The English poet, dramatist, and translator George Chapman (1559-1634) is best known for his rhyming verse translations of Homer's Iliad and Odyssey.George Chapman was born in Hitchen, a country town ...
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George Chapman was the most intellectually ambitious of the English Renaissance dramatists, the one with the highest claims for the philosophical dignity and importance of his work. His nearest rival ...
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George Chapman has retained to this day the considerable reputation he achieved in his own lifetime. Playwright, poet, translator, he is still considered an exceptionally important figure in the Engli...
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In the following essay, MacLure provides a comprehensive survey of Chapman's tragedies, demonstrating that the playwright displays a marked conflict between pedantic knowledge and creative imag...
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In the essay below, Demers examines evaporation imagery in Byron, relating it to the protagonist's gradual tragic fall through the course of the two dramas.
… see in his revolt how ho...
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In the following essay, Craig maintains that Chapman intentionally depicted Byron as a divided character who presents a constantly shifting perspective between the concepts of Platonism and Christiani...
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In the essay below, Leggatt posits that Byron should be more fully considered as two separate plays rather than as one long ten-act drama, arguing that Chapman employed a distinct shift in tone from t...
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In the following essay, Braunmuller analyzes the “intellectual complexity” of Byron, detailing how Chapman employed various themes, images, and forms of dialogue to create an incoherent ...
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In the essay below, Venet considers Byron “the story of the great contradictions of the baroque era,” especially the opposition between medieval feudal values and Renaissance political v...
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In the essay below, Rees contends that Chapman imbued the character of Clermont in The Revenge of Bussy D'Ambois with his own Christian humanist values, concluding that the playwright's ...
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In the following essay, Bement considers how Chapman manipulated the two principal divergent ideals of Stoicism—namely, action versus contemplation—in the character of Clermont to create...
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In the essay below, Demers contends that Clermont in The Revenge of Bussy D'Ambois represents a Stoic absolutism in the midst of the corrupt and chaotic French court, elevating Chapman's...
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In the following essay, Kistler takes exception to the prevailing critical perception of Clermont as a Stoic avenger in The Revenge of Bussy D'Ambois. The critic maintains, instead, that the &#...
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In the essay below, Ide argues that Chapman's purpose in writing The Revenge of Bussy D'Ambois was to renovate the conventional depiction of the Elizabethan revenge play with his own &#x...
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In the essay below, LaHood discusses Chapman's experimentation with Senecan Stoicism from inception in Bussy D'Ambois to maturation in The Revenge of Bussy D'Ambois.
George Cha...
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In the following essay, MacPherson examines the satiric aspects of All Fools and May-Day, asserting that Chapman was neither highly imitative of his classical sources nor was he overly influenced by t...
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In the essay below, Monsarrat maintains that while Chapman created a “full-fledged Stoic” in Clermont in The Revenge of Bussy D'Ambois, there is little evidence to suggest that th...
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In the following essay, Waddington examines the mythic structure of Bussy D'Ambois, detailing how analogies to Prometheus and Hercules serve to underscore Bussy's tragic failure.
Buss...
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In the essay below, Orange maintains that Chapman intentionally created Bussy as a blunt soldier—a stock character in Elizabethan drama, but never before a protagonist—to establish a cle...
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In the following essay, Burbridge argues that despite Chapman's efforts to unite language and action in Bussy D'Ambois, he succeeds in representing “the constructive force of virt...
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In the essay below, Ide discusses Bussy as a complex tragic hero who—through his quest for virtue—reestablishes heroic idealism in a society degraded by pessimism and moral corruption.
...
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In the following essay, Krasner argues that Chapman attempts to reconcile two conflicting conceptions of the artist in Bussy D'Ambois: “the artist as political myth-maker and the artist ...
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George Chapman
George Chapman
Critical Essay by Millar MacLure
