Aside from his reputation as a playwright, John Marston has for the most part been recognized from his own time to the present as a satirist, a malcontent, and a generally cantankerous individual. His...
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John Marston's current reputation as one of the foremost poet-playwrights of the English Renaissance rests primarily on the strength of The Malcontent (1603-1604), the one masterpiece among his comedi...
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In the following excerpt from an essay originally written in 1820, Hazlitt discusses Marston primarily as a satirist, praising the power of his dramas despite their "impatient scorn, " &...
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Ingram evaluates Marston's overall place in and contribution to Jacobean dramatic literature, praising his "zest" and theatrical sense.
In 1633, John Marston, an elderly retire...
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Below, Scott discusses Marston's mastery of dramatic technique, focusing on ways in which his plays fuse intellectual and subconscious response in the reader.
In The Empty Space Peter Brooks...
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Here, Graham discusses Marston's handling of anger in The Scourge of Villanie, Antonio and Mellida, and Antonio's Revenge, arguing that "his work shows a plainness that questions ...
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Here, Swinburne attempts to defend the merits of Marston's style from his detractors, asserting that, while the dramatist can be both inconsistent and coarse in his choice of language and subje...
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Wood's three-volume edition of Marston's plays was highly influential in bringing about a resurgence of interest in the dramatist during the 1930s. In the following excerpt from his intr...
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Below, Eliot argues that Marston has been underrated as a dramatist, partly as a result of comparisons between his work and that of Shakespeare. Eliot suggests that Sophonisba is Marston's best...
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Here, Boas presents an overview of Marston's career, tracing changes in his style as it developed. He also declares that critical opinions have changed in Marston scholarship.
… [With...
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Below, Ornstein describes Marston as a playwright who commercially exploited various philosophical notions without demonstrating an understanding of them.
Critics who have no taste for Marston...
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In the following excerpt, Caputi examines Marston's style in the various satires, focusing on his use of speeches, types, and exempla, and discussing how he further developed these techniques i...
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