Caldwell, Erskine (1903-1987)
Although Erskine Caldwell gradually descended into obscurity, during his heyday in the 1930s and 1940s his books were perennial best-sellers. Notorious for the explicit s...
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The American writer Erskine Caldwell (1903-1987) was one of the best-selling authors of all time. His novels and stories are distinguished by their brutally realistic depiction of the rural South; his...
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Erskine Caldwell 's more than fifty volumes of fiction and nonfiction represent a major contribution to twentieth-century American letters, and they have probably had as powerful an effect on American...
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The son of Ira S. Caldwell, a Presbyterian minister, and Caroline Preston Bell, a school-teacher, Erskine Caldwell was born in White Oak, Georgia, and because of the expediencies of his father's pro...
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In the following, Whipple generally praises the stories in American Earth but bemoans what he perceives to be the elitist influence of small literary journals on Caldwell. Cowley, on the other hand, d...
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In this review, Du Bois considers Georgia Boy "an unalloyed delight" and declares that one "would have to go back to Huck Finn to find a more companionable storyteller" tha...
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Canby was an American educator, critic, biographer, and the co-founder and first editor of the Saturday Review. In the following essay, which was first published in 1944 as Canby's introduction...
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In the following review of The Complete Stories of Erskine Caldwell, Nichols includes the author's own recollections about the composition of such stories as "Country Full of Swedes...
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Bode was an American critic, educator, and poet. In the excerpt below, he disparages Caldwell's artistry generally but judges his short stories superior to his novels: "the sagging archi...
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In this review, Dempsey contends that Certain Women demonstrates a decline in Caldwell's talent.
In twenty-eight years of writing, Erskine Caldwell has published the impressive total of thir...
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Collins was an American critic, educator, and editor, In the essay below, he accounts for Caldwell's great popularity by pointing to the sexual content of his stories, their element of social p...
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In the following excerpt, Korges discusses The Sacrilege of Alan Kent, considering it essential to understanding "Caldwell's full range and his place in contemporary literature. "...
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In the following essay, MacDonald details Caldwell's use of repetition in his characters ' speeches, in descriptions of settings and events, and in the structures of his short stories.
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Owen was an American poet, novelist, critic, and educator. In this essay, he closely studies The Sacrilege of Alan Kent within the context of Caldwell's fledgling writing career.
When Erskin...
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Burnett was an American critic, journalist, and editor. In the following review of We Are the Living, he greatly admires Caldwell's ability to "push through to the core of feeling"...
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Comsa is a Romanian writer, educator, and critic specializing in American literature. In the essay below, Comsa surveys the critical response to Caldwell's stories, declaring: "With few ...
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Peden is an American poet, novelist, and educator. In the following essay, he extols Caldwell's short stories as "important sociological documents, bleak testimony to the devastating eff...
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In the following excerpt, which is taken from an interview with Caldwell at his home in Arizona in June, 1980, the author discusses various aspects of his writing process.
Many commentators have li...
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In the following excerpt from his book-length study of Caldwell, Devlin assesses the language, imagery, themes, and other facets of the author's short fiction.
From the late twenties until a...
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In the essay below, Hoag examines the ways in which the pieces in Georgia Boy comprise a unified story-cycle.
Morris Stroup is no saint, but he deserves to be saved. Also worthy of salvation are hi...
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In the excerpt below, Cook surveys the themes of Gulf Coast Stories and Certain Women, detecting a narrowing of the range of issues and concerns from Caldwell's earlier collections of stories.
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In the review below, Strauss praises the authenticity of the pieces in We Are the living, declaring that "Caldwell's stories are as indigenous to the American soil as a corncob pipe or a...
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Burke is one of the foremost American scholars—and perhaps the most controversial literary figure—of the twentieth century. His approach to literature combines pragmatism with aesthetics...
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In the excerpt below, Wade surveys Caldwell's early work in an effort to "assess the Caldwell virtues and to wonder whether they are virtues good enough and numerous enough to sustain fo...
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In the following review of The Sacrilege of Alan Kent, written at the time of the work's publication as a separate volume, Strauss finds it an interesting but "youthful and unsuccessful&...
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In this review of Southways, Soskin detects a change in these stories from Caldwell's earlier work, observing a greater brevity and intensity: "he writes the bare, bedrock story hammered...
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In the review of Southways below, Ferguson asserts that this collection of short stories is less imaginative but more mature than Caldwell's earlier efforts.
If you have any interest in the ...
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Critical Essay by T. K. Whipple
Mr. Erskine Caldwell's collection of stories "American Earth," is closer to [representing the simple American folk narrative] than any other book ...
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Critical Essay by Malcolm Cowley
Mr. Caldwell is a literary child of the "occult" magazines…. What I dissent from in Mr. Whipple's review [see excerpt above] is that he at...
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Critical Essay by Eve Ottenberg
Like many travel books, Erskine Caldwell's "Afternoons In Mid-America" is fragmentary. Since neither plots nor characters generally hold travel bo...
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Critical Essay by Scott Macdonald
In many of his stories Caldwell's style is so spare and so completely unadorned that the reader learns just how few of the traditional literary devices a writ...
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Critical Essay by Richard Gray
[Caldwell's theme] is one of degeneracy—the reduction of the human being to the lowest possible levels of his experience. In appearance, at least, his rur...
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In the following interview, originally published in 1984, Caldwell discusses his life in the South, his early literary influences, and his opinions about censorship and racism.
On the evening of Ju...
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In the following essay, McDonald discusses the significance of the photograph “Three Women Eating” to the collection of photographs in You Have Seen Their Faces.
In 1936 Erskine Caldw...
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In the following essay, Mixon argues that Caldwell's later works were less successful than his early writing because he failed to recognize major social changes in the American South.
In the...
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