Ivor Armstrong Richards (1893-1979), English-born American semanticist and literary critic, crusaded to have "Basic" English adopted as a fundamental English vocabulary.On Feb. 26, 1893, Ivor Armstron...
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Critical Essay by Robert Lowell
Goodbye Earth [Richards' first book of poetry] was begun when [he] was nearly sixty. It bristles with the difficulties of "mere mechanism," and is...
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Critical Essay by James Dickey
The poems [in The Screens and Other Poems] are about how the soul acts without appearing to, how it influences without seeming to, how it changes and doesn't cha...
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Critical Essay by Frank Kermode
[Internal Colloquies] collects all Richards's verse. In one preface here reprinted he argues that there should be no discernible relation between a poet'...
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Critical Essay by Richmond Lattimore
I. A. Richards is a learned poet, a formal poet, a witty poet, and a philosophical poet. One thinks mechanically of "metaphysical," but I think Rich...
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Critical Essay by Bernard F. Dick
That I. A. Richards was the progenitor of the New Criticism is now fairly well established; for the doubters [Complementaries: Uncollected Essays] will make it clear...
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Critical Essay by Helen Vendler
[I. A. Richards' poetry] is a poetry of speculation, taking as its subject states of mind and feeling experienced in the later years of a long life. Richards is...
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Critical Essay by D. Rogers
I. A. Richards's poems are not easily read, but they repay reading. [New and Selected Poems] is his fourth book of poems and includes selections from the first thre...
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Critical Essay by David Daiches
The influence of [Richards' "Principles of Literary Criticism"] has been at least as important on the negative as on the positive side. It has bee...
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Critical Essay by John Crowe Ransom
Discussion of the new criticism must start with Mr. Richards. The new criticism very nearly began with him. It might be said also that it began with him in the rig...
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Critical Essay by Allen Tate
There can be little doubt that Coleridge's failure to get out of the dilemma of Intellect-or-Feeling has been passed on to us as a fatal legacy. If the first objec...
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Critical Essay by Eric Bentley
[To] many undergraduates of his generation the young Richards was a prophet. Not by accident, for it is a role he has always played. How was it possible to be a modern ...
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Critical Essay by Stanley Edgar Hyman
The achievement of Practical Criticism is such that it can hardly be canceled out by any subsequent defections. It was the beginning of objective criticism, the ...
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Critical Essay by R. P. Blackmur
[Some] critics deliberately expand the theoretic phase of every practical problem. There is a tendency to urge the scientific principle and the statistical method, an...
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Critical Essay by John Wain
[Dr. I. A. Richards] has retained the intellectual adventurousness of an earlier and larger epoch, while everyone around him was giving way to dwarfish specialism. The res...
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Critical Essay by Murray Krieger
Even as Richards inadvertently paved the way for the study of poems as independent structures,… he created, as he meant to, several obstacles which his followe...
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Critical Essay by Patrick Cruttwell
As you read [Practical Criticism], a feeling grows that it was not one man who wrote it, but a whole committee: on which were serving a semanticist, an educational...
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Critical Essay by Richard Foster
To most observers the publication in 1935 of Coleridge on Imagination signaled a very important change in I. A. Richards' thinking as a literary critic. At the...
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Critical Essay by T. S. Eliot
The Principles of Literary Criticism is a milestone, though not an altogether satisfactory one. Mr Richards had difficult things to say, and he had not wholly mastered t...
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Critical Essay by Gerald E. Graff
[The critics] who have popularized the theory of the later Richards' conversion [to a chastened theorist] are literary critics who were dismayed by the positi...
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Critical Essay by RenÉ Wellek
There is something gallant but also quixotic in Richards' great faith in the power of a general theory of language and poetry from which he expects "...
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Critical Essay by Jerome P. Schiller
The tone of I. A. Richards' writings on language and literature is so striking, so obtrusive, that the reader cannot help picturing the author as he reads:...
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Critical Essay by Cleanth Brooks
[My] purpose is to examine the role of I. A. Richards in calling attention to several important (and related) questions; the fact of disparity in poetry, the kinds of...
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Critical Essay by Basil Willey
Richards is not only a pre-eminent Coleridgean but is himself, in many important senses, the Coleridge of our time. Like Coleridge, he has taught us that there can be n...
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Critical Essay by Denis Donoghue
[In 1926] it was commonly understood that science was increasingly in possession of fact and truth. In Science and Poetry [1926] science gets a better press than poet...
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Critical Essay by Christopher Butler
Critical theory always seems to be in semi-conscious alliance with the contemporary—thus deconstructive criticism, so perversely applied to a poem by Shell...
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Critical Essay by John Middleton Murry
Towards the end of his stimulating book, Principles of Literary Criticism, Mr. I. A. Richards discusses what he calls the 'revelation' theory of p...
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Critical Essay by Montgomery Belgion
In two books, Principles of Literary Criticism and Science and Poetry, Mr. I. A. Richards had advanced the theory that the reading of poetry could and should repl...
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Critical Essay by Max Eastman
I believe it can be shown that all Mr. Richards' troubles, all the weaknesses of his books, derive from [the] fundamental error of trying to cut off the organizat...
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Critical Essay by D. W. Harding
Conversational comments on Richards' work, favourable or unfavourable, seldom express opinions about his actual views; they seem more often than not to be react...
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Critical Essay by Eliseo Vivas
Very few contemporary writers on aesthetics in English occupy Richards' authoritative position. Since the publication of The Principles of Literary Criticism his...
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Critical Essay by D. G. James
[Poetry] is the conveyance, by the imaginative use of language, of imaginative objects, the compulsion upon the reader by the poet of his own imaginative prehension of t...
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Critical Essay by John Crowe Ransom
[Mr. Richards] brings into the account of poetry an unusual set of terms; and their principle seems to be that, if they are not quite physical terms, they will not...
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