Hanif Kureishi is not only a leading contemporary novelist but also a prominent playwright, essayist, and screenwriter. He has also directed his own screenplay for the movie London Kills Me (1991). Hi...
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Hanif Kureishi is one of the best-known British-Asian writers working for the stage and, more recently, for the screen. He has also acquired a reputation for his fiction. As his career has progressed,...
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In the following review of The Faber Book of Pop, Thomson claims, “there is gold here, but also much that doesn't glitter at all.”
Rave novelist Irvine Welsh is reportedly unha...
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In the following review, Bywater offers a negative assessment of pop music and The Faber Book of Pop.
Those who can’t, no longer teach, but go into journalism, where the great thing is to na...
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In the following review, the critic discusses the portrayal of pop music in The Faber Book of Pop.
Pop music “is the wonder of post-war British and American culture”, says Hanif Kurei...
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In the following review, Fields offers tempered praise for The Black Album, which she considers less well-written than The Buddha of Suburbia.
Hanif Kureishi has said of his new novel, The Black Al...
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In the following review, Drabelle offers a positive assessment of The Black Album, although he notes weakness in its “creaky structure.”
The title of Hanif Kureishi’s speedy se...
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In the following review, King offers a favorable assessment of The Black Album, but finds that it is weakened by Kureishi's tendency toward triteness.
Hanif Kureishi’s latest portrait...
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In the following excerpt, Bowen offers an unfavorable assessment of The Faber Book of Pop.
The culture of rock music is a notoriously excessive affair. Anthologies are one way of capturing some of ...
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In the following review of Love in a Blue Time, O'Brien commends Kureishi's perspective and observations, but finds shortcomings in his underdeveloped plots and characters.
Love in a ...
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In the following essay, Weber examines aspects of ethnicity, cultural identity, and literary practice in Kureishi's fiction and films, particularly in relation to American ethnic writers such a...
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In the following review, Page offers a generally positive assessment of Love in a Blue Time, but finds shortcomings in Kureishi's tendency toward caricature.
As any closet romantic will tell...
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In the following review, Ulin offers an overall unfavorable assessment of Love in a Blue Time, despite “the success of some pieces.”
Since the mid-1980s, Hanif Kureishi has chronicled...
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In the following essay, Kaleta provides an overview of the central themes, social and cultural concerns, and artistic techniques in Kureishi's fiction and films.
Popular response to Kureishi...
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In the following review, King gives a favorable assessment of Love in a Blue Time.
Written over the past decade, the six short stories of Love in a Blue Time, all republished from magazines, are a ...
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Below, Proctor reviews Kureishi's career up to Intimacy.
If you adored Catherine Texier’s Breakup last year, fell to the floor gushing sympathetic tears for the abandoned raconteur an...
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In the following review, Rainer gives a brief plot summary of My Son the Fanatic.
Parvez (Om Puri), the middle-aged Pakistani cabdriver in the marvelous My Son the Fanatic, moved to the industrial ...
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In the following review, Kauffmann examines Parvez, the central character of My Son the Fanatic.
Belatedly, a welcome to My Son the Fanatic (Miramax). It was written by Hanif Kureishi, author of My...
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In the following interview, Kureishi discusses racial and cultural issues in contemporary London, his background and experiences in London, and the creative processes behind his fiction and films.
...
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In the following review, Baker offers a generally positive assessment of Midnight All Day.
“What could be more beguiling than other people’s stymied desire?” asks the narrator ...
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In the following review of The Buddha of Suburbia, Eder commends Kureishi's Third World perspective, although finds weakness in the later sections of the novel.
“My name is Karim Amir...
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In the following negative review, Romney asserts that London Kills Me “falls because it has precious little to say about characters who have precious little to say.”
Hanif Kureishi...
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Below, Dasenbrock gives a mixed assessment of London Kills Me and Kureishi's writing in general.
London Kills Me is a collection of three screenplays and four essays by one of the most visib...
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In the following review, Saynor offers tempered praise for The Black Album, finding shortcomings in Kureishi's lack of vision.
According to Milan Kundera, “human life is bounded by tw...
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In the following review, Horspool offers an unfavorable assessment of The Black Album, citing Kureishi's “talent for caricature” as weak.
Shahid, the young hero of Hanif Kureis...
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Nobel laureate for literature Nadine Gordimer, noted for her work about the inhumanity of apartheid, has become one of just a few South Africans to receive France's highest award, the Legion of Hon...
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I know that they’ve been sleeping. I know they’re not awake. But I hoped in the year-end glut of holiday movies that the Hollywood Santa would be good for goodness’ sake. Instead ...
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