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Ezra Pound.
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Biography EssayEzra Pound's influence on the development of poetry in the twentieth century has unquestionably been greater than that of any other poet. No other writer has written as much poetry and ...
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Ezra Loomis Pound (1885-1972), American poet, translator, editor, critic, and esthetic propagandist whose life was surrounded by controversy, is best known for his Cantos (1925-1960), an epic version ...
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Visionary, literary pioneer, traitor, poseur, genius. All of these terms have been used at one time or another to describe Ezra Pound, considered one of the major literary figures of the twentieth cen...
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One of the dominant figures of twentieth-century American literature, Ezra Weston Loomis Pound spent nearly the entirety of his controversial career in exile. Following in the footsteps of Henry J...
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Ezra Pound 's influence on the development of poetry in the twentieth century has unquestionably been greater than that of any other poet. No other writer has written as much poetry and criticism or d...
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That he should be included in a volume devoted to American criticism would have both amused and delighted Ezra Pound. His relationship to his native country was so charged, so fretful, so variable, th...
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In the following essay, Benstock examines American female modernist writers living in Paris, believing that many of them were ignored unfairly by such American editors as Ezra Pound, whom she perceive...
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In the following essay, originally published in the Partisan Review in April 1949, Berryman attempts to mark the influences underlying the various phases of Pound's work from his early roots in...
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In the following essay, originally published in 1959, Tate—the famed poet and head of the Bollingen Prize jury—defends his selection of Pound as the winner of their 1949 award as being d...
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In the following essay, Coley summarizes the events surrounding Pound's selection for the Bollingen Award and gives the opinions of many of the leading literary figures of the period and on whi...
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In the following essay, originally published in 1952, Bottrall, a well-known English poet, positively reflects upon Pound's body of work, believing “Hugh Selwyn Mauberley” to be h...
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In the following essay, Fraser charts the critical perception of Pound, particularly that of Wyndham Lewis, and in what way his politics may have colored his legacy.
Ezra Pound and T. S. Eliot have ha...
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In the following essay, originally published in 1964, Stock reviews how writer Ernest Fenollosa and Chinese poetic methods influenced Pound's poetic style and philosophy of writing.
The best an...
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In the following essay, Fiedler states that of the poets of their generation, history will likely give Robert Frost the popular acclaim and Pound the critical praise.
In the United States, poetry has ...
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In the following essay, Young relates Pound's transitional sense of both Modernism and the artistic ‘mask’ to that of the African American writing experience.
Ezra Pound's ...
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In the following essay, originally published in 1953, Watts attempts to define Pound's The Cantos in light of the author's method, tone, goals, and ultimately whether it effectively diss...
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In the following review of Thrones de los Cantares, Schwartz concludes that although the poem has many self-indulgent aspects to it, there is still inherent beauty within its verses.
As one reads thes...
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In the following essay, North notes the many instances where Pound's historical and factual memory seems to fail him, but believes that for him it was a tool he used in his attempts to define c...
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In the following essay, Stock warns that the literary biographer's standard approach to analysis—to explore an author's letters, essays, and other related materials to gain insigh...
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In the following essay, Wilhelm analyzes some of Pound's later poetic outputs from the 1950s and the efforts to free him from St. Elizabeths Hospital.
This would be a good year to release poets...
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In the following essay, Sicari argues that Pound's explanation of heroic action in his pre-war Cantos helped formulate his later professed admiration for Fascism.
To understand Ezra Pound...
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In the following essay, Kazin studies Pound's politics and reflects upon how it affected his writing style, particularly his Cantos as a whole.
In the museum of modern literature no figure comm...
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In the following essay, Tuma attempts to trace the roots of Pound's later political course by analyzing Pound's 1912 essay Patria Mia, a cultural critique of Pound's belief that a...
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In the following essay, Chace analyzes Pound's 1938 prose treatise A Guide to Kulchur, particularly its anti-Semitism.
And if you will say that this tale teaches … a lesson, or that the ...
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In the following essay, Goldensohn disagrees with the various rationales often given for Pound's anti-Semitism and that despite the historical tendencies to forgive and forget such indiscretion...
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In the following essay, Hillyer, a Pulitzer Prize winner and former president of the Poetry Society of America, heatedly explains why Pound is undeserving of the 1949 Bollingen Award for poetry.
Last ...
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In the following essay, originally published inCommentary's April 1951 issue, Viereck debates whether “form and technique can be considered apart from context and meaning” by exam...
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Critical Essay by Marjorie G. Perloff
When A Draft of XXX Cantos appeared in 1930, William Carlos Williams remarked with characteristic insight: "A criticism of Pound's Cantos could not ...
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Critical Essay by Ian F. A. Bell
[We] need to know about the curious vocabulary used in the "Mauberley 1920" half of [Hugh Selwyn Mauberley] and, crucially, the problem of Mauberley...
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Critical Essay by Theodore Weiss
The two last poems of Ripostes, "The Return" and "The Alchemist," facing each other, offer a chance to watch Pound's genius quarryin...
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Critical Essay by Donald E. Stanford
As we read through the original verse of Ezra Pound (as distinct from his "translations") from the beginning of his career until the end, that is, fr...
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Critical Essay by S. J. Adams
Surprisingly little has been written about Pound's translation of the Old English "Seafarer." (p. 127)
Truly, the scholar who possesses the original ...
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Critical Essay by Donald Davie
Because of [the] cavalier disregard of ascertainable facts and documents we can be offered, as a portrait of the youthful Pound, a figure who [according to George Quasha...
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Critical Essay by John Berryman
The reader who is not a student of poetry has [a] ground for indifference [towards Pound]. Pound, he has always heard, has no "matter." Granting the ...
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Critical Essay by Vincent Miller
Joyce's and Eliot's concern for time certainly needs no emphasis. Everyone has spoken of it. But Pound's concern is probably less widely realized....
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Critical Essay by Allen Ginsberg
[Pound] was the greatest poet of the age!…
The one poet who heard speech as spoken from the actual body and began to measure it to lines that could be chanted r...
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Critical Essay by Hyam Maccoby
If there is one word which provides the clue to the life-work of Ezra Pound, it is "productivity." To him, man was essentially a productive animal, and if ...
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Critical Essay by Peter Shaw
The longest and most obscure section of Ezra Pound's Cantos has until recently been all but ignored. His ten cantos devoted to John Adams, when they are discussed, ...
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Critical Essay by Fred Moramarco
Although readers may disagree as to the kinds of groupings one can find in The Cantos, almost everyone will recognize that cantos VIII through XI form a distinct unit,...
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Critical Essay by William Pratt
Hugh Selwyn Mauberley, Pound's ironic portrait of the artist, stands at the end of the Imagist Decade, from 1910 to 1920, when literature in English became recog...
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In the following essay, Bishop discusses Pound's effort to continue his epic historical vision in The Cantos after his traumatic imprisonment in Pisa and the demise of Mussolini. According to B...
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In the following essay, Miller offers a reexamination of critical dispute surrounding Hugh Selwyn Mauberley from its publication to the present. "Once Pound's greatest success," w...
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In the following essay, Wolfe examines contradictory aspects of Pound's democratic and elitist sentiments, particularly concerning the relationship between art and economics. Wolfe contends tha...
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In the following essay, Géfin examines the aesthetic and ethical concerns behind Pound's ideogrammic method, particularly the use of Chinese pictographs and literary allusion in The Cant...
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In the following essay, Lentricchia examines the modernist ideals and Emersonian influence behind Pound's ambitious innovation in The Cantos. According to Lentricchia, "The form he inven...
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In the following essay, Xie discusses Pound's interpretation of Chinese verse in Cathay. According to Xie, Pound differs from "the Victorian masters of the elegiac before him" thr...
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In the following essay, Moncef examines Pound's disdain for gold as a symbol of evil. According to Moncef "the malevolent aspect of gold exists in its own right throughout Pound's...
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Ezra Pound modernized poetry with his rules and writing. As an Imagist, he had many strict beliefs about the structure of poetry. He stressed lyricism and was selective in use of words. He also fo...
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