Though the translations of Kafka he did with his wife, Willa Muir, have long given Edwin Muir a secure place in modern literature, his reputation as a modern British poet of the first rank came only l...
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Edwin Muir made his mark as a poet, critic, novelist, journalist, translator, and a writer of evocative autobiography. His reputation grew slowly but steadily. In the 1920s and 1930s he was known main...
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Edwin Muir's reputation today rests primarily on his poetry and secondarily on his criticism, autobiography, and translations. Between 1927 and 1932, however, he wrote three novels that served his per...
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In the following review of Edwin Muir's Collected Poems, poet W. S. Merwin compares Muir to Robert Frost, W. B. Yeats, and William Wordsworth, and explores the duality of Muir's idealism...
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In the following essay from an anthology about Scottish writers, Crawford reflects upon the ways in which such poems as “The Good Town,” “After a Hypothetical War,” “...
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In the following excerpt from a longer chapter in an academic study, Daiches considers the ways in which Muir's poetry and autobiographical works communicate “his shifting visions of hum...
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In the following essay, DiPiero reflects on Muir's contributions to poetry and concludes that Muir's poetry embodies a struggle against what Muir called “the cry of historical nec...
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In the following essay, Bruce considers the integrity—meaning the consistency, soundness, and sincerity—of Muir throughout his career as a literary critic and a poet.
First I wish to ...
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In the following essay, McCulloch,explores the relevance of Muir's strict Calvinist upbringing to his poetry and examines his use of Christian and Greek myth.
One of the recurrent aspects of...
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In the following essay, McCulloch analyzes how Muir's experience in Prague, translating Kafka, and working with Czech refugees influenced his religious and political views and his development a...
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In the following essay, Richman explores the theme of mythic journeys that pervade Muir's poetry and laments the loss of “a sense of communal past” that appears to preclude popula...
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In the following essay, Frisardi suggests that unlike the work of Muir's more explicitly political contemporaries, his poetry reimagines history as an internal event, which it depicts economica...
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In the following essay, Fraser elaborates on images of Eden and Christian themes in several of Muir's poems, including “The Journey Back,” “The Myth,” and “In...
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In the following review of Muir's Collected Poems, Friar provides an overview of the major themes of Muir's poetry: the tension between time and eternity, the horror of the first and sec...
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In the following brief essay, Carruth, an award-winning American poet, praises Muir's treatment of time, our moment in history, and eternity in such poems as “The Escape,” “...
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In the following essay, poet and literary critic R. P. Blackmur argues that Muir is an “unprofessional poet” who nevertheless produces “hard and interesting things … out of...
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In the following essay from an academic book on myth in modern poetry, Hoffman draws upon Muir's autobiographical and critical writings to uncover the significance of myth in Muir's earl...
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In the following essay from a book-length work on mysticism in poets such as Yeats, Blake, and Coleridge, Raine—a poet and literary critic—considers the use of fable and universal archet...
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In the following essay from a scholarly book on Muir's life and work, Hixson suggests that reading First Poems (1925), which Muir published at age thirty-five, alongside The Labyrinth (1949), w...
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In the following essay, Mellown provides an overview of First Poems (1925), Chorus of the Newly Dead (1929), Six Poems (1932), Variations on a Time Theme (1934), and Journeys and Places (1937).
Alt...
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In the following essay from an academic study on Muir, Knight examines the influence of Nietzsche's Beyond Good and Evil in Muir's poetry, particularly “The Three Mirrors.”...
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In the following review, Luhrs focuses on structure and mood in First Poems.
American poetry in the past few years has been so obsessed by painted lips, anatomical love, bright colors, and solid im...
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In the following essay, Mellown traces Muir's artistic development through an examination of his use of autobiographical material in The Marionette, The Brothers, and Poor Tom.
During his li...
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In the last poem before his death Edwin Muir wrote,
I have been taught by dreams and fantasies Learned from the friendly and the darker phantoms And got great knowledge and courtesy from the dead. ...
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In the following essay, Garber focuses on Muir's use of symbols and images from heraldic tradition in his poetry.
Animals, in Edwin Muir's autobiography, occur and reoccur in contexts...
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In the following essay, Merton discusses Muir's poetry in relation to the views advanced in his critical writings and lectures.
A recent popular survey of English philosophy since 1900 gives...
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In the following essay, Huberman discusses innocence and experience in "The Gate. "
Although since Edwin Muir's death ten years ago, his prestige as a poet has steadily increas...
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In the following essay, Wiseman offers a close examination of "The Labyrinth, " particularly focusing on Muir's symbolist techniques and the nonlogical structure of the poem.
T...
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In the following essay, Keeble discusses the major symbols, themes, and philosophical views apparent in Muir's poetry.
As this, our most dreadful century yet, moves into its last quarter, it...
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In the following review, Smith praises Muir's letters.
Art is for me the only way of growing, of becoming myself more purely; and I value it for myself, I know it is my good, the only real ...
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In the following essay, Wiseman discusses Muir's poems of the late 1950s.
In the Collected Poems1 are thirty-nine poems written by Edwin Muir between the time One Foot in Eden was accepted b...
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In the following essay, Porter discusses memory and imagination in The Story and the Fable and An Autobiography.
I
Among the appeals of reading an autobiography is its evocation of the writer...
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In the following review, Wolfe identifies the strengths of Muir's early poems.
The poetry of restraint, of emotional repression has in the last few years received notable adherents. The birt...
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In the following essay, Phillips surveys critical assessments of Muir's work.
The nature and appeal of Muir's work have been the most important factor in the rise of his reputation; b...
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In the following essay, Gaskill examines "the various ways in which Muir's knowledge of Friedrich Hölderlin 's life and work manifests itself in his own poetry. "
F...
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In the following essay, Dodd and Lapsley argue that the central concern of Muir's autobiography is neither self-reflection nor self-definition, but an inquiry into the definition of humanness.
...
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In the following essay, Bouson discusses Muir's attempts to elucidate through poetry such fundamental human experiences as the passage of time and the loss of innocence.
Often described as a...
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In the following essay, Fleishman compares Muir's autobiographical writing in The Story and the Fable and An Autobiography focusing on his mythic interpretation of his experiences in the latter...
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In the following essay, Lodge reconsiders prevailing views of Muir's political development as suggested by his autobiographical writings through an examination of his contributions to the New A...
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In the following examination of "Day and Night, " Huberman traces "a pattern of development from manuscript to poem. "
Because it is not often that the original seed fro...
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In the following essay, Taylor discusses Muir's repeated use of the story of Penelope in his poems.
"Nothing yet was ever done
Till it was done again"
In our day poetry i...
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In the following essay, Di Piero considers sources, themes, and philosophical viewpoint in Muir's poetry.
Reviewing the Collected Poems in 1955, Edwin Muir criticized Wallace Stevens for fol...
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In the following essay, Carruth reviews An Autobiography and discusses the relation of the work to Muir's achievement in poetry,
Several years ago, in a review of his Collected Poems, I said...
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In the following essay, Holloway assesses the relation of Muir's poetry to modern literary movements and cultural trends.
The recognition which any poet seeks from any reader is first and fo...
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In the following essay, Summers surveys Muir's most important works in such genres as autobiography, criticism, and poetry,
With the publication of Edwin Muir's Collected Poems (1952)...
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In the following essay, Mills examines key subjects and themes in Muir's later poetry.
It is difficult to think of Edwin Muir without calling to mind those simple, lonely, and nearly anonymo...
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In the following essay, Joselyn identifies similarities in the poetry of George Herbert and Muir.
When R. P. Blackmur described Edwin Muir as a "Herbert without a parish or a doctrine or any...
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In the following essay, Mellown traces Muir's influence as a translator and critic of the works of Franz Kafka.
The Growth of Franz Kafka's reputation in England and America has been ...
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In the following essay, Watson identifies in Muir's poetry such central themes as the journey, the passage of time, and the randomness of evil.
In an essay on Henryson in Essays on Literatur...
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