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John Suckling (poet).
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The English poet and playwright Sir John Suckling (1609-1642) was one of the Cavalier poets of the reign of Charles I.Born into an old Norfolk family early in February 1609, John Suckling was the son ...
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A popular label for many poets in seventeenth-century Britain has been "Cavalier," and the person who usually comes first to mind is Sir John Suckling. The classification implies an allegiance to Char...
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Sir John Suckling was, according to the seventeenth-century gossip and biographer John Aubrey, "The greatest gallant of his time and the greatest gamester both for Bowling and Cards, so that no Shopke...
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In the following essay, de Soet provides a brief overview of Suckling's life and praises his talents as a poet.
A very important place among the cavalier poets who wrote between the accession o...
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In the essay below, Henderson explores how the works of John Donne and French poetic traditions influenced Suckling's works.
The few students of recent times who have mentioned Sir John Sucklin...
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In the following essay, Beaurline addresses authorship issues related to a number of poems ascribed to Suckling.
No scholar has attempted a systematic study of the authorship of Sir John Suckling...
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In the following excerpt, Freehufer discusses a 1638 staging of Suckling's Aglaura, arguing that this piece was likely the Italian Night Masque mentioned by contemporary critic Henry Wotton.
Of...
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In the excerpt below, Clayton surveys Suckling's critical reception from the seventeenth century through the nineteenth century.
Ii. Suckling's Reputation
Suckling's literary repu...
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In the essay that follows, Anselment considers both the idealism and cynicism evident in Suckling's love poetry, and argues that Suckling is not a typical Cavalier Poet.
Among the group of poet...
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In the first of the two following essays, Squier analyzes Suckling's prose output, including letters and nonfiction, and focuses on what insights these pieces reveal about Suckling's oth...
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In the essay that follows, Clayton examines four of Suckling's lesser known poems in order to illustrate his argument that the standard critical image of Suckling as a minor poet is shortsighte...
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In the following essay, van Strien examines Suckling's letters in an attempt to piece together Suckling's time in Holland as a young man in his early twenties.
Sir John Suckling (1609-16...
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In the following excerpted introduction to The Works of Sir John Suckling, Thompson characterizes Suckling as a minor poet, and offers a brief summary of his life and work.
The Fragmenta Aurea of Sir ...
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In the following review, Moorman sees Suckling as John Donne's “direct successor,” and comments on Suckling's poetic influence.
In this volume [The Works of Sir John Suckli...
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In the following excerpt, Reed considers Suckling's wry attitude toward his poetic muse.
One of [Thomas] Carew's intimate friends at court was Sir John Suckling (1609-1642). He studied a...
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In the following essay, Henderson studies the influence of libertinism and the derision of Platonic love in Suckling's poetry.
The few students of recent times who have mentioned Sir John Suckl...
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In the following essay, Beaurline analyzes Suckling's poem “Why so pale and wan fond Lover?”
I
Sir John Suckling's song “Why so pale and wan fond lover” is on...
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In the following essay, Anselment critiques the traditional assessment of Suckling as merely a cynical love poet.
Among the group of poets conveniently labeled “Cavalier,” John Suckling ...
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In the following essay, Markel investigates the irony of Suckling's pose as a nonchalant, Cavalier love poet.
People who write about Sir John Suckling find it almost impossible not to mention t...
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In the following excerpt, Squier discusses Suckling's late “essentially urbane, urban, and social” poetry.
I the Club
The last four years of Suckling's life include the wri...
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In the following essay, Clayton endeavors to redeem Suckling from usual critical consideration as a minor poet by exploring his irony and wit, as well as the depth of his poetic criticism of life.
...
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