Frank O'Connor (the pseudonym of Michael O'Donovan) wrote some of the finest short fiction of this century. Although now only some of his two hundred stories are well-known, during his lifetime he had...
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Critical Essay by Richard T. Gill
In ["Domestic Relations"] Frank O'Connor proves once again his extraordinary mastery of the short-story form. As always, the settings, the chara...
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Critical Essay by Geoffrey Stokes
Attempting to explain the Irish affinity for the short story, critics have been overly fond of the shanachie. Thus the potato-headed condescension from Charles Poore...
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Critical Essay by William James Smith
Most of the stories in [Domestic Relations] appeared originally in the New Yorker, where they served to confound those who criticize that magazine's ficti...
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Critical Essay by Kevin Sullivan
The first volume of Frank O'Connor's autobiography (An Only Child, 1961) was the story of young Michael Francis O'Donovan…. That story beg...
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Critical Essay by Gary T. Davenport
At the time of his death in 1966, Frank O'Connor was generally regarded as an authority on the short story and one of the century's foremost practiti...
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Critical Essay by Maurice Wohlgelernter
[Some] of O'Connor's public experiences, first in the guerilla war and then in the Civil War, serve as a clear inspiration to some sixteen storie...
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Critical Essay by James H. Matthews
The violence and idealism of the events of 1916 to 1923 created in Ireland a mood of national hysteria. At least that was the voice heard by O'Connor trying...
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Critical Essay by Patricia Craig
The earliest story in The Cornet Player Who Betrayed Ireland goes back to 1926; the latest—"The Grip of the Geraghtys"—is the one O'...
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Critical Essay by William Trevor
Frank O'Connor belongs with William Carleton, Sheridan Le Fanu, James Stephens, George Moore, Somerville and Ross—Irish writers who achieved their great...
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Critical Essay by Denis Donoghue
O'Connor was never at home in [the 20th century]. He read Proust, Lawrence and Joyce, but with the admiration that is consistent with suspicion and a determina...
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Critical Essay by James T. Farrell
There is a sensitive tenderness in Mr. O'Connor's ["The Saint and Mary Kate"] that overrides its patches of irony. Likewise, because of ...
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Critical Essay by Diana Trilling
There is an Irish lilt to the dialogue and an Irish color to the scenery of Frank O'Connor's stories, even at their most melancholy, which, because it g...
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Critical Essay by V. S. Pritchett
[Mr. O'Connor] has little or none of the professional Irishman in him or of the brothiness, feyness, sentimentality, that mar so much of Irish writing. At his...
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Critical Essay by Deborah Averill
A reader of Frank O'Connor's stories notices at once their atmosphere of warm intimacy. His concern with human contact originates in his sense of human...
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Critical Essay by James H. Matthews
"I saw life through a veil of literature." This statement in his autobiography defines something important about Frank O'Connor. After writing...
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Critical Essay by Patrick Kavanagh
In 1922 [O'Connor], with O'Faolain, took the Republican side in the Civil War, and his early stories, like O'Faolain's, are based on tho...
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Frank O' Connor was born Michael O' Donovan in 1903 in Cork, Ireland. He was the only child Minnie and Michael O' Donovan. Financial issues led to many problems with his family. His father was a dr...
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In the mid-1980's, someone asked the late Thomas Flanagan if he'd he read Erica Jong's last novel. "I definitely hope so," he replied.He was a man of lightning wit and great learning. His first nov...
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Gentle and enchanted, the 24 stories of Blind Willow, Sleeping Woman, Japanese writer Haruki Murakami’s latest collection, are frequently brief, unassuming and understated—but never fla...
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Gentle and enchanted, the 24 stories of Blind Willow, Sleeping Woman, Japanese writer Haruki Murakami’s latest collection, are frequently brief, unassuming and understated—but never fla...
Read more