Having published since the early 1950s some twenty books of verse (including two substantial collections), together with several anthologies and critical works, Elizabeth Jennings is a well-known writ...
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In the following excerpt, Gregory praises Jennings for her unique and strong voice.
The recent Zeitgeist in American culture is of suburban colors, manners, dress. Those who are currently publishin...
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In the review below, Heath-Stubbs argues that Jennings is not disciplined enough in her writing and produces work with a flat, muted tone.
Miss Jennings’s work has received so much praise fr...
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In the following review, Skelton argues that Jennings's penchant for simplifying and her coy tone weaken an otherwise admirable work.
The annual P.E.N. Anthology of New Poems usually contriv...
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In the following excerpt, Morse praises the quality and content of Jennings's poetry, arguing that she is gaining authority in her work.
For the poets of the fifties and after, the veterans ...
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In the review below, Clayre argues that these experimental poems do not reflect Jennings's skill or her voice.
Miss Elizabeth Jennings, in The Mind has Mountains, takes the reader through an...
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In the following review, Mott contends that Jennings exhibits power and bravery in her work.
Elizabeth Jennings has been accused at times of quietness, if not tameness, but it would be grossly unfa...
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In the review below, Lucas finds fault with Extending the Territory, arguing that the poetry is vapid, the language unvaried, and the subject matter uninteresting.
With Elizabeth Jennings’s ...
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In the following review, Brophy outlines Jennings's importance as a poet.
Jennings is an original member of the British literary movement disarmingly called “The Movement,” whi...
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In the review below, Gilbert argues that while Jennings's culture is foreign to Americans, her work is of great merit and importance.
Though she not only thinks about the significance of his...
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In the following review, Sheppard compares Jennings's career with fellow Movement members, contending that her work exudes greater seriousness and mysticism.
The poetry of the Movement ortho...
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In the following review of Tributes, Maxwell praises Jennings's subtle use of simile and her successful use of form.
This is a craftswoman working, so watch the vowels;
...
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In the following review, Sail cautions that Jennings risks bordering on mannerism in some of her work but proclaims that she is one of the greatest poets at capturing childhood.
Like Roy Fuller, El...
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In the excerpt below, Bradley provides an overview of Jennings's career, placing her work in the context of other Movement writers.
Elizabeth Jennings is unique in two particular ways: she i...
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In the following review of Times and Seasons, Eaves discusses Jennings's use of time, form, and language.
Time is a continual, if not quite perpetual, worry for Elizabeth Jennings. At its cr...
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In the following review, O'Neill argues that although there is a repetitive quality to Jennings'’s work, her writing deserves praise.
At one stage in Praises, Elizabeth Jenning...
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Critical Essay by P. N. Furbank
The good things about Elizabeth Jennings are as good as ever in [Recoveries], and the limitations just the same. When a poem of hers comes off, she manages to cancel t...
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Critical Essay by Peter Scupham
In Consequently I Rejoice, a substantial collection of eighty-eight poems, experiences are ordered with that meticulous precision we have grown to expect, and the whol...
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Critical Essay by Julian Symons
The characteristics of [Elizabeth Jennings's] poetry, from her first remarkable Fantasy Press volume 14 years ago, have been ingenuity, wit, and a persistent in...
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Critical Essay by Michael Mott
Elizabeth Jennings has been accused at times of quietness, if not tameness, but it would be grossly unfair to accuse the poet of The Animals' Arrival of any such...
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Critical Essay by Alasdair Maclean
Elizabeth Jennings has been a poet of solid if modest achievement, but her decline [in Relationships] is catastrophic. This new collection includes a poem addressed...
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Critical Essay by Alan Brownjohn
It's good to see a poet breaking back out of a lean period. Elizabeth Jennings, one remembers, was brought in as the 'sensitive' dimension to the...
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Critical Essay by Anne Stevenson
Women's poetry has become an industry since Elizabeth Jennings began to publish in the 1950s. It is to Miss Jennings's credit that she has not allowed h...
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Critical Essay by Terry Eagleton
Elizabeth Jennings's [Growing-Points] reveals most of her strengths and fewer than usual of her weaknesses. All the Jennings hallmarks are here: scrupulous dep...
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Critical Essay by John Matthias
Throughout [Growing-Points], poems in Ms. Jennings's familiar meters and stanzas alternate with largely unsuccessful attempts to find a substitute for the large...
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Critical Essay by Anne Stevenson
[Elizabeth Jennings's] title, Consequently I Rejoice, is a brave and appropriate one for her new collection, in which she shows herself better able to face up ...
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Mice were hung by their tails with adhesive tape, subjected to electrical shocks and forced to swim until nearly drowning during experiments done at the University of New Mexico.University official...
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