The French dramatist Jean Baptiste Racine (1639-1699), admired as a portrayer of man's subtle psychology and overwhelming passions, was the author of 11 tragedies and a comedy. His work is the greates...
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Jean Racine has long been held as one of the foremost writers in the whole of French literature, though his fame rests essentially on but ten plays. His literary output beyond these plays is, moreover...
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In the following essay, Todd analyzes the various components of Athalie from a typological point of view, that is, by looking at the use of figurative elements, in order to reveal Racine's uniq...
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In the following essay, Desnain contends that Racine's plays clearly portray the importance of gender roles and promote certain rules of behavior for women, arguing too that the playwright...
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In the following essay, Delehanty maintains that in his biblical drama Athalie, Racine presents two opposing models of historiography: salvation history and teleological history.
Generally, when we...
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In the following essay, Forestier discusses Racine's conception of characterization for the stage, focusing on his innovative contribution to the portrayal of tragic heroes.
It is evident fr...
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In the following essay, Biet explores the aesthetic, anthropological, and ideological aspects of the motif of tears in Britannicus and Bérénice, focusing on the tears of the characters J...
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In the following essay, Conroy examines the dynamic between gender, power, and sovereign authority in Alexandre le Grand and Athalie.
Attitudes towards women in power and women in authority permeat...
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In the following essay, Conroy explores the quest for identity and notions of “self” and “Other” in Racine's plays, looking at collective ethnic groups and individua...
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In the following essay, Racevskis contends that Iphigénie is a tragedy about the universal human predicament of being caught on the threshold between self and others, present and future, duty a...
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In the following essay, Critchley discusses the title character of Phèdre, considers the nature of her melancholy, and characterizes the play as an antipolitical Christian tragedy.
Faced wit...
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In the following essay, McClure asserts that Bérénice reflects the influence of Epicureanism, Cartesianism, and contemporary controversies concerning the material nature of the universe,...
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In the following essay, Campbell considers to what extent Mithridate can be called a tragedy.
Even admirers of Racine's tragedies have hesitated with Mithridate. For François Mauriac ...
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In the following essay, Forman examines the concept of esprit and the related issues of individuality, autonomy, and will in Racine's later plays, commenting on their ethical implications.
T...
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In the following essay, Gearhart discusses the politics of Britannicus and uses the play to show that psychoanalytic theory has a significant role to play in the critique of the subject.
For some t...
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In the following essay, Longino considers the theme of communication in Bajazet.
What happens to Bajazet when the play is taken literally?1 Reading literally brings together two discourses, one of ...
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In the following essay, Stone examines the use and treatment of memory in Athalie.
Athalie marks the limit of Racine's theatrical career. The play commemorates the historic end point of his ...
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In the following essay, Goodkin argues that, in his plays based on mythological sources in particular, Racine inverts sexual dynamics and portrays female characters as heroic and powerful and male cha...
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In the following essay, Reilly explores the language of power in Racine's tragedies, focusing on the two key words for power that he uses: pouvoir and puissance.
What is the nature of power ...
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In the following essay, Wygant offers a Freudian interpretation of Phèdre, suggesting that the title character is the figure of tragedy whose suicide represents Racine's professional sui...
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Inchbald was an English dramatist of the late eighteenth and early nineteenth centuries. In the excerpt below, she remarks upon the dramatic effect of The Distressed Mother, Ambrose Philips's t...
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An Italian educator, philosopher, and author, Croce developed a highly influential theory of literary creation and a concomitant critical method. In defining the impetus and execution of poetry, Croce...
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A French dramatist and novelist, Giraudoux is recognized primarily for his highly stylized works centering around the elemental themes of love, death, and war. In the following excerpt from an essay o...
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Below, Joubert offers a general essay on the accomplishment and significance of Racine, noting his artistic statements against governmental tyranny.
In a broadcast for French schools dealing with R...
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A prominent French poet and critic, Valéry is one of the leading practitioners of nineteenth-century Symbolist aestheticism. His work reflects his desire for total control of his creation; his ...
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Fowlie is among the most respected and comprehensive scholars of French literature. His work includes translations of major poets and dramatists of France (Molière, Charles Baudelaire, Arthur R...
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In the following excerpt from an English-language edition of a volume originally published in French in 1951, Vinaver examines Racine's tragic poetry, particularly its employment in Andromaque,...
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Gassner, a Hungarian-born American scholar, was a great promoter of American theater, particularly the work of Tennessee Williams and Arthur Miller. He edited numerous collections of modern drama and ...
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In the following excerpt from a work originally published in 1956, Goldmann narrowly defines dramatic tragedy and then discusses how Racine structured his dramas as tragedies.
The Concept of Tragedy...
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In the following excerpt from the text of a lecture delivered in 1959, Muir focuses upon the final two dramas of Racine, Esther and Athaliah, finding the latter in particular a reflection of Racine...
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Sainte-Beuve is considered the foremost French literary critic of the nineteenth century. Of his extensive body of critical writings, the best known are his "lundis"—weekly newspa...
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Winner of two Pulitzer Prizes and a National Book Award, Lowell is generally considered the premier American poet of his generation. One of the original proponents of the confessional school of poetry...
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Turnell has written widely on French literature and has made significant translations of the works of Jean-Paul Sartre, Guy de Maupassant, Blaise Pascal, and Paul Valèry. In the following excer...
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Brereton is an English scholar who has written extensively on French literature of the sixteenth, seventeenth, and eighteenth centuries. In the following excerpt, he examines specifically the poetry o...
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In the following excerpt, Pocock seeks to demonstrate that "the basis of Racine's art was his concern to express those irrational and even infantile passions that are fed from the uncons...
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Maskell is the author of Racine: A Theatrical Reading (1991). In the following excerpt from a later work, he compares the theatricality—specifically, the "visual language"—...
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A nineteenth-century French poet, Verlaine captured the musicality of the French language perhaps more than did any other poet. By using rhyme structures and meters that had previously been rare in Fr...
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An American critic, playwright, and novelist, Matthews wrote extensively on world drama and served for a quarter century at Columbia University as professor of dramatic literature; he was the first to...
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Strachey was an early twentieth-century English biographer, critic, essayist, and short story writer. He is best known for his biographies Eminent Victorians (1918), Queen Victoria (1921), and Elizabe...
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With Paul Elmer More, Babbitt was one of the founder of the New Humanism (or neo-humanism) movement which arose during the twentieth century's second decade. The New Humanists were moralists wh...
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Saintsbury was a late-nineteenth and early-twentiethcentury English literary historian and critic. Hugely prolific, he composed histories of English and European literature as well as numerous critica...
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An American critic, editor, poet, translator, and historian, Cowley made valuable contributions to contemporary letters with his editions of the works of such American authors as Nathaniel Hawthorne, ...
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During the early twentieth century, Baring—along with G. K. Chesterton and Hilaire Belloc—was considered one of the most important Catholic apologists in England. He was proficient in a ...
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