During an interview in 1979, Eavan Boland renounced "the evasion out of fear from some realities, and the folly of that evasion, because the realities catch up with you." Appropriately, she spoke of r...
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In the following essay, Allen-Randolph discusses the relationship among the poems in Boland's In Her Own Image, the female body, and the representation of women in patriarchal culture.
Alter...
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In the following essay, Allen-Randolph traces Boland's career and defends her as a major poet.
It is hard to think of an Irish poet whose work has, over the last two decades, shown as much g...
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In the following essay, Robertson analyzes Boland's subversion of the male tradition in her poetry.
In his Yeats, Harold Bloom suggests that the greatest influence on a poet is his precursor...
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In the following review, McFall discusses what Boland's An Origin Like Water: Collected Poems (1967–1987) reveals about the poet.
Eavan Boland's work caught my attention almost...
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In the following review, Smith asserts that Boland's In a Time of Violence "counters any notion that poetry has retreated from the public forum or shies away from issues of great pitch a...
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In the following review, Foy asserts that Boland's poems will stand "not on the politics that burdens and distinguishes them for now but on the hardihood of their afterlife as a lyrical ...
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In the following essay, Henry analyzes the connection between Boland's poetry collection, In a Time of Violence, and her collection of essays, An Origin Like Water, and complains that the two w...
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In the following interview, Boland discusses the place of female poets in Irish literature.
[Means Wright and Hannan:] A first-rate Irish woman poet would appear to receive less recognition in Irel...
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In the following excerpt, Baker discusses Boland's "double stance" toward traditional Irish poetry.
Eavan Boland is only five years younger than Seamus Heaney, and she is the a...
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In the following review, Allen-Randolph calls the author's Outside History "a retrospective of Boland's most mature and best work."
Poetry in Ireland is still very much ...
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In the following essay, Consalvo argues that "Boland is a literary voice which cannot, and must not, be left to reside in the marginalia of the Irish literary canon."
Eavan Boland...
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In the following essay, Mahon analyzes Boland's The Journey and Other Poems, considering what the volume expresses about the poet's development as an artist.
A young Yeats in 1889 urg...
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In the following review, Donoghue analyzes several of Boland's poems and asserts, "Eavan Boland's best poems seem to me those in which she writes without apparent fuss or politica...
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In the following review, Castro states that "the real beauty of reading the poems [in In a Time of Violence lies in discovering the difficulty in each and the delicacy with which Boland dismant...
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In the following essay, Hagen and Zelman assert that Boland aims to “repossess” her place within the Irish literary tradition.
From Yeats and the Celtic Revival onward, Irish poets ha...
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In the following essay, Thurston offers a thematic and stylistic examination of Boland's longer poetic works.
Beginning in the early 1980s, Eavan Boland began to work not only in individual ...
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In the following essay, Clutterbuck addresses the critical reaction to issues of feminism and nationalism in Boland's verse.
This article examines Irish critical responses to a central issue...
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In the following essay, Belanger maintains that Boland's poem “Anorexic” “best illustrates her attempts to reinsert excluded realities of female experience into an Irish po...
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In the following essay, Keen places the poetry of Boland and Nuala Ní Dhomhnaill in relation to their writings on gender, nationalism, and history.
In November 1994, the Irish government col...
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In the following essay, Shifrer examines the role of fabrics in Boland's poetry.
By focusing on the role of fabrics in Eavan Boland's poetry, I hope to provide readers with a better k...
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In the following essay, Russell argues that a close reading of Boland's “Lava Cameo” “illustrates how its subject, tone, sentence structure, and diction enable Boland to im...
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In the following essay, Stevenson regards Boland's encounter with the Achill woman, chronicled in her verse and her essay “Outside History,” as an important moment in her life and...
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In the following essay, Weekes applies Richard Kearney's theory about the connection between Irish Revivalism and modernism to Boland's poetry.
In his excellent study, Transitions (19...
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In the following essay, Raschke asserts that “Boland's Outside History and In a Time of Violence use the concrete, physical world to revise notions of what sustains, to query historiogra...
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In the following essay, Atfield considers the issue of postcolonialism in Boland's verse.
Postcolonialism in the poetry of Eavan Boland is a process of the recognition and exposure of coloni...
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In the following essay, Sullivan perceives Boland's “revisionary struggle” with Irish mythology, which depicts women in subordinate and passive roles as an attempt to “repo...
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In the following review, Ward considers the place of The Lost Land within Boland's poetic oeuvre and deems the collection to be Boland's return to political concerns.
‘My passp...
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In the following excerpt, Daniels finds similarities between the poetry of Boland and Medbh McGuckian and differentiates the poetry of The Lost Land from Boland's earlier poetic work.
If one...
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In the following essay, Gelpi investigates the influence of the American poet Adrienne Rich on Boland's poetry.
Eavan Boland's growing international reputation is grounded in the reco...
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Comment on The Black Lace Fan my Mother Gave me
I think this poem is very beautiful and quite easy to understand. Bolland describes a lot, which helps the readers to get into the poem
The use of th...
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