Eilhart von Oberge introduced the Tristan legend to the German cultural area with his Tristrant, a poem of more than ninety-five hundred verses. It is the oldest complete Tristan romance that is extan...
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In the following excerpt, Whitehead contrasts versions of the Tristan legend by Eilhart and Béroul, claiming that Eilhart's German poem suffers in comparison because of its narrative abr...
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In the following essay, Trindade discusses the narrative structure of the Tristan legend as it exists in poetic versions by Eilhart and others, placing particular emphasis on the function of antagonis...
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In the following excerpt, Thomas encapsulates the manuscript tradition of Eilhart's Tristant and summarizes what is known of the poet's life. The critic continues by examining structure,...
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In the following essay, Wiesmann-Wiedemann compares versions of the Tristan story by Eilhart, Thomas, and Gottfried with the prose French narrative source, arguing that Eilhart's work privilege...
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In the following essay, Schultz studies the differing forms of narrative motivation employed by Eilhart and Gottfried in their versions of the Tristan legend.
Although narrative motivation has only...
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In the following essayt, McDonald interprets the symbolic significance of Tristan's club in Tristant and in later adaptations of the legend the followed Eilhart.
Although critics have examin...
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In the following essay, Cormier comments on Eilhart's innovative retelling of the story-within-a-story of Gariole and Kehenis in his Tristant.
Eilhart von Oberg postpones the dénoueme...
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In the following essay, Brockington explicates a scene from the Tristan legend in which King Mark discovers the sleeping lovers in the forest, exploring the different approaches to the episode taken b...
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In the following excerpt, Whitehead contrasts versions of the Tristan legend by Eilhart and Béroul, claiming that Eilhart's German poem suffers in comparison because of its narrative abr...
Read more
In the following essay, Trindade discusses the narrative structure of the Tristan legend as it exists in poetic versions by Eilhart and others, placing particular emphasis on the function of antagonis...
Read more
In the following excerpt, Thomas encapsulates the manuscript tradition of Eilhart's Tristant and summarizes what is known of the poet's life. The critic continues by examining structure,...
Read more
In the following essay, Wiesmann-Wiedemann compares versions of the Tristan story by Eilhart, Thomas, and Gottfried with the prose French narrative source, arguing that Eilhart's work privilege...
Read more
In the following essay, Schultz studies the differing forms of narrative motivation employed by Eilhart and Gottfried in their versions of the Tristan legend.
Although narrative motivation has only...
Read more
In the following essayt, McDonald interprets the symbolic significance of Tristan's club in Tristant and in later adaptations of the legend the followed Eilhart.
Although critics have examin...
Read more
In the following essay, Cormier comments on Eilhart's innovative retelling of the story-within-a-story of Gariole and Kehenis in his Tristant.
Eilhart von Oberg postpones the dénoueme...
Read more
In the following essay, Brockington explicates a scene from the Tristan legend in which King Mark discovers the sleeping lovers in the forest, exploring the different approaches to the episode taken b...
Read more
Eilhart von Oberge
Critical Essay by Frederick Whitehead
