In 1973 a small book was published under the title, The Anxiety of Influence. It was to mark Harold Bloom's dramatic entrance into literary theory and was to mark as well the theoretical discourse of ...
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Critical Essay by Jerome J. Mcgann
One of the essential qualities of every Romantic aesthetic is revisionism. We say that Romanticism breaks certain rules, or alters them; or we say that it attacks o...
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Critical Essay by Paul De Man
Like most good books, Harold Bloom's latest essay is by no means what it pretends to be. [The Anxiety of Influence] calls itself, in subtitle, "a theory of...
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Critical Essay by Michael Wood
Fame, Borges once wrote, is a form of incomprehension, and perhaps the worst. Harold Bloom's theory of poetry has a sort of fame, at least by hearsay, and is lar...
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Critical Essay by Jonathan Culler
A Map of Misreading continues Bloom's determined attempt to incarnate and prolong Romanticism, to convince us that literature is essentially a heroic daemoniz...
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Critical Essay by Geoffrey H. Hartman
With an audacity and pathos hard to parallel in modern scholarship, [in The Anxiety of Influence] Bloom apprehends English literary history from Milton to the pr...
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Critical Essay by Leon Wieseltier
His theory of poetic influence has been the leitmotif of Bloom's writings for many years, but it is only recently that he has presented it in full-blown theor...
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Critical Essay by Christopher Ricks
Bloom had an idea; now the idea has him. For, still asking himself what there is left for him to do, but unable to bring himself to leap off in full career from wh...
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Critical Essay by Helen Vendler
[Agon: Towards a Theory of Revisionism] was not conceived as a book, it does not read like a book, and there is no need to defend it as a book. Any collection of essay...
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Critical Essay by Marvin Mudrick
[Brackets in the following excerpt do not signify editorial changes.—Ed.]
Harold Bloom's terminal case of transumption has been brought on by too muc...
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In the following essay, Eiland discusses Bloom's theory of repression and revisionism as creative forces for poets.
In The Anxiety of Influence Harold Bloom claims for his theory a "d...
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In the following review of Ruin the Sacred Truths: Poetry and Belief from the Bible to the Present, Donoghue explores Bloom's discussion of the influence of religious forms in Romantic literatu...
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In the following essay, Altevers argues that Bloom's "psychopoetic model" does not constitute "a fundamentally historical mode of interpretation."
My sense of Har...
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In the following review, Donoghue questions Bloom's choices and methods in the formation of a literary "canon".
In 1970, W. Jackson Bate published The Burden of the Past and th...
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In the following review, Dooley notes that The Western Canon marks a "significant change of direction" for Bloom.
Consider the two following kinds of critical writing:
1) I must ad...
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In the following essay, Rosenfeld explores the various influences involved in the development of Bloom's antithetical criticism of poetry.
A good critic … is armed for war. And criti...
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In the following review of Wallace Stevens: The Poems of Our Climate, Donoghue provides a brief synopsis of Bloom's theory of poetry and how it applies to Wallace Stevens's poetry.
Ha...
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In the following essay, Arac examines Bloom's earlier works and traces the development of his theoretical stance in order to locate Bloom's "concerns and gestures in the continuin...
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In the following review, Alter discusses Agon, "the latest installment in Harold Bloom's elaborate theory of poetic creation."
"As soon as a man begins to see everything...
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In the following review, O'Hara contends that The Breaking of the Vessels is "both more extreme" and "more predictable" than Bloom's other works, and that the...
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In the following essay, Horstmann takes issue with various elements of Bloom's work.
Harold Bloom embarked on his scholarly career in 1959 when he published his dissertation on Shelley...
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In the following essay, Wyatt uses Bloom's own theoretical approach to examine the significance of Freud and American literature in Bloom's work.
Harold Bloom's theory of poeti...
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In the following essay, Molesworth discusses the roles of Freudianism and theology in Bloom's criticism.
In the last three decades, literary critics have struggled to retain their field as t...
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Don't expect a lot of sunshine in Oprah Winfrey's latest book club pick. Publishing's leading hit-maker has chosen Cormac McCarthy's "The Road," a bleak, apocalyptic novel by an author who rarely t...
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No Country for Old Men, by Cormac McCarthy. Alfred A. Knopf, 309 pages, $24.95.
The first reaction is visceral, and should be recorded here before the critical faculty interposes to hedge and q...
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No Country for Old Men, by Cormac McCarthy. Alfred A. Knopf, 309 pages, $24.95.The first reaction is visceral, and should be recorded here before the critical faculty interposes to hedge and qualif...
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Doris Lessing, author of dozens of works from short stories to science fiction, including the classic "The Golden Notebook," won the Nobel Prize for literature Thursday. She was praised by the judg...
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It's a shame that Karin Coonrod's bold and brilliant new production of Coriolanus has been so misunderstood. The director stands virtually alone in refusing to talk down to Shakespeare (and therefo...
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A CLASS APART: PRODIGIES, PRESSURE AND PASSION INSIDE ONE OF AMERICA’S BEST HIGH SCHOOLSBy Alec Klein Simon & Schuster, 323 pages, $25
Every fall, 20,000-plus eighth graders with cowlicks...
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John Hodgman was drinking a smoothie inside the cavernous Galapagos Art Space in Williamsburg, Brooklyn. Soon the 32-year-old would switch to rye whiskey. It was 7:30 p.m., and the place was fillin...
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The Treehouse: Eccentric Wisdom From My Father on How to Live, Love, and See, by Naomi Wolf. Simon and Schuster, 278 pages, $24.Naomi Wolf is one lucky lass. Oh, she's had her share of troubles-lik...
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Remember when literary criticism was a frightening discipline, austere and combative? Its devotees were in the grip of implacable theory, or buried deep in the “text”—that sunless...
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