Search "Jean-Luc Godard"
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Jean-Luc Godard | |
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About 82 pages (24,707 words) in 16 products |
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 Jean-Luc Godard Quotes
1,025 words, approx. 3 pages
 Jean-Luc Godard (born 3 December 1930 ) Paris, France. is a French film director , whose works include the films Alphaville , À bout de souffle , Une Femme est une femme , Vivre sa vie , Bande à part , Tout va bien and many more . Contents 1 Sourced... 
| Name: |
Jean-Luc Godard | | Birth Date: |
March 12, 1930 | | Place of Birth: |
Paris, France | | Nationality: |
French | | Gender: |
Male | | Occupations: |
filmmaker, screenwriter, actor, critic |
summary from source:
 Biography of Jean-Luc Godard
2,472 words, approx. 8 pages
 Jean-Luc Godard (born 1930) may be one of cinema's greatest names, but his films remain consistently abstruse and unseen by mainstream audiences. This is a situation the French-Swiss screenwriter, director, and occasional performer most likely prefers....
Encyclopedia and Summary Information
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 Jean-Luc Godard Information
4,144 words, approx. 14 pages
Jean-Luc Godard (French pronounced [ʒɑ̃lyk gɔˈdaʀ]) (born 3 December, 1930) is a French filmmaker and one of the most influential members of the Nouvelle Vague, or "French New Wave". Born to Franco-Swiss parents in Paris, he was educated in Nyon,...
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 Film Comment Jean-Luc Godard.
03/01/1996: 3,463 words, approx. 12 pages Godard knew that the death of Francois Truffaut in 1984, ended the French Wave of movies. He began to change his perspective. His movie and video work during the 70s and the 80s are discussed. His powerful film 'Histoier(s) du Cinema' is a complicated... summary from source:
The Boston Globe The chaotic clarity of Jean-Luc Godard
12/04/1992: 1,071 words, approx. 4 pages THE SCHEDULE: Tonight at 9:30 p.m.: "Germany Year 90 Nine Zero" (1991) and "Letter to Freddy Bouache" (1981) Tomorrow at 9:30 p.m.: "Keep Up Your Right" ("Soigne ta droite") (1987) Sunday at 9:30 p.m.: "King Lear" (1987) Dec.... summary from source:
 The New York Observer Schlesinger Saturday
5/15/2007: 291 words, approx. 1 pagesThe New York Film Society of Lincoln Center continues its month-long series of reappraisals of gifted—and even honored-in-their-own-time—film icons, with a four-film revival May 25 and May 26 of John Schlesinger’s British-made Billy Liar (1963) and Sunday Bloody Sunday (1971), and his American-made Midnight Cowboy... summary from source:
The New York Observer Resnais Returns
1/15/2008: 775 words, approx. 3 pagesAlain Resnais’ Last Year at Marienbad (1961), from a screenplay by Alain Robbe-Grillet, will be revived for the first time in decades at Film Forum for two weeks from Jan. 18 through Jan. 31 in a new 35mm Scope print. It was Resnais’ second feature-length...
Literary Criticism
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 Critical Essay by James Monaco
2,854 words, approx. 10 pages
The idea of participation is integral to Godard's films: it confronts us on every level. To paraphrase Le Gai Savoir, these are not the films that should be made, but when those films are made they will have to follow some of the lines these films have laid down. The main focus of Godard's energies, ever since he started writing about film in 1952, has been towards an understanding of the phenomenon of film (and by extension other arts)…. (p. 102) [The phrase "The sign forces us ... summary from source:
Critical Essay by John Simon
2,333 words, approx. 8 pages
In the phrase "the new sensibility"—it may or may not have been coined by Susan Sontag—the operative word is, of course, new, not sensibility. (p. 272) [The] concept of "the new sensibility" … is supposed to account for the revolution in the arts …; and for a realm of film-making whose summit is Godard and bottom the "underground movies" or "New American Cinema," as, in its newly sensible way, it likes to call itself. These ... summary from source:
Critical Essay by Dennis Giles
2,078 words, approx. 7 pages
Weekend is the last film of Godard's contemplative phase, a film which prepares the break of 1968. With Deux ou trois choses of the previous year, it is a site on which Godard discovers the economic structures which motivate human behavior…. In Weekend, Godard reveals civil society in its most corrupt form from the viewpoint of an entomologist; in Deux ou trois choses he shows the subjective problems of an individual caught in the economic meshes of this "society of needs." Civil...
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Jean-Luc Godard | |
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About 82 pages (24,707 words) in 16 products |
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