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Hayden Carruth.
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Hayden Carruth has been an important figure in American poetry since the late 1940s. His numerous collections of verse certainly identify him as one of the country's most prolific writers, and James W...
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Hayden Carruth first published a poem in 1946, and his poetry, essays, and anthologies now approach forty volumes with no sign of abatement. He has, moreover, by his own estimate written several thous...
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Critical Essay by Paul Ramsey
Hayden Carruth's beautiful "To Artemis" … is a poem of formal address to the moon goddess…. The poem is dignified, sharply perceived, t...
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Critical Essay by David Bromwich
More a document than a poem, The Bloomingdale Papers is a meditation on the several months of lost time Hayden Carruth spent in a mental institution during the early 1...
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Critical Essay by David Shapiro
Hayden Carruth's mottled document, The Bloomingdale Papers, opens with an appropriately horrifying apologia in prose that works: "Part of my illness was a...
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Critical Essay by Adrienne Rich
[Brothers, I Loved You All: Poems 1969–1977] is simply superb. Carruth gets better as he gets older because he has not stopped caring—for the poem or for ...
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Critical Essay by Philip Booth
Few poets have been as social … as W. B. Yeats; few have been as essentially solitary as Hayden Carruth. But like Yeats in his Tower, Carruth has for years rooted...
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Critical Essay by Charles Molesworth
Somewhere between Robert Frost's pastoral skepticism and Mikhail Bakunin's trust in historical progress, Hayden Carruth makes his way [in "Bro...
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Critical Essay by Alastair Reid
[Brothers, I Loved You All: Poems 1969–1977 clamors] for attention, in its richness and variety, in its burly energy, in its courage and gusto. His poems have a ...
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In the following essay, Weissman surveys Carruth's critical works, concluding: "[Carruth's progress has taken him continuously deeper into the knowledge of his own humanity, and o...
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The following excerpt is from Faulkner's laudatory review of Tell Me Again How the White Heron Rises and Flies Across the Nacreous River at Twilight Toward the Distant Islands.
For a good long ...
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Tillinghast is an American poet, educator, and critic. In the following excerpt from a review of Collected Shorter Poems, 1946–1991, he asserts: "Something Hayden Carruth does as well as...
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Hoey is a poet, educator, and critic who regularly writes the "Year in Poetry" essay for the CLC Yearbook. In the following review of Collected Shorter Poems, 1946–1991, he provid...
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Bruckner is an American journalist, editor, and critic. In the following review, he provides a positive assessment of Working Papers.
"Traditions come and go," Hayden Carruth wrote in 19...
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In the following essay, Flint surveys Carruth's body of work, paying particular attention to The Sleeping Beauty and Working Papers.
For at least two decades Hayden Carruth has been a poet of t...
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Porter is an American novelist, educator, and critic. In the following mixed review of Working Papers, he faults some of Carruth's essays as "glib and naive," but lauds the author...
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In the following excerpt from his introduction to his Effluences from the Sacred Caves, Carruth reflects on philosophy and literature and discusses his approach to writing.
By heritage and inclination...
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In the following essay, Swiss surveys several of Carruth's collections of poetry and criticism and lauds the author for his technical skill and his earnest and straightforward approach in both ...
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Mitchell is an American poet, educator, and critic. In the following review, he applauds the skill with which Carruth employs a variety of voices and themes in If You Call This Cry a Song.
I would lik...
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In the following review of The Selected Poetry of Hayden Carruth, Shaw remarks: "Warts and all, this is a collection animated by a seriousness of purpose, a vocational commitment which few poet...
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Nordell is an American journalist, editor, and critic. In the following review, he determines that Sitting In provides "an uneven performance with a number of fine, thought-provoking moments....
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