During the 1960s, the architects of the black arts movement--Imamu Baraka (LeRoi Jones), Larry Neal, Haki R. Madhubuti (Don L. Lee), Addison Gayle, and others--demanded that black writers use their ta...
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John Edgar Wideman has firmly established himself as one of the most respected contemporary writers, as evidenced by his receipt of the P.E.N./Faulkner Award in 1984 and 1991. The author of ten books...
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In the following review, Schaeffer surveys the dominant themes of the stories in Fever: Twelve Stories.
Images of blindness, of masks, of facades, of mirrors, of reflections, dominate Fever [Fever:...
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In the following essay, Coleman provides a stylistic and thematic overview of Damballah, asserting that the major themes of the short story collection “center on the folk characters' use...
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In the following review, Kenan discusses the defining characteristics of the stories comprising Fever: Twelve Stories.
“Do not look for straightforward, linear steps from book to book,ȁ...
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In the following mixed assessment, Pinckney maintains that “the range of characters in his recent collection of stories, Fever: Twelve Stories, is agreeably broad, the situations are carefully ...
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In the following favorable review of The Stories of John Edgar Wideman, Gorra compares Wideman's short fiction to that of William Faulkner.
Any American fiction writer who sets the bulk of h...
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In the following excerpt, Rubin offers a laudatory review of The Stories of John Edgar Wideman.
For those who feel too pressured to read much fiction throughout the rest of the year, summer brings ...
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In the following review, Birkerts asserts that Wideman is America's leading African American male writer and provides a thematic overview of his short stories.
Success comes in different way...
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In the following essay, Rosen describes an interview with Wideman in which the author discusses the major thematic concerns of his stories and his insistence on publishing his fiction in paperback for...
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In the following mixed review, Wood provides a stylistic analysis of the stories in All Stories Are True.
To make writing flow like speech—to make a pool seem like a stream—may be the...
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In the following essay, Mbalia compares Wideman's earlier stories to his later ones.
Just as I had completed what I hoped to be the next to the last draft of this work, Wideman published his...
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In the following essay, Byerman delineates the unifying themes and stylistic aspects of the stories comprising All Stories Are True.
Some of the stories in All Stories Are True (1992) continue the ...
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In the following essay, Raynaud explores the relationship between writing, creative imagination, and reality in Wideman's “Surfiction” as well as the story's link to Charle...
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In the following essay, Gysin provides historical background to Wideman's “Fever” as well as a stylistic analysis of the story.
“Telling the story right will make it rea...
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In the following essay, Weets asserts that the role of music and pictures in “Across the Wide Missouri” “underlines the help necessary to tell a story and signals the shortcomings...
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In the following essay, Hoem investigates the role of “ancestral constructs” in Wideman's “Damballah” and The Cattle Killing.
We are difference … our reaso...
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In the following essay, Trussler draws parallels between the ekphrastic elements of Donald Barthelme's “The Balloon,” Salman Rushdie's “At the Auction of the Ruby Sl...
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Coleman is an American educator. In the following essay, he delineates Wideman's return to the thematic realm of family and community in his works following The Lynchers.
In a 1972 interview...
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In the following essay, Clausen compares and contrasts John Updike's works—including his 1990 novel Rabbit at Rest—and Wideman's works, particularly Philadelphia Fire.
T...
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Gorra is an American educator and critic. In the following review he draws comparisons between Wideman and William Faulkner, and applauds Wideman's characterizations and narrative skills in The...
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Birkerts is a noted critic and author of several books, including The Gutenberg Elegies: The Fate of Reading in an Electronic Age (1995). In the following review, he praises The Stories of John Edgar ...
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In the following interview, Wideman discusses the "fictional, constructed landscapes" he created in his works.
I went to Amherst, Massachusetts, on April 23, 1992, to talk with John E...
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Saunders is a professor of English at Purdue University and critic. In the following essay, he surveys Wideman's works, delineating the author's response to the inherent dualities of soc...
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In the following review, Watkins provides a laudatory assessment of Fatheralong.
John Edgar Wideman's latest book, Fatheralong, is a hybrid. It is at once a memoir and a meditation on father...
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Shechner is an American educator, author, and critic. In the following review, he offers a favorable assessment of Fatheralong.
I recall the lectures well, lectures verging upon scoldings, about ho...
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In the following review, Pinsker responds negatively to Fatheralong.
Race in America has been compared to a moose on the dining room table: nobody wants to call attention to the carcass despite the...
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West is an author and critic. The following is his highly favorable review of The Cattle Killing.
One of the men within John Edgar Wideman believes that over the centuries irreparable harm has been...
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Seymour is an American journalist, editor, and author of such works as Jazz: The Great American Art. In the following review, he reflects on the absence of imagination in modern society and responds f...
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Berben is a critic and an educator at the Université de Nice. In the following essay, she examines Wideman's use of both direct and indirect methods of communicating themes and meanings ...
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Birkerts is a noted critic and author of several books, including The Gutenberg Elegies: The Fate of Reading in an Electronic Age (1995). In the following review, he offers a negative appraisal of The...
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Oates is a noted author, educator, and critic; her works include We Were the Mulvaneys. In the following review, she offers a favorable assessment of The Cattle Killing.
In a probate-office storage...
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In the following review, Wood delineates Wideman's handling of the various themes, characters, and subjects in The Cattle Killing and Brothers and Keepers.
'Maybe this is a detective ...
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Bennion is an American educator and critic. In the following essay, he illustrates the role memory plays in shaping the narrative of Sent for You Yesterday.
Wideman's Sent for You Yesterday ...
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Dretzka is an American journalist and critic. In the following review, he offers a favorable assessment of Reuben.
I wasn't prepared for this book, the impact it would have on me. Sure, I kn...
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Jaffe is a noted critic, editor of Fiction International, and author of several books, including Othello Blues (1996). In the following review, he responds enthusiastically to Reuben, noting Wideman...
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Wilson is an American educator and critic. In the following essay, he examines how Wideman combines both elements of the history of an individual family and of American society as a whole in The Homew...
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Rowell is the editor of Callaloo and chairman of the department of English language and literature at the University of Virginia. In the following interview, which was conducted on October 17, 1989, W...
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Berben is writer and educator at the Université de Nice. In the following essay, she uses examples from Toni Morrison's novel, Sula, to illustrate her explication of the significance of ...
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Rushdy is an educator and the author of The Empty Garden: The Subject of Late Milton (1992). In the following essay, he discusses the significance of the narrator gaining his "blues voice...
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"Emancipating From Society"
In "Our Time," John Wideman bravely dives into the pits of a scorpion society - one that juxtaposes the poor and minorities with the rich and people in power - in an atte...
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Cynthia Ozick stood before a full house of literary fans, her white hair shining as she assessed an art form that could be likened to an old, but vital patriarch _ rich, historic and, the author fe...
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