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Djuna Barnes.
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Djuna Barnes (1892-1982) was a major literary figure in Paris of the 1920s and 1930s, who retired into reclusiveness and produced only a small body of work.A major figure on the Paris literary scene o...
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Djuna Barnes is known primarily for her poetic novel Nightwood, first published in England in 1936. Few works so intensely distill the anguish of the American abroad in Paris in the twenties and thirt...
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Journalist, dramatist, novelist, poet, short-story writer, and, most of all, enigmatic figure, Djuna Barnes has protected her privacy for the last forty-five years. Indeed, Douglas Messerli says that ...
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In Paris in 1924 Ernest Hemingway noted: "Djuna Barnes who, according to her publishers is that legendary personality that has dominated the intellectual night-life of Europe for a century is in town....
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Critical Essay by Robert L. Nadeau
[Nightwood] has attracted a small circle of admirers who have been awed by Barnes's extraordinary ability to infuse macabre or grotesque subject matter with h...
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Critical Essay by Elizabeth Pochoda
[Nightwood] is most often remembered for its high reputation with writers like T. S. Eliot. Apart from this sort of recognition it is examined either as a cache of ...
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Critical Essay by T. S. Eliot
One is liable to expect other people to see, on their first reading of a book, all that one has come to perceive in the course of a developing intimacy with it. I have re...
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Critical Essay by Valentine Cunningham
Here [in Smoke and Other Early Stories] are fourteen stories, startlingly strange, cranky even, but also as raw and exciting as swigs of poteen….
What in ...
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Critical Essay by Mark Van Doren
Mr. Eliot is right when he says of ["Nightwood"] that it is "really 'written'" [see excerpt above]. It is too consistently ...
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Critical Essay by Edwin Muir
Miss Barnes is one of those few writers whose thought and expression become more felicitous, the more painful the theme she is dealing with; [in Nightwood] she resembles W...
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Critical Essay by John Hawkes
Recently Time magazine, pernicious as ever, dismissed the Selected Writings of Djuna Barnes by saying that the best of her work, Nightwood, offered little more than ...
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Critical Essay by Donna Gerstenberger
To the audience which has received Nightwood with admiration, Miss Barnes' long play in verse [The Antiphon] seems a strange concoction: in subject it is w...
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Critical Essay by James B. Scott
A Book, published in 1923, is a collection of twelve stories, three one-act plays, eleven poems, and a half-dozen pencil portraits…. A Night Among the Horses an...
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Critical Essay by Louis F. Kannenstine
Passages of The Antiphon and all of [Miss Barnes's] few recently published poems seem both in and out of time. They project the modern sense of despair an...
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Critical Essay by Miriam Fuchs
Whatever the techniques—traditional or experimental—Barnes's work is concerned with ways of being reconciled to life's random misfortunes. In...
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Critical Essay by Andrew Field
"Smoke: And Other Early Stories" [a collection of Barnes's earliest writing, published in 1982] doesn't contain any major work and so is prob...
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In the following essay, Giroux discusses his experience as an editor working with Djuna Barnes.
"You have to trust someone, Miss Barnes. Why not trust me?" Only an author as aggravating ...
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In the following review. Seymour asserts that while "[Barnes has been partly revealed [in Phillip Herring's Djuna: The Life and Work of Djuna Barnes]: a bigger and bolder exposure is sti...
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In the following review, Robins discusses what the drawings in Poe's Mother: Selected Drawings of Djuna Barnes, edited by Douglas Messerli, say about society during Barnes's era.
What is...
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In the following essay, Edmunds asserts in a discussion of Barnes's Ryder, that "Barnes makes repeated, figurative use of the narrative of a virgin's violation to foreground the u...
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In the following essay, Levine traces how Barnes's early journalism influenced her fiction, especially Nightwood.
Judging by her early career as a journalist, one could say that Djuna Barnes ha...
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In the following essay, Reesman compares Barnes's Nightwood to Dante's The Divine Comedy.
Among the many interesting problems raised by Djuna Barnes's Nightwood (1936), is that of...
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In the following essay, Nimeiri discusses the symbolic significance of the Americanness of the characters in Barnes's Nightwood.
Since the American publication of Djuna Barnes's Nightwoo...
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In the following essay, Dalton discusses the role of incest and child abuse in Barnes's work, especially in her play, The Dove.
In 1963 when she was seventy-one, Djuna Barnes referred to hersel...
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In the following essay, Mailloux uses Barnes's correspondence to reconstruct a significant period in the writer's life.
Djuna Barnes would seem in most ways to be an ideal subject for a ...
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In the following essay, Michel analyzes the role of sexual identity in Barnes's life and works.
When asked about her sexuality, Djuna Barnes is reported to have answered, "I'm not...
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In the following review, Dirda discusses Phillip Herring's Djuna: The Life and Work of Djuna Barnes and the reprinting of Barnes's Nightwood.
As it happens, a friend of mine lives in Pat...
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In the following review, Fleischer praises Phillip Herring's Djuna: The Life and Work of Djuna Barnes for its accuracy, but complains that Cheryl Plumb makes too many assumptions about the edit...
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