Dubbed "the Black Prince of letters," by his discoverer, Jean Cocteau, the French novelist and playwright Jean Genet (1910-1986) was obsessed with the illusory, perverse, and grotesque elements of hum...
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After Jean Genet's death in a modest Parisian hotel room, after a long bout with throat cancer, Jack Lang, the former minister of culture, said: "Jean Genet has left us, and with him, a black sun that...
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Critical Essay by Jerry L. Curtis
Genet's originality stems from the fact that he has cogently chosen to refuse society's values and has set about to reverse, if only for himself, the m...
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Critical Essay by Gay Mcauley
In [Les Nègres] the characters are masks, they exist as appearance only, and the black skin of the negroes is as much a mask as the grotesque white masks of the a...
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Critical Essay by Albert Bermel
Genet's plays, like Pirandello's, have become a treasure house for the rococo critical imagination. As the visitor basks in the heady atmosphere—t...
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Critical Essay by David I. Grossvogel
Genet is an outcast amid outcasts, a criminal and a pederast—outlaw to society, female to the fraternity of outlaws. When he writes for the stage, he want...
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Critical Essay by Leonard Cabell Pronko
There has always existed a certain kinship between the spirit of Eastern theater and that of Jean Genet. In the plays written after 1955, however, this affinit...
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Critical Essay by Harry E. Stewart
In order to defend Lefranc as "hero" of Haute Surveillance, an examination of the structure of the criminal-religious hierarchy as Genet views it beco...
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Critical Essay by Neal Oxenhandler
Jean Genet's play The Blacks is preceded by the words: "One evening an actor asked me to write a play for an all-black cast. But what exactly is a bla...
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in the following essay, Katz explores Genet's personal involvement in his work, providing a comprehensive background on the author's perspective.
In the art of the tightrope walker, J...
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In the following essay, Connon discusses the role of the audience in The Blacks, focusing on Genet's direct implication of its racial composition and his intentional creation of discomfort.
...
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In the following essay, Kennelly studies the changes Genet made to the text of The Blacks in its two versions, concentrating on the issue of ambiguity.
Je suis furieux. Je me donne depuis 15 jours ...
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In the following excerpt, Thompson provides a broad discussion of race within The Blacks, arguing that the purpose of the play is not the determination of “blackness,” but the dramatizat...
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In the following review, Bradby assesses three productions of The Blacks directed by Peter Stein.
‘One evening an actor asked me to write a play for an all-black cast. But what exactly is a ...
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In the following essay, Warner compares the characters in Les Nègres with black writers who sought to celebrate their ethnicity.
It is clear as one reads Les Nègres, published in Engl...
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In the following essay, Katz examines Genet's techniques to convey meaning in his writing.
In the art of the tightrope walker, Jean Genet discovered a metaphor for a particular kind of theat...
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In the following essay, Cornford explores the connection between the narrator's expressions of his own grief and the construction of his narrated world in Pompes funèbres.
The themes ...
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In the following essay, Hanrahan argues that Genet's sexual symbolism serves to subvert the traditional phallic cult of desire.
Genet's second novel, Miracle de la Rose, constitutes a...
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In the following essay, Gourgouris examines Genet's poetics through his widely known and embraced identity as a criminal and his later association with revolutionary groups.
It has already b...
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In the following essay, Witt argues that Genet's works have a subtextual female presence, which serves as a source of destruction for the male-ordered world he presents.
A feminist writer? I...
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In the following essay, Pizzato provides a Lacanian psychoanalytic reading of Genet's works, focusing on Genet's creation of a self in both his life and works.
In his brief book on Pr...
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In the following essay, Plunka observes the connection between sainthood and criminality in Genet's works.
Jean Genet's life has been a constant immersion in solitude. He described th...
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In the following essay, Plunka describes Genet's use of ethnological rites of passage in Les Nègres.
In Jean Genet's oeuvre, the single element that unites all of his works and...
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In the following essay, Durham explores the role of utopia and collective memory in the political rebellion described by Genet in Un captif amoureux.
In Un Captif Amoureux, Genet describes the enco...
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Actor Roscoe Lee Browne, whose rich voice and dignified bearing brought him an Emmy Award and a Tony nomination, has died. He was 81.Browne died early Wednesday at Cedars-Sinai Medical Center after...
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Actor Roscoe Lee Browne, whose rich voice and dignified bearing brought him an Emmy Award and a Tony nomination, has died. He was 81.Browne died early Wednesday at Cedars-Sinai Medical Center after...
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Actor Roscoe Lee Browne, whose rich voice and dignified bearing brought him an Emmy Award and a Tony nomination, has died. He was 81.Browne died early Wednesday at Cedars-Sinai Medical Center in Lo...
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Actor Roscoe Lee Browne, whose rich voice and dignified bearing brought him an Emmy Award and a Tony nomination, has died. He was 81.Browne died early Wednesday at Cedars-Sinai Medical Center after...
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Stuck in that weird intersection between the death throes of the old Hollywood and the birth pangs of the new, The Loved One, Tony Richardson’s 1965 film of Evelyn Waugh’s satire of fam...
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Stuck in that weird intersection between the death throes of the old Hollywood and the birth pangs of the new, The Loved One, Tony Richardson’s 1965 film of Evelyn Waugh’s satire of fam...
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