Jeffrey Hammond (born July 30, 1946, in Blackpool, sometimes credited as Jeffrey Hammond-Hammond) was a bass player for the progressive rock band Jethro Tull. Hammond adopted the name "Hammond-Hammond" as a joke, since both his father's name and mother's maiden name were the same. One of several band members from Blackpool, England, he met band leader Ian Anderson in school when he was 17 years old, eventually joining a band with Anderson and future Jethro Tull members John Evan and Barriemore Barlow. After leaving Grammar School, he opted to study painting rather than continue with music, but he was convinced to join Jethro Tull in January 1971. During the time of Tull's dramatic stage costumes, Jeffrey started wearing a black and white striped suit and played a matching bass guitar, this became his trademark and a feature of Tull's Thick as a Brick stage performance. Hammond burned the suit in December 1975 on his departure from the band. He played on the following albums:
- Aqualung (1971)
- Thick as a Brick (1972)
- Living in the Past (1972)
- A Passion Play (1973)
- War Child (1974)
- Minstrel in the Gallery (1975)
He then left the band to continue his career in art. According to Ian Anderson's sleevenotes for the 2002 reissue of Tull's Minstrel in the Gallery, Hammond "returned to his first love, painting, and put down his bass guitar, never to play again." Hammond's replacement as bass player was John Glascock, a professional musician. Hammond had required considerable practice and rehearsal to play Jethro Tull's music. Despite his being a friend of Ian Anderson this lack of acumen led to some friction and tended to drag out the rehearsal process. Before joining the band as a performer, Hammond appears to have spent much time with them in the background. Ian Anderson wrote songs about his friend's idiosyncrasies, of which the best known are "A Song for Jeffrey", and "Jeffrey goes to Leicester Square". Introducing the first song, in the days before Hammond joined the band, Anderson would portray him in slightly condescending terms as someone with emotional problems who lost his way easily, as described in the first line of the song. His eventual appearance as a band member, therefore, was something of a surprise. Hammond narrated the surreal piece "The Story of the Hare Who Lost His Spectacles" on the album A Passion Play, and the related short film. He also received credit, along with Anderson and John Evan, for writing the piece. Hammond was also credited with creating the "claghorn", a hybrid instrument. He took the mouthpiece and bell from a toy saxophone and attached them to the body of a flute. The result can be heard on the track "Dharma for One" on the album This Was.
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