Although the English author and Jesuit Gerard Manley Hopkins (1844-1889) wrote no more than 40 mature poems, he is regarded as one of the major English poets. Gerard Manley Hopkins was born at Stratford, Essex, on July 28, 1844, into a talented family...

Gerard Manley Hopkins is one of the three or four greatest poets of the Victorian era and one of its most original prose writers. He is regarded by different readers as the greatest Victorian poet of religion, of nature, or of melancholy. However,...

Gerard Manley Hopkins is one of the three or four greatest poets of the Victorian era. He is regarded by different readers as the greatest Victorian poet of religion, of nature, or of melancholy. However, because his style was so radically different...

APPROPRIATING in the title of this article could of course have several meanings, some less than creditable. Briefly, the intent here is to refer to a process, in this case the process by which a reader--sometimes but not always--absorbs, makes use of takes...

I wish I could pursue music; for I have invented a new style, something standing to ordinary music as sprung rhythm to common rhythm: it employs quarter tones.1 THE POET Gerard Manley Hopkins (1844-89) pursued music intermittently throughout his short life. He was...

Winters was an American poet and critic known for his negative opinion of Hopkins's work. In the following essay, he compares of Hopkins's sonnet "No Worst" to a poem by John Donne and Robert Bridges's "Low Barometer," concluding that Hopkins's poem suffers from its overemphasis of emotion and its failure to suggest a rational motivation for the feeling expressed in the piece. In the second part of the essay, he discusses the difficulties in determini...

Bump is an American critic with a special interest in Hopkins's work. In the following excerpt, he offers a stylistic analysis of his poetry, focusing on the recurrence or "parallelism" of certain sounds in Hopkins's work.

In the following essay, Boyle examines the major themes of The Wreck of the Deutschland, asserting that it is not a poem about the problem of suffering but a poem about the answer to the problem of suffering.