Search "Gao Xingjian"
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Gao Xingjian | |
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About 143 pages (42,761 words) in 22 products |
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 Gao Xingjian Quotes
42 words, approx. 0 pages
 In the history of literature there are many great enduring works which were not published in the lifetimes of the authors. If the authors had not achieved self-affirmation while writing, how could they have continued to write? - Nobel Lecture... 
Encyclopedia and Summary Information
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 Gao Xingjian Information
2,359 words, approx. 8 pages
Gao Xingjian (pron. IPA: [káu ɕĭŋ tɕiɛ̂n]; Chinese: 高行健; pinyin: Gāo Xíngjiàn; Wade-Giles: Kao Hsing-chien; born January 4, 1940), is a French Chinese émigré novelist, dramatist and critic, who received the 2000 Nobel Prize in...
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 The China Journal Gao Xingjian and Transcultural Chinese Theater
07/01/2005: 921 words, approx. 3 pages Gao Xingjian and Transcultural Chinese Theater, by Sy Ren Quah. Honolulu: University of Hawai'i Press, 2004. x + 225 pp. US$48.00 (hardcover). Gao Xingjian advocates what he calls "cold literature", or creative writing which is personal, solitary and non-utilitarian, a rather detached observation... summary from source:
World Literature Today Soul of Chaos: Critical Perspectives on Gao Xingjian.
03/22/2002: 564 words, approx. 2 pages Kwok-kan Tam, ed. Hong Kong Chinese University Press (University of Michigan Press, distr.). 2001. viii + 345 pages $43.50. ISBN 962-201-993-5 UNLIKE V.S. NAIPAUL, the 2001 Nobel laureate in literature, the Chinese prose writer and dramatist Gao Xingjian was virtually unknown in the...
Literary Criticism
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 Critical Essay by Xiaomei Chen
8,390 words, approx. 28 pages
In the following essay, Chen discusses Wildman in terms of both Western and Chinese cultural influences.
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Critical Essay by Yan Haiping
6,013 words, approx. 20 pages
In the following essay, Haiping discusses the theme of posthumanism and the individual in Gao's dramatic works.
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Critical Essay by Harry H. Kuoshu
5,736 words, approx. 19 pages
In the following essay, Kuoshu compares Bus Stop to Samuel Beckett's Waiting for Godot, and explores the motif of waiting in both plays in terms of their different cultural contexts.
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Gao Xingjian | |
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About 143 pages (42,761 words) in 22 products |
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