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Gothic Literature.
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Performing Arts and the Gothic
INTRODUCTION
REPRESENTATIVE WORKS
PRIMARY SOURCES
DRAMA
FILM
TELEVISION
MUSIC
FURTHER READING
Introduction
The English Gothic drama, like the Gothic novel, was character...
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Gothic Themes, Settings, and Figures
INTRODUCTION
REPRESENTATIVE WORKS
PRIMARY SOURCES
OVERVIEWS
HAUNTED DWELLINGS AND THE SUPERNATURAL
PSYCHOLOGY AND THE GOTHIC
VAMPIRES
FURTHER READING
Introduction
...
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Society, Culture, and the Gothic
INTRODUCTION
REPRESENTATIVE WORKS
PRIMARY SOURCES
OVERVIEWS
RACE AND THE GOTHIC
WOMEN AND THE GOTHIC
FURTHER READING
Introduction
The Gothic tradition originated in re...
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Gothic Literature: an Overview
INTRODUCTION
REPRESENTATIVE WORKS
PRIMARY SOURCES
OVERVIEWS
ORIGINS OF THE GOTHIC
AMERICAN GOTHIC
EUROPEAN GOTHIC
FURTHER READING
Introduction
The origins of Gothic lite...
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In the following essay, Ranger details the various motifs, settings, stock characters, narrative devices, and themes of the Gothic drama.
Neither eighteenth-century playwrights, nor members of their a...
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In the following excerpt, Cox provides an overview of the history of Gothic drama and an examination of its main features and themes.
On 14 December 1797, Matthew Gregory “Monk” Lewis...
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In the following essay, Reno explains the nearly universal critical objections to the appearance of ghosts onstage in Gothic plays performed in the late eighteenth century.
By the end of the eighteent...
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In the following essay, Backsheider maintains that the enormous popularity of Gothic drama can be accounted for by its ability to reproduce and contain the cultural anxieties that accompanied the era&...
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In the following essay, Hoeveler examines the social and political implications of the Gothic drama's popularity.
In Spectacular Politics (1993), Paula Backsheider suggested that gothic drama i...
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In the following essay, Thorp discusses strategies employed by Gothic playwrights to minimize the effects of the horrors they were staging.
The characteristic drama of the first years of the nineteent...
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In the following excerpt, Evans discusses the use of Gothic elements in the plays of the major Romantic poets: Wordsworth, Coleridge, Scott, Byron, and Shelley.
The purpose of this final chapter is to...
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In the following essay, Franceschina examines the contributions of female playwrights to the Gothic genre.
Ha! eternal curses! still will I have revenge!
The Old Oak Chest II.v.
Confusion! foil...
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In the following essay, Gamer discusses the Gothic dramas of Matthew Lewis and Sir Walter Scott.
Of genius, in the fine arts, the only infallible sign is the widening of human sensibility … of ...
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The supernatural, or otherwise inexplicable events, is a feature of the Gothic genre. Ideas about the supernatural, including those found in superstitious beliefs, came into direct conflict with the r...
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I do not agree with the statement that gothic literature is nothing more than a collection of old horror stories. A type of romantic fiction that dominated English literature in the C18th and C19th, ...
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Mystery and fear is a notion that is presented invariably in almost every Gothic text available. It has become a distinctive characteristic of Gothic writing, and is conveyed by the authors through a ...
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