Biography EssayNeither Romantic nor purely realist, Franz Grillparzer has been difficult to place in the established periods of literary historiography. The foremost Austrian writer in the nineteenth ...
Read more
Franz Grillparzer (1791-1872) is generally considered to be Austria's greatest playwright. His plays are well-written dramas of sentiment and psychological conflict, which often express a resigned att...
Read more
Neither Romantic nor purely realist, Franz Grillparzer has been difficult to place in the established periods of literary historiography. The foremost Austrian writer in the nineteenth century, a time...
Read more
In the following essay, Kaufmann examines the major influences on Grillparzer's work, in particular the effect of classical idealism.
Literary criticism rather early recognized the fact that...
Read more
In the following essay, Little speculates on the ending of Grillparzer's fragment, Esther, and on the reasons why the playwright abandoned the work.
With no perceptible voice of dissent crit...
Read more
In the following essay, Thompson considers the lack of dramatic action in Ein Bruderzwist in Habsburg, contending that there is a significant dramatic moment in Act IV.
The title of Grillparzer...
Read more
In the following essay, Thompson offers a thematic and stylistic overview of Grillparzer's early dramas.
The Early Tragedies (1816-23)
I Die Ahnfrau
For several reasons Die Ahnfrau [The Ance...
Read more
In the following essay, Nicholls explores Grillparzer's utilization of Bancbanus as protagonist of Ein treuer Diener seines Herrn.
Fundamental to the interpretation of Grillparzer's d...
Read more
In the following essay, Burkhard explores the role of the female poet in Sappho and in Madame de Staël's Corinne.
Poets and writers are a powerful magnet for the modern imagination. T...
Read more
In the following essay, Dunham analyzes the structure and motivation of the dramatic monologues in three of Grillparzer's dramas: Sappho, Das goldene Vließ, and Des Meeres und der Liebe ...
Read more
In the following essay, Dunham offers a symbolic study of Das goldene Vließ, maintaining that the many symbols give the trilogy “its rich texture and poetic power.”
In an age w...
Read more
In the following essay, Silz provides a character study of the protagonist in König Ottokars Glück und Ende, King Ottokar, challenging the critical interpretation of the character as a b...
Read more
In the following essay, Krispyn traces Grillparzer's views on the function of the chorus in drama as evinced in his critical and dramatic work.
Grillparzer's remarks in “
...
Read more
In the following essay, Sweeney differentiates Grillparzer's Medea from Euripedes' version and contends that Grillparzer's play was the one that influenced W. D. Howells' A...
Read more
In the following essay, Angress compares Weh dem, der lügt to Ein treuer Diener seines Herrn and Das goldene Vließ in order to “shed new light on the theme, structure and aestheti...
Read more
In the following essay, Goff offers a structural analysis of Des Meeres und der Liebe Wellen, particularly the “play-within-a-play” technique.
Grillparzer's mastery of dramatic...
Read more
In the following essay, Schmidt places Grillparzer's drama Ein Bruderzwist in Habsburg in its historical and intellectual context, asserting that this lends layers of meaning to the play.
In...
Read more
In the following excerpt, Pollak relates relevant facts regarding Grillparzer's early life and first compositions.
Franz Grillparzer was born in Vienna on the 15th of January, 1791, and died...
Read more
In the following excerpt, Thompson presents an overview of Grillparzer's lyrical poetry, written mostly in his youth and influenced by the eighteenth-century neoclassical poets. Thompson also d...
Read more
In the following essay, Nicholls analyses Ein Treuer Diener Seines Herrn as representative of Grillparzer's propensity to portray man in all his limitations, to expose the ambiguity inherent in...
Read more
In the following essay, Roe comments on Grillparzer's only comic drama, noting that in it he subjects the search for truth to comic scrutiny and ultimately advocates a balanced life that incorp...
Read more
In the following excerpt, Reeve explores the first act of Libussa, focusing on the title character's struggle to define herself in relation to the men in her life, particularly her father, whil...
Read more
In the following excerpt, Wells discusses Grillparzer's three Greek tragedies—Sappho, Das goldene Vliess, and Des Meeres und der Liebe Wellen—noting that they all share the theme ...
Read more
In the following excerpt, Yates offers detailed discussions of Grillparzer's Das Goldene Vlies, Köning Ottokar's Glück und Ende, and Der Traum ein Leben, focusing on charac...
Read more
In the following essay, Thompson discusses Grillparzer's drama Die Ahnfrau, focusing on his handling of supernatural elements and observing that the actions of Grillparzer's characters s...
Read more
In the following essay, Mahlendorf argues that the two main characters in Grillparzer's The Poor Fiddler, Jacob and the narrator, are actually two aspects of Grillparzer himself, and that the s...
Read more
In the following excerpt, Mullan introduces Grillparzer's ideas regarding aesthetic theory, asserting that the dramatist's ideas were based on induction and his study of human psychology...
Read more
In the following essay, Harrigan suggests that Sappho appealed to Grillparzer because he viewed her as a figure who was able to integrate her life and art into a complex whole.
I
Since it was first...
Read more
In the following essay, McInnes explores the tension between analytical insight and moral concern in Das goldene Vliess, emphasizing that Grillparzer's imagination operated outside the consciou...
Read more
In the following essay, Roe discusses Grillparzer's Der Arme Spielmann, as well as several other plays, in terms of the dramatist's artistic and spiritual development, noting that Spielm...
Read more
In the following essay, Ivask places Der arme Spielmann within the context of nineteenth-century fiction and assesses its impact on Austrian fiction.
“ … For it is by perfection of fo...
Read more
In the following essay, Roe likens the character of Jacob with similar protagonists in Grillparzer's mature plays.
Grillparzer's Der arme Spielmann has in recent years attracted consi...
Read more
In the following essay, Porter provides a literal, figurative, and formal reading of Der arme Spielmann, exploring how these readings give different perspectives on and insights into the novella. A co...
Read more
In the following excerpt, Thompson contrasts Grillparzer's two works of short fiction, Der arme Spielmann and Das Kloster bei Sendomir.
In view of the fact that Grillparzer regarded poetry s...
Read more
In the following essay, Cook reassesses the function of the narrator in Der arme Spielmann, arguing that it provides insight into the relationship between author and text.
Begun in 1831, but not co...
Read more
In the following essay, Cowen places the critical reaction to Der arme Spielmann within a social, literary, and political context.
From the time of its first publication in Iris: Deutscher Almanach...
Read more
In the following excerpt, Roe chronicles the critical reaction to Der arme Spielmann.
The exception to the overall history of neglect of Grillparzer's non-dramatic writing is Der arme Spielm...
Read more
In the following essay, Kappeler explores stylistic aspects of Der arme Spielmann, in particular the effect of the frame story on the novella.
Le «sujet», c'est pour nous (depu...
Read more
In the following essay, Liedke compares the structure of Der arme Spielmann to a musical composition.
Grillparzer's Der arme Spielmann possesses the quality of all deeply poetic works to evo...
Read more
In the following essay, Ellis investigates the function of the narrator in Der arme Spielmann.
Grillparzer's story Der arme Spielmann1 has long been regarded as one of his best works,2 and i...
Read more
In the following excerpt, Yates examines the portrayal of Jacob, the protagonist of Der arme Spielmann, and perceives the novella as a confessional work.
Der arme Spielmann, the last completed work...
Read more
In the following essay, Browning explores “a constitutive (but hitherto unnoted) theme of the novella—that of language or the word—and to offer some suggestions as to its possible...
Read more
In the following essay, Swales discusses the importance of narrative perspective in Der arme Spielmann, in particular, the narrator's attitude toward the protagonist, Jacob.
Franz Grillparze...
Read more
In the following essay, Reeve examines the theatrical staging and spatial relationships in Der arme Spielmann.
In his psychologically oriented Franz Grillparzer oder das abgründige Biedermei...
Read more
In the following essay, Waldeck underscores the similar themes of Der arme Spielmann and Grillparzer's play Die Jüdin von Toledo, maintaining that the play “is the public, dramati...
Read more
In the following essay, Mahlendorf investigates autobiographical elements in Der arme Spielmann, particularly the theme of rejection.
Introduction
Grillparzer's story The Poor Fiddler (writt...
Read more