Lawrence was an English novelist, poet, and essayist noted for his introduction of the themes of modern psychology to English fiction. In his lifetime he was a controversial figure, both for the expli...
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In the following essay, Lucente offers a critical overview of Verga's work as an Italian realist.
Nineteenth century Italian realism in general (or verismo) and Giovanni Verga's works...
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In the following excerpt, Bergin studies the themes, characters, and technique of "Nedda, " demonstrating that it is the first example of Verga's more accomplished, mature style.
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In the following excerpt, part of a speech that was first presented to the Royal Academy of Italy celebrating the fiftieth anniversary of the publication of I Malavoglia in 1931, Pirandello investigat...
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In the review below, Weaver praises the modern qualities of Verga's stories and the author's deft combination of sympathy for and detachment from his characters.
His two novels and ha...
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In the following essay, Cecchetti examines Verga's last collection of stories, Don Candeloro e Compagni, which is often overlooked by critics.
The English-speaking readers of Italian literat...
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In the following excerpt, Ragusa examines the critical dismissal of Verga 's Milanese tales, finding that the lasting reputation of these stories is based largely on the opinions of critic Luig...
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In the following excerpt, Cecchetti probes the motivating forces behind Verga's characters. The critic then describes Verga's search for a new, completely impersonal narrative form, whic...
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In the following essay, Hallock champions "Fantasticheria" as Verga's "statement of transition" from "decadent romanticism" to the verismo school of wr...
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In the following essay, Jehenson reads "La Lupa " as a cyclical tale of classic archetypal symbolism, with the She-Wolf acting as the primordial goddess.
In his discussion of the effe...
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Critical Essay by D. H. Lawrence
