The author of more than twenty-five books and a scholar of international reputation, Gerald Vizenor is one of the most prolific and versatile of contemporary Native American writers. His works, which ...
Read more
Gerald Vizenor is often called the most prolific and controversial writer of the American Indian literary renaissance that began in 1968. He has written nine books of poetry, a collection of short sto...
Read more
In the following excerpt, Velie provides an overview of Vizenor's works and argues that Vizenor's writing can be best understood through a consideration of Anishinabe beliefs, his life e...
Read more
In the review below, Westrum remarks that Vizenor attempts to keep his readers off balance.
Reading Gerald Vizenor one begins to feel the fun of ambivalence. In Earthdivers, his finest book, Darkne...
Read more
In the following review, the critic provides an overview of Vizenor's works, commenting on the author's varied forms.
Complainingabout those "wily, more competent Indians...
Read more
In the following review, Carlson argues that Crossbloods is an eclectic but revealing look at contemporary Native American culture.
Gerald Vizenor's Crossbloods: Bone Courts, Bingo, and Othe...
Read more
In the following interview, Vizenor discusses the impact of his experiences in Asia on his writing.
As Gerald Vizenor explains in the following interview, the act of going away has allowed him to r...
Read more
In the following essay, Velie argues that Vizenor has adapted the traditional "frontier gothic" into an "Indian gothic" which portrays changes in the West from the Native A...
Read more
In the following brief review, Warrior asserts that in Vizenor's novel The Heirs of Columbus, the author takes shreds of a "tragic history and claims them as property of the liberating l...
Read more
In the review below, the critic states that Dead Voices is a difficult but original work.
A dirty, toothless, malodorous American Indian woman lives in an apartment near Lake Merritt in Oakland. Pe...
Read more
In the following review of Dead Voices, Crum commends Vizenor's efforts to retell traditional Native American myths but finds the work unconvincing.
Those wild animals that hold center stage...
Read more
In the following essay, Owens considers the role of the trickster in Vizenor's work.
Born in 1934, Gerald Vizenor has devoted an incredibly prolific career to exploring the place and meaning...
Read more
In the following review, Warrior argues that while retaining many aspects characteristic of Vizenor's previous work, Dead Voices is more mature and confident.
Gerald Vizenor's new nov...
Read more
In the following review, Ainsworth argues that in The People Named the Chippewa, Vizenor challenges contemporary beliefs about Native American culture
It is perhaps a truism of modern history that ...
Read more
In the review below, Whitson states the two works under review expand the readers exposure to Anishinaabe culture and literature.
Gerald Vizenor, a Professor of Native American Studies at the Unive...
Read more
In the following review, Mogen contends that while Dead Voices is difficult to read, it is an eloquent and original work.
Like Vizenor's earlier work, Dead Voices dramatizes the complex ...
Read more
In the following review, Berner states that while Vizenor makes astute points in Manifest Manners, the writing is muddled and infused with jargon.
Those readers who may wonder what the terms in Viz...
Read more
In the review below, Roemer argues that while Manifest Manners is at times repetitive, it is nonetheless a powerful book.
Manifest Manners comes to us with particular authority. Gerald Vizenor is a...
Read more
In the following review below, Churchill argues that when Vizenor relies on his journalistic talents, Manifest Manners provides useful insights but Vizenor's use of postmodern vernacular create...
Read more
In the following review, Warrior states that Shadow Distance serves as an excellent introduction to Vizenor's extensive and varied oeuvre.
For those who teach the work of the Anishanaabe nov...
Read more
In the following essay, McNeil argues that Vizenor continues the work of the original editor of the stories—Theodore Hudon Beaulieu—by bringing them to a general readership.
The trick...
Read more
In the following essay, Hauss discusses the role of violence and history in Darkness in Saint Louis Bearheart.
From the beginning, there is the violence. Critics have remarked on the shocking, ofte...
Read more
In the essay below, Ballinger discusses the vehicle for the "imaginative metaphor" presented in Earthdivers.
"Earthdivers," says Gerald Vizenor at the beginning of Earth...
Read more
In the essay below, Keady discusses Vizenor's use of language in The Darkness in Saint Louis Bearheart, and how his technique emphasizes the importance of a strength of spirit over belief in em...
Read more
In the following essay, Ruoff discusses the major thrust of all of Vizenor's work, whether poetry, drama, or prose, as being an examination of relationships between tribal and non-tribal worlds...
Read more
In the review below, Loudon praises The People Named Chippewa as a witty and imaginative discussion of current Native American culture.
Gerald Vizenor's writing began in a boldly experimenta...
Read more
In the following review, Yu compares the trickster in Vizenor's Griever with the Mind Monkey in Chinese literature.
In religion and folklore of Africa and of North and South America, the tri...
Read more
In the interview below, Vizenor discusses his ideas on language, the role of storytelling in Native American culture, and the role of the trickster in Native American literature.
Since his first pu...
Read more
In the his review of Griever: An American Monkey King in China, Trachtenberg states that the novel is strengthened by Vizenor's use of language.
"Imagination is the real world,"...
Read more