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Donald Davie.
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Donald Davie was born in Barnsley, Yorkshire, to George Clarke and Alice Sugden Davie, received his early education at Barnsley Holgate Grammar School, and spent his boyhood in "the industrially ravag...
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Critical Essay by Calvin Bedient
Of all the first-rate poets of the age, Donald Davie is the most notably reactionary. If only with some strain, we might see him, to advantage, as mining in the great ...
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Critical Essay by Bernard Bergonzi
[Davie's Collected Poems, 1950–1970] shows that Davie soon moved on from the quasi-Augustan formality he had cultivated in the fifties, and since then ...
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Critical Essay by Blake Morrison
Rationalism, scepticism, fastidiousness, fair-mindedness: the qualities which Donald Davie has claimed for himself over the years are not the qualities we have been ta...
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Critical Essay by Derek Mahon
What a pity that Donald Davie is less interesting as a poet than as a critic. Picking up the Collected Poems, as I not infrequently do, I find myself returning constantly...
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Critical Essay by Carol Johnson
[Donald Davie's New and Selected Poems] perplexes with flaws of a kind totally unlooked for in the mode he practices. Among several of the better moments of cont...
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Critical Essay by Douglas Dunn
Donald Davie's new collection [In the Stopping Train] is as nicely fashioned as ever before. His title poem is more subfusc than usual, a sombre but firm performa...
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Critical Essay by D. E. Richardson
Donald Davie's criticism conveys the sense that the making and criticizing of poems continue to matter. Such critics as Harold Rosenberg have noticed the abse...
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Critical Essay by E. P. Thompson
[A Gathered Church: The Literature of the English Dissenting Interest, 1700–1930] is a work of committed criticism. (p. 164)
But the points [of Davie's C...
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Critical Essay by Peter Levi
The best of Donald Davie's essays [in Trying to Explain] are subtle, reasonable and serious discussions of the detail of [Ezra Pound's] work; they range wide...
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Critical Essay by P. N. Furbank
Donald Davie's new book [Trying to Explain], a collection of reprinted pieces, is a jumpy one, as is indicated by its fretful title and the expression (faintly e...
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Critical Essay by Jerome Mazzaro
Donald Davie's In the Stopping Train indicates that [a] tendency toward reduced style [exists in] contemporary English poetry …, though for Davie'...
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Critical Essay by John Seed
This short but vivid and provocative book [A Gathered Church] consists of the Clark Lectures given at Cambridge in 1976, with an additional thirty-odd pages of 'Note...
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Critical Essay by Neil Powell
[Any account of Davie's] work since 1970 must be at least partly concerned with the tension (at best a creative tension) between Davie and his English audience or,...
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Critical Essay by Michael J. Collins
A poem, writes Donald Davie in "Ars Poetica," is "a space / Cleared to walk around in." The definition, better than many, seems to appl...
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Critical Essay by Michael Kirkham
Davie as a critic has sometimes seemed to the dazed bystander to be in perpetual motion, perpetual transition from one phase of opinion to another. But many of the sa...
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Critical Essay by Thom Gunn
In some of the reviews of Donald Davie's New and Selected Poems there is a certain reluctance to praise, though no good reason is given for the reluctance. He writes...
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Critical Essay by Simon Rae
Talk of Donald Davie's 'new' collection would not be strictly accurate. Even parts of the title sequence, Three for Water Music, are borrowed from his ...
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Critical Essay by Barbara Everett
Donald Davie's new sequence of poems, 'Three for Water-Music' [in the volume of the same title] …, refers not only to pleasant 18th-centur...
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Critical Essay by Valentine Cunningham
Donald Davie speaks up for Old Dissent—for its religious life and the literature it generated—with what might be thought of as an aptly persistent ...
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Critical Essay by Christopher Ricks
Donald Davie's critical arguments are often happily reminis-cential, and his reminiscences are often happily argumentative, so the difference in kind between...
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Critical Essay by Louis Simpson
The imagination, Donald Davie says, is concerned with "one particular person, in one place, at one time, in one sort of weather." Therefore [in "Th...
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Critical Essay by John Lucas
If poems were made solely of ideas there would be few more interesting poets than Donald Davie. For his seriousness about ideas is never in doubt: he ponders, questions, a...
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Critical Essay by Emily Grosholz
Donald Davie's latest book, Three for Water Music, is a composite of three reflections on water and the long poem "The Shires," Davie's idi...
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Critical Essay by Alan Shapiro
At a time when we are accustomed to thinking about the lives of poets more in terms of marital chaos, alcoholism, and breakdown than in terms of poetry, it is refreshing...
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Critical Essay by William H. Pritchard
There are of course many reasons to be grateful for Donald Davie's continuing presence, but after reading the most recent poems in his volume of collected...
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Critical Essay by Christopher Ricks
Most admirers of Pound truckle to his terms; [in "Ezra Pound: Poet as Sculptor] Professor Davie succeeds most usefully in describing and elucidating those te...
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Critical Essay by Martin Dodsworth
The fundamental principle of [Ezra Pound's Cantos is the] attempt to express ideas only in terms of sensory impression, and by its very nature it was bound to...
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Critical Essay by L. S. Dembo
Mr Davie's book [Ezra Pound: Poet as Sculptor] is announced as a "comprehensive critical study" that takes "a straightforward chronological ap...
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Critical Essay by Thomas Mckeown
[Donald Davie's Ezra Pound] stimulates disagreements of a constructive kind. This alone should be enough to recommend it. Davie gets the year of Pound's ...
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Critical Essay by Irvin Ehrenpreis
Donald Davie, in his new book [Ezra Pound], takes the Cantos very seriously, and tries to dispose of the ideological difficulties by separating the "opinions&...
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Critical Essay by Russell Davies
In the stopping train is just as full of jolts as it sounds, largely because Davie so often leaps out of his reverie to hang desperately on the communication-cord. The...
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Critical Essay by William Clarkson
Donald Davie's excellent Ezra Pound: Poet as Sculptor was published in 1964. He has now written a new introduction to Pound [entitled Ezra Pound] … whi...
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In the following essay, Bergonzi examines stylistic and thematic aspects of Davie's early work.
Donald Davie's first book was a cool, rather tough work of literary criticism, Purity of D...
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In the following essay, Greene emphasizes the importance of Canada to Davie's verse.
I
Eight hours between us, eight hours by the clock between us, eleven hours flying time.
Canada nowadays is...
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In the following essay, Martin analyzes Davie's complex relationship to Ireland and how it affects his poetry.
In February 1980 Donald Davie published two poems side by side in the San Francisc...
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In the following essay, Schirmer considers the role of religion in Davie's work.
Even a casual reading of the poetry and criticism of Donald Davie must notice the important place that religion,...
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In the following essay, Quinlan explores autobiographical aspects of Davie's Irish poems.
Donald Davie was an English don at Trinity College, Dublin, from 1950 until 1957. It was during these y...
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In the following essay, Heaney deems “Or, Solitude” a “poetic happening” and an “important event in the history of British poetry over the last quarter of a century....
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In the following essay, Jarman contrasts the role of the poet as evinced in Davie's “In the Stopping Train” and Philip Larkin's “The Whitsun Weddings.”
These ...
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