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Galway Kinnell.
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Galway Kinnell was born in Providence, Rhode Island. He received an A.B. from Princeton University in 1948 and an M.A. from the University of Rochester in 1949. Kinnell served in the U.S. Navy in 1945...
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In the following excerpt, Kinnell 's first book of verse is commended for its direct, colloquial language unfettered by contemporary influences.
Galway Kinnell's … first book of p...
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In the following essay, Beckman gives an overview of Kinnell's career in light of his having received the Pulitzer Prize for Selected Poems.
When Galway Kinnell showed his early poem "Fi...
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In the following essay, HUdgins notes that a dualistic stance toward death—both the rational perception of our own extinction as well as our mystical union with the universe after death—...
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In the following essay, Kleinbard eaxamines The Book of Nightmares, specifically, as an example of Kinnell's poetry of a joyful acceptance of mortality as well as death 's redemptive pow...
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In the following excerpt, Beaver praises The Past for its moments of "absorbed attention, " Kinnell 's ability to affix the present into the past and vice versa
[In his work], Gal...
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In the following excerpt reviewing The Past, Pettingell highlights Kinnell's "biological perception of the world".
History was the controlling trope for 19th-century writers: Nove...
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In the following essay, Taylor traces Kinnell's "poetic evolution, " from a Christian theology to a sacramentalism that elevates "numinous moments,".
To read the poe...
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In the following essay, Calhoun places Kinnell is placed among his predecessors and contemporaries as well as his poetic influences.
Born in 1927, Galway Kinnell was one of a generation of American po...
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Calhoun's explication of the poems in When One Has Lived a Long Time Alone follows in this excerpt.
In Galway Kinnell's tenth major book of poetry, When One Has Lived a Long Time Alone, ...
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In the following excerpt, Disch calls Imperfect Thirst Kinnell's "comfy" poetry.
Readers with only a casual, or dutiful, interest in poetry seek out poets they can be comfortable ...
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In the following essay, Kinnell's career is surveyed in light of the publication of Imperfect Thirst.
In this last decade of an apocalyptic century, many of us begin to search for the voices wh...
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In the following essay, a brief biography of Kinnell followed by an appraisal of his early work is presented.
Galway Kinnell was born in 1927 in Providence, Rhode Island, and raised in Pawtucket. He c...
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In the following excerpt, Benedikt notes a radical shift in Kinnell's work that moves from a preoccupation with urban life toward that which was to become a hallmark of the poet's verse,...
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In the following interview conducted after the publication of The Book of Nightmares, Kinnell discusses this long poem, as well as the influence of Yeats and Rilke on his work in general
[OHIO REVIEW]...
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In the following essay, mythology as well as Kinnell's own comments on the poem's structure aid Hilberry in analyzing The Book of Nightmares.
Writing about Galway Kinnell's long p...
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In the following interview, Kinnell discusses The Book of Nightmares as well as the earlier What A Kingdom It Was.
[INTERVIEWER]: "First Song" is the first poem in your first book, What ...
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In the following excerpt, Bell relates his intimate knowledge of his former student's career, up to and including The Book of Nightmares.
In the winter of 1946-47, when I was teaching at Prince...
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In the following review, Lazer praises as having "lighter" and "looser" poems than the much-acclaimed, unified work that preceded it, The Book of Nightmares.
In "The...
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In the following excerpt, Molesworth hails Selected Poems, a thirty-five-year retrospective of Kinnell's career, as a "paradigm of one of the major shifts in postwar poetry."
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Critical Essay by Richmond Lattimore
Galway Kinnell does not dream into nightmares, he heads into them frontally. [The Book of Nightmares] strings on and on in non-metre; Kinnell's ear is good,...
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Critical Essay by John Hobbs
In Galway Kinnell's poem "The Bear," a hunter stalks the bear to its death, falls asleep exhausted, dreams he becomes the bear, and then awakens someh...
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Critical Essay by Vernon Young
Galway Kinnell is a poet of astonishing incarnations, he never seems to be where you last met him and he's always secure in his new adaptation. [The Avenue Bearin...
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Critical Essay by Jerome Mcgann
In [Galway Kinnell] we see that the idea of paradise gets reborn in the cultivation of waste places. (pp. 161-62)
Life is found in death, fountains in deserts, gain in ...
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Critical Essay by J. T. Ledbetter
Galway Kinnell's "The Bear" can be read as a graphic account of a hunter tracking and eating the totemic animal, thus insuring himself of future ...
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Critical Essay by Alan Helms
With The Avenue Bearing the Initial of Christ into the New World and The Book of Nightmares we have a clear view of Galway Kinnell's work from the beginning to the ...
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Critical Essay by Robert Langbaum
Galway Kinnell's The Book of Nightmares … emerges as one of the best long poems of recent years. It represents an unforeseeable leap forward for Kinnell...
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Critical Essay by Ralph J. Mills, Jr.
Galway Kinnell's first collection, What a Kingdom It Was (1960), can be viewed in retrospect now as one of those volumes signaling decisive changes in the ...
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Critical Essay by Morris Dickstein
[Some] 10 years ago, I witnessed a poetry reading so charged with high emotion and bardic intensity it left me both excited and exhausted…. [Galway Kinnell], ...
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Critical Essay by Richard Tillinghast
Trying to define for myself the particular excellence of Galway Kinnell's poetry, I thought of something Robert Lowell once wrote about Allen Tate, in many...
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Critical Essay by Geoffrey Thurley
Of Galway Kinnell's poem 'The Avenue Bearing the Initial of Christ into the New World', Selden Rodman wrote: 'I do not hesitate to call t...
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Critical Essay by Susan B. Weston
In the recently published Walking Down the Stairs, selections from interviews with Galway Kinnell …, one of the interviewers asks Kinnell: "That lonelin...
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Critical Essay by Charles Molesworth
[During the two decades that span the second world war], changes began to occur [in American poetry]: Olson's "Projective Verse" and Allen Gin...
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Critical Essay by Peter Stitt
Galway Kinnell once said, according to Donald Hall, that he had no use for any poem upon which the poet did not bring to bear the weight of his entire life. The results o...
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Critical Essay by Harold Bloom
It is 20 years now since Galway Kinnell published his first book of poems, "What a Kingdom It Was." The glory of that volume was a long poem, "The A...
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Critical Essay by Stephen Yenser
In an interview in 1971, [Galway Kinnell] had this to say about The Book of Nightmares, the superb long poem published earlier that year:
I thought of that poem as on...
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Critical Essay by Vernon Shetley
Galway Kinnell's career gives the impression of continuity despite his transformations of style and tone, perhaps because he has held fast to a certain idea of ...
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Critical Essay by Joe Marusiak
One problem with [defining poetry] is ourselves: we keep getting in the way, obstructing the viewfinder with all these stray edges of selves. We cannot read without putt...
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