks both the "content" and the ...
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Here, Wilkes defends Wright's third and fourth volumes of poetry, The Gateway and The Two Fires, contending that the two collections represent an expansion in Wright's poetry, an attempt...
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Using his review of The Other Half (1966) as an occasion to write a retrospective of Wright's career, Ewers traces her development from regionalist to universalist, and concludes that she is a ...
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McAuley was an Australian poet, critic, and educator who influenced his country's literature through his emphasis on traditional poetic forms and techniques and his opposition to the nationalis...
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Here, Kohli contrasts Wright's work with the more overtly sensual poems of Indian poet Kamala Das. Kohli argues that words and communication have a higher value in Judith Wright's poetic...
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In this review of Wright's retrospective collection The Double Tree, Pritchard notes an increasing flexibility in Wright's poetic tone, comparing her work to that of D. H. Lawrence and W...
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Critical Essay by Val Vallis
Judith Wright's collection of talks given "because she was invited" has as its first concern poetry in general. [Because I Was Invited] also presents...
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Critical Essay by Peter Porter
Judith Wright is a poet of resonant plainness. Much too plain in the past, for my taste—but her two recent books [Alive and Fourth Quarter] suggest that she is v...
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Critical Essay by Margaret Gibson
Selected from work over a span of 30 years, Wright's poems [in The Double Tree: Selected Poems, 1942–1976] bear witness to her commitment to "po...
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The experiences and influences that presented themselves in Judith Wright's life expansively wrought the content of her poems. Her family and heritage appreciably influenced many ideas that she chall...
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Is all change growth? Is all movement forward? These are questions which Judith Wright examines through her poetry. Change is inevitable however to change and to change for the better are two differen...
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Judith Wright was born where the trees `grew blue-leaved and olive' in the `clean, lean, hungry country' Australia. (South of My Days poem)
Wright, born in 1915, grew up in a wealthy family and devel...
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