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Derek Walcott.
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Biography EssayBy the time In a Green Night first made its modest international appearance in 1962, Derek Walcott had already gained preeminence as a poet and playwright in the West Indies. Over the...
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Nobel Prize winning poet and dramatist from the West Indies, Derek Alton Walcott (born 1930) used a synthesis of Caribbean dialects and English to explore the richness and conflicts of the complex cul...
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For some forty years Derek Walcott has been the preeminent poet and playwright of the West Indies. In spite of his international awards (including an O.B.E. in 1972) and the accolades of such peers as...
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In the following conversation, conducted at the time of the New York production of Dream on Monkey Mountain, Walcott elucidates the play's themes and discusses the person who inspired the chara...
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In the essay below, Hamner surveys the development of Walcott's drama through O Babylon! He underscores the playwright's assimilation of diverse cultural and theatrical influences in his...
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In the essay below, Peters analyzes Walcott's depiction of madness in his characters as a response to the clash between European, African, and New World cultures.
Madness in the works of Derek ...
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In the following essay, Fiet provides an overview of Walcott's plays from the mid-1970s to the mid-1980s, stressing their use of theatrical metaphors and settings.
God, I hate actors! They ref...
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Dream on Monkey Mountain received its New York debut on 14 March 1971 in a production by the Negro Ensemble Company (NEC) at the St. Mark's Playhouse. In the following assessment of the premier...
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In the following evaluation of the New York staging of Dream on Monkey Mountain, Kerr judges the play wordy and slow.
Derek Walcott's The Dream on Monkey Mountain, now being well performed by t...
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Oliver declares Dream on Monkey Mountain a "masterpiece " and praises its "beauty, imagination, humor, and vigor."
The Dream on Monkey Mountain, at the St. Marks, is an ent...
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In this review of the NEC production, Riley describes Dream on Monkey Mountain as a "lush depiction of the many moods implicit in the ritual and realistic aspects of Caribbean Black life"...
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In the essay below, Fox traces the theme of dreams and the imagination in Dream on Monkey Mountain.
—Dream. Ona nonday I sleep. I dreamt of a somday. Of a wonday I shall wake.
[James Joyce, Fi...
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In the following essay, Brown offers an overview of Walcott's poetry, tracing the theme of “the New World” that appears throughout his work.
In the poem ‘Elegy’ Dere...
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In the following essay, Trueblood discusses poems from multiple volumes of Walcott's poetry, including In a Green Night, The Castaway and Other Poems, The Gulf, Another Life, and Sea Grapes.
Th...
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In the following essay, Salkey discusses recurring themes of light, harmony, and completeness in Walcott's poetry.
Rather like the generalized implication that there is a whole unified scene go...
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In the following essay, Bensen examines the centrality of painting and imagery in Walcott's Midsummer.
An island of obsessive beauty, a people impoverished but rich in their cultural heritage f...
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In the following essay, Mason explores the geographic expansion of Walcott's “literary territory” from the Caribbean roots of his earliest writings to North American and Mediterra...
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The following interview focuses on Walcott's epic poem, Omeros.
[Presson]: The last time we talked you made much of what Omeros is not, and so what would you say it is?
[Walcott]: It's l...
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In the following interview, conducted in January 1995 with poet and journalist Rose Styron, Walcott discusses the influences of multiculturalism on the creation and appreciation of literature.
[Styron...
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In the following essay, Hirsch offers a positive assessment of Walcott's career as a poet and playwright.
There is a force of exultation, a celebration of luck, when a writer finds himself a wi...
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In the following essay, Hamner offers a critical analysis of Walcott's epic poem Omeros, focusing particular attention on the role of the character Philoctetes.
Despite the explicit parallels a...
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In the following essay, Wieland explores recurring allusions to mythological and fictional themes and characters in Walcott's body of work.
On the dust jacket of Another Life, George Lamming is...
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In the following essay, Thieme analyzes the recurring motif of the Robinson Crusoe archetype in Walcott's poetry.
While Walcott's plays from Ti-Jean and His Brothers onwards demonstrate ...
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In the following essay, Lock presents an analysis of the depiction of women in the language and structure of Walcott's Omeros.
In reading Omeros we are struck, as we are in the Iliad, by the si...
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The following interview focuses on influences on Walcott's literary career including Caribbean history, Daniel Defoe's Robinson Crusoe, and the language of Shakespeare.
[Ferris]: I want ...
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In the following essay, Shullenberger compares Walcott's epic poem Omeros to Homer's Iliad.
Although we tend to assign the epic to the literary past as a bygone genre, Derek Walcott...
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In the following essay, Ramazani traces the theme of postcolonial Afro-Caribbean cultural identity in Walcott's Omeros.
From an early age Derek Walcott felt a special “intimacy with the ...
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In the following essay, Okpewho examines Walcott's themes of journey, voyage, and cultural identity within the context of African Caribbean literary discourse.
I
In exploring Derek Walcott...
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In the following review, Lucas offers a positive assessment of Walcott's Collected Poems, though expresses concerns about the quality of Walcott's later verse.
In “A Letter from B...
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In the following interview, Walcott discusses his formative experiences and cultural influences on Saint Lucia, his views on the development and multicultural atmosphere of the Caribbean, his work as ...
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In the following review, Greenwell offers a mixed assessment of The Bounty.
Derek Walcott—whose previous book, the epic and brilliant Omeros, neatly preceded his Nobel Prize for Literature ...
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In the following review, Pettingell offers a positive assessment of The Bounty.
Derek Walcott established himself as the Homer of the West Indies in 1990 with Omeros, his Caribbean retelling of The Od...
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In the following review, Sanger offers a generally favorable assessment of The Bounty, though notes flaws in what he sees as Walcott's empty phrasing and forced rhyme schemes.
Derek Walcott end...
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In the following review of The Bounty, Sansom criticizes Walcott's tendency toward poetic ostentation, verbosity, and excessive exultation.
They call him Mister Bombastic: ‘Because he is...
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In the following review, Kirsch evaluates the strengths and weaknesses of The Bounty, complimenting Walcott for addressing “the largest themes without self-consciousness or hesitation.”
...
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In the following positive review, King praises Walcott's imagery and verse in The Bounty.
In recent volumes of Derek Walcott's poetry “light” is an encompassing term for th...
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In the following excerpt, Tillinghast offers a generally positive assessment of The Bounty.
While perusing some thirty new books in preparation for writing this chronicle, and narrowing the selection ...
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In the following essay, Thieme provides an overview of the critical reaction to Walcott's work over a period of five decades, including a discussion of notable publications that have contribute...
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In the following positive review, King praises Walcott's essays in What the Twilight Says.
Writing about Robert Lowell, Derek Walcott warns against the way biography imposes plot, incident, sym...
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In the following review, Noor offers a positive assessment of What the Twilight Says, though expresses concern over Walcott's failure to challenge the vocabulary and prejudices of European impe...
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In the following review, Bamforth offers a generally positive assessment of What the Twilight Says.
Commenting on Joseph Brodsky's poems in this, his first collection of critical prose—c...
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In the following excerpt, Gundy compliments Walcott's prose in What the Twilight Says, praising the work's “sharp and stimulating analyses.”
At a mundane banquet long ago I...
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In the following excerpt, Kitchen praises Walcott's elegance in Tiepolo's Hound, but finds the volume overly analytical and academic.
Bertolucci called me when I was about to start shoot...
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In the following essay, Lock discusses the problematic aesthetic representation of the female subject in Western literary tradition and in Walcott's evocation of Helen in Omeros.
In reading Ome...
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In the following review, Alvarez offers a positive assessment of Tiepolo's Hound.
When Derek Walcott's first book of poems was published in London in 1962, it came with the blessing of R...
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In the following review, Kirsch provides an overview of Walcott's life and writing through a discussion of Bruce King's biography, Derek Walcott: A Caribbean Life, and offers a positive ...
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In the following positive review, Hannan praises Tiepolo's Hound, complimenting Walcott's “calm and devastating clarity.”
Derek Walcott's long poem on the congruence...
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In the following review, Benfey offers a mixed assessment of Omeros, finding shortcomings in the volume's ineffective “imaginative journeys” and unusual metrical patterns.
In one ...
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In the following essay, Breslow provides an overview of Walcott's literary accomplishments and his cross-cultural preoccupations with history, Western culture and myth, postcolonial Caribbean i...
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In the following positive review, Breslow praises Walcott's stage adaptation of Homer's Odyssey.
Only a talent as prodigious as that of Derek Walcott (who received the 1992 Nobel Prize i...
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In the following interview, Walcott discusses his views on the cultural legacy of the British Commonwealth and defends its continuing importance as a source of shared identity and political ideals.
[B...
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In the following excerpt, Bayley offers a positive assessment of The Bounty, referring to Walcott as “a poet of singular honesty.”
What is the nature of the difference between poetry and...
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Critical Essay by James Dickey
Derek Walcott is a Negro from the Caribbean, and most of his poems are related to this fact…. Mr. Walcott's Africa obsesses him, and in several fine poems ...
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Critical Essay by William Logan
"That sail which leans on light, / tired of islands, / a schooner beating up the Caribbean // for home" [from Sea Grapes] indicates the extraordinary acui...
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Critical Essay by Valerie Trueblood
The West Indian poet Derek Walcott published his first book of poetry in 1949, when he was still in his teens. His second, In a Green Night, came out in 1962, and s...
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Critical Essay by Benjamin Demott
Derek Walcott's superb new collection ["The Star-Apple Kingdom"] is described by its publishers as an "odyssey," and justly. The bo...
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Critical Essay by G. E. Murray
In the past decade, Derek Walcott has established himself as one of the very best English poets. The Star-Apple Kingdom enhances that reputation.
Walcott's specia...
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Critical Essay by John Simon
[Remembrance] is typical poet's theater. Using the hoary framing device of the interview, it has A. P. Jordan, an aging schoolteacher, relive episodes from his past...
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Critical Essay by Edith Oliver
A retired Trinidadian teacher, Albert Jordan, in Port of Spain, is the hero of Derek Walcott's "Remembrance."… He is a sardonic, humorous old...
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Critical Essay by Selden Rodman
Since the death of Robert Lowell, there has been no poet writing in English who combines vernacular and the grand manner so successfully as Derek Walcott…. What ...
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Critical Essay by Robert Mazzocco
Derek Walcott has both a seafarer's resourcefulness, appropriate to a West Indian, and a moralist's eye for character and commitment. In this powerful n...
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Critical Essay by Hugo Williams
If the most beautiful thing in the world is inherited wealth, Derek Walcott's poetry is rich. He has none of the self-made man's frugality. He is a natura...
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Critical Essay by Kenneth Funsten
In "Cantina Music," [from The Fortunate Traveller] Derek Walcott warns that poor people—like poor nations—may turn to violence and that la...
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Critical Essay by Peter Bland
Derek Walcott has been alternating for some years between his native West Indies and America. Meanwhile he has produced a steady flow of fine discursive poems—Sea-...
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Critical Essay by Blake Morrison
The Fortunate Traveller is an impressive collection that moves lucidly and at times brilliantly between abstract notions of power and responsibility and visual notatio...
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Critical Essay by Alan Jenkins
[Derek Walcott] dedicates many of the poems in The Fortunate Traveller to, presumably, friends—from Joseph Brodsky to Susan Sontag—but his dedications have...
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Critical Essay by Cameron King and Louis James
The title poem of [Derek Walcott's] second major collection, The Castaway …, portrays a lone man on a sand-bank looking out to sea for resc...
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Critical Essay by Edward Baugh
Derek Walcott has always had, even in his rawest apprenticeship, a head for metaphor. From the merest pastiche, the occasional and wholly original metaphor would burst t...
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Critical Essay by Denis Donoghue
Mr. Walcott is a powerful writer, but many of his poems are trapped in the politics of feeling, knowing the representative fate they must sustain. It is enough for any...
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Critical Essay by Samuel Omo Asein
Walcott's treatment of the theme of death and the inscrutable ultimate power that governs the universe, and his moral statements on the tussle between the God...
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Critical Essay by Bruce King
The examination of the drama of his own life against that of his community and region has been one of Walcott's main themes. His individual experience has become pa...
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Critical Essay by Robert D. Hamner
[The] study of Walcott's career as a dramatist must begin with the play he regards as his first, Henri Christophe—and it is written in verse. (p. 52)
T...
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Critical Essay by Helen Vendler
[Derek Walcott's] voice was for a long time a derivative one. His subject was not derivative: it was the black colonial predicament…. But there was an oft...
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Critical Essay by Nicholas Bromell
[The Fortunate Traveller] shows that a poet can deal in an illuminating way with … [the] problems of personal identity, aesthetic choice, and political commit...
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The above description of Walcott's poetic voice is quite valid; in fact, the way in which he modulates his tone and incorporates these different styles into his poetry in order to achieve the desired ...
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Derek Walcott is from the island of St. Lucia, an island which was under British Colonialism until 1979. The subject of colonialism is one that affects him personally with his mixed identity and his u...
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