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George S. Kaufman.
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American playwright George S. Kaufman (1889-1961) collaborated on a great number of successful plays that merged theatricality with satiric comedy.George S. Kaufman was born in Pittsburgh, Pa., on Nov...
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The theatre world affectionately dubbed George S. Kaufman "The Great Collaborator," and that epithet pinpoints his particular genius. Only one of his full-length plays was not a collaboration or adapt...
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In the following essay, originally published in 1939, Mersand discusses Kaufman's ability to satirize American character and culture.
George S. Kaufman's The American Way (1939) is his t...
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In the following essay, Mason examines Kaufman's use of fools and clowns, with particular focus on his use of the Marx Brothers in his comedies.
Theater suggests two coextensive worlds. An acto...
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In the following essay, Sauer gauges Kaufman's development as a dramatist by the development of his skill in drawing characters.
George S. Kaufman's successes in the theater mark him as ...
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In the following review, Nathan dismisses Fancy Meeting You Again, a play about reincarnation which Kaufman co-wrote with his wife, Leueen MacGrath.
George S. Kaufman's Fancy Meeting You Again,...
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In the following essay, Lembke argues that Kaufman's plays offer an important survey of the American social history of his time.
It is time that we took another look at the thirty-four plays wr...
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In the following tribute, Hecht laments that by the time of Kaufman's death, the kind of irony and satire he wrote had become passé.
In the last ten years of his life George S. Kaufman f...
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In the following obituary, Freedley reviews Kaufman's career from his early days as a newspaperman through his collaborations with Moss Hart.
This little essay will only be concerned with the e...
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In the following excerpted essay, Gould describes how Kaufman and Hart worked when they collaborated.
For exactly a decade, from 1930, with Once in a Lifetime, to 1940, with George Washington Slept He...
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In the following discussion, Sheed argues that the wit of Kaufman and Parker should not be thought of as a compensation for or expression of a psychoneurosis, but that as writers they deliberately cre...
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In the following preface, Shyer discusses “nonsense plays” and Kaufman's contribution to the genre.
The next few pages … are devoted neither to the presentation nor discuss...
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George S. Kaufman
George S. Kaufman
Critical Essay by Joseph Mersand
