In the following excerpt, Gioia notes the lack of depth in the poems comprising A World of Difference.
When Heather McHugh published Dangers, her first book, in 1977, she was greeted by critics of ...
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In the following essay, Milburn differentiates between poems he loves and those he merely admires, classifying McHugh's “I Knew I'd Sing” in the former category.
People ...
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In the following review, Muratori compares To the Quick to David Ray's Sam's Book.
Despite differences in manner and approach, these two poets [McHugh and David Ray] share a need to r...
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In the following excerpt, Harris finds similarities between the poetry of McHugh and Emily Dickinson and briefly describes the development of McHugh's verse.
The epigraph to Heather McHugh...
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In the following favorable review, the anonymous critic calls the poetry in Hinge and Sign “a testing ground of edges, allegiances and resistances.”
McHugh (Broken English) is a cereb...
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In the following review, Gunderson contends that Hinge and Sign allows readers to appreciate the development of McHugh's verse over twenty-five years and “to witness the increasing stren...
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In the following excerpt, Murphy explores McHugh's use of language in the poems of Hinge and Sign.
Heather McHugh's selection of a quarter century of her poems [Hinge and Sign] is a v...
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In the following review, the anonymous critic praises the best poems in The Father of the Predicaments as “comic and profound.”
Bright rhythms, pointed rhymes and dazzling surfaces di...
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In the following review, Lynch identifies the key thematic concerns of the poems comprising The Father of the Predicaments.
National Book Award finalist McHugh tackles caregiving for a dying relati...
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In the following favorable review of The Father of the Predicaments, Satterfield argues that “in this welcome fourth compilation, incidents of dramatic and seemingly random stature implode to r...
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In the following excerpt, Murphy notes McHugh's clever and often powerful use of language in The Father of the Predicaments.
More than half a century ago Edmund Wilson argued in the essay ...
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In the following essay, Turchi provides a biographical profile of McHugh and a critical analysis of her poetry.
Heather McHugh is wired. She is also wireless (see laptop, below), wry, and webbed (s...
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In the following excerpt, Becker maintains that with her poem “Not a Prayer” McHugh “sets out to establish a theater of voices in crisis, and she succeeds.”
Heather McHu...
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In the following review, Scharper elucidates the inventiveness of McHugh's language in the poems of Eyeshot.
Invented words, surrealistic imagery, sexual innuendoes, quirky free associations...
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In the following review, the anonymous critic views the poems of Eyeshot as a return to McHugh's “signature bravura and obsessive word play.”
With an oeuvre that includes criti...
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