Hugh Garner was a maverick in his life and in his fiction. His vision, in his novels and in the short stories which are his most memorable work, was formed by his multifarious experiences during the D...
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Critical Essay by Claude T. Bissell
[A] realistic novel that makes use of an accumulation of small, precise detail and concentrates on the plight of the little man is Hugh Garner's Storm Below...
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Critical Essay by Miriam Waddington
Hugh Garner has often been praised for his good heart when it is really his good ear and sharp eye that deserve our admiration. It is no use to praise him for his ...
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Critical Essay by Doug Fetherling
[Garner] has found the right title: One Damn Thing After Another; for [he] has spent his years stumbling day-to-day, like the rest of us, through the personal and pu...
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Critical Essay by George Woodcock
The title—One Damn Thing after Another—says a great deal about the shape of the book, for, compared with Garner's novels and stories, it is unex...
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Critical Essay by Doug Fetherling
Hugh Garner's 1950 novel, Cabbagetown, his second book, has dominated his reputation. It was a straight-forward naturalistic story of a young man's pro...
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Critical Essay by Sandra Martin
Garner is a comfortable writer. Invariably he tells a story that has both a beginning and an end and he uses a style that, while colourful, is devoid of artifice and p...
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Critical Essay by Michael Sotiron
Writing a police procedural [Death in Don Mills] had its advantages as it allowed Garner to vent his authoritarian and oft-reactionary views on just about everything...
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