The French poet Gérard de Nerval (1808-1855) was an early romantic. His prose and poetry mark him as a precursor of the many movements, from symbolism to surrealism, that shaped modern French l...
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The news of Gérard de Nerval's suicide on 14 January 1855 stunned the literary and artistic community of Paris as had no other writer's death in recent memory. The shock registered by acquainta...
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In the following excerpt, Wagner offers a survey of Nerval's works and a summary of his influence.
Il n'y a qu'un problème philosophique vraiment sérieux: c...
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In the following essay, Warren surveys prominent themes and images in Nerval's poetry and fiction.
When Gérard de Nerval hanged himself on the night of 25 January 1855 in Rue de la Vi...
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In the following essay, Kneller studies the language, imagery, and literary devices used in 'Artemis."
The approaches to Les chimères of Gérard de Nerval have followed r...
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In the following excerpt, Lokke discusses Nerval's social, psychological, and mythological portrayal of women in his prose.
One glance at the titles of Nerval's major works shows wome...
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In the following excerpt, Carpenter draws a connection between translation, language, and madness in Nerval's works, focusing on "Aurélia."
Nerval was sensitive to the l...
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In the following excerpt from an anonymous review of The Selected Writings of Gérard de Nerval, the critic comments on the wide appeal that Nerval's work has held for readers and critics...
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In the following essay, originally published in 1961, Fairlie discusses the prevailing themes and images in Nerval's Les Chimeres and Sylvie.
The immensely increasing volume of detailed and ...
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In the following essay, Sullivan examines Nerval's use of the theater as a religious and metaphysical image in his writing.
Nerval is obsessed by the theatre. As if reflected in the pieces o...
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In the following essay, Zuckerman analyzes Nerval's difficulty with presenting a tragic vision in his novel Roman Tragique.
Nerval presents the Roman tragique within the introduction to Les ...
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In the following essay, Brombert investigates "motifs of enclosure, escape, and freedom" in Nerval's work.
Facetious Prisons?
"Politique (1831)," originally en...
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In the following essay, Gilbert analyzes the figure of the double in Nerval's story "L'Histoire du Calife Hakem."
Two Nervalian heroes, Hakem and Spifame, were confined ...
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In the following excerpt, Feder explicates Aurélia as a work depicting madness as a process of self-creation and discovery for Nerval
The Aesthetics of Madness
The extremes of Géra...
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In the following excerpt, Knapp interprets the myths that Nerval created in Angelique and Sylvie, relating them to Nerval's own psychological states.
Love that moves the sun and the other s...
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Symons was a critic, poet, dramatist, short story writer, and editor who first gained notoriety in the 1890s as an English decadent. Eventually, he established himself as one of the most important cri...
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Below, MacLennan studies Nerval's subjective portrayal of madness in Aurélia and relates the tale to other nineteenth-century French literature. He examines the story's conclusion a...
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In the excerpt below, Fairlie examines themes, form, and tone in Sylvie.
Sylvie used to be read as a delightful country idyll. Reaction set in and it became 'le poème de la fin du monde...
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Here, American educator and critic Moon surveys Nerval's life, short fiction, and influence on later literature. Moon states that Nerval is "best when he is autobiographical. "
...
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In the following excerpt, American educator and author Knapp explores the religious aspects of Isis and the role of the female in the work.
Nerval's narrative Isis (1845) is an expression of...
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Below, Thompson addresses the function of myth in Sylvie, focusing on Nerval's use of colors and treatment of memory to suggest a fantastic world. The critic finds in the story an overflowing o...
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In the following essay, Smith describes the quality of figuration in Pandora that prevents the novella from succumbing to abstraction, disorder, and senselessness. She also delineates the differences ...
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Here, Chambers analyzes several narrative approaches in Sylvie and comments on themes in the novella.
The Narration of Madness
Why [. . .] does the narrator produce the narrative act that is Sylvie...
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In the excerpt below, Lokke discusses Nerval's depiction of women in his short fiction.
One glance at the titles of Nerval's major works shows women to be the heart, the center, of hi...
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In the following excerpt, Noakes observes the significance of time in Aurélia and comments on the relationship between the narrator and his double in the novella.
The Failed Dialectic of Exeges...
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Fowlie is one of the most respected and versatile critics of French literature. His works include translations of major dramatists and poets of France as well as critical studies of the major figures ...
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An English-born critic and educator specializing in French literature, Kneller is the coauthor of Introduction à la poésie francaise (1962) and a former editor of French Review. In the f...
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Bays is an American educator and critic specializing in French literature. In the following excerpt, she asserts that Nerval attempted to unify myth, the occult, and religion in Les Chimères.
...
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Strauss is a German-born American critic and educator. In the following excerpt, he summarizes Nerval's philosophical orientation and discusses Les Chimères, focusing on the poems ...
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In the following essay, Strange contends that the allegorical dimension of "Horus" is augmented by the mythology employed in the poem.
Although overshadowed by "El Desdichado...
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In the following essay, Kneller explicates the poem "Anteros" as the protagonist's announcement of his revolt against God.
The Chimeras of Gérard de Nerval continue to f...
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In the following essay, Kneller studies the language, imagery, and literary devices used in "Artémis" and asserts that Nerval's poem is "the most ambitious, the most...
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