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Derek Mahon.
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Derek Mahon is one of a significant number of poets from Northern Ireland who came to prominence in the late 1960s and early 1970s. He has published five full collections of verse to date, as well as ...
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In the following essay, Donnelly suggests that Mahon's poetic talent lies in his ability to merge lightness with serious subjects and technical and formal brilliance. Donnelly emphasizes Mahon&...
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In the following essay, Kendall looks at Mahon's relation to his birthplace of Belfast, Ireland. Kendall sees in Mahon a strong rejection of Belfast and a discomfort with his connection to the ...
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In the following essay, Clutterbuck interprets Mahon's position on the link between art and reality as negative and sometimes cynical, doubting the existence of meaning in either art or life.
A...
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In the following essay, Brown discusses the strength of Mahon's visual observations, especially his careful attention to light. Reading several of Mahon's poems that describe works by a ...
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In the following essay, Redmond compares Mahon's verse-letters to the work of W. H. Auden to highlight his use of a casual tone. Also drawing from Auden's essay on “Light Verse,...
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In the following essay, Steele emphasizes Mahon's relationship to other poets and the role of art in his poetry.
The jacket of Derek Mahon's selected journalism (Journalism: Selected Pro...
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In the following excerpt, McDonald notes the influence of Irish poet Louis MacNeice on Mahon's work, particularly in the themes of loneliness and alienation. He highlights the younger poet...
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In the following essay, O'Neill examines the influence of American poetry on Mahon, citing Frank O'Hara and Hart Crane as important predecessors. O'Neill notes the importance of M...
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In the following essay, Bakken reflects on Mahon's attitude toward work in his Collected Poems. Bakken sees in Mahon's verse a strong sense of irony and a critical nature, both of which ...
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In the following essay, Johnston looks at the tension between art and history in Mahon's poetry, focusing on the poems from Poems 1962-1978. Johnston also considers Mahon's relationships...
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In the following essay, Frazier suggests that The Hunt by Night reflects a change in Mahon's work, away from regionalism, and away from attention-seeking tricks of poetic form and style.
In a r...
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In the following essay, Williams describes Mahon's affinity for the perspective of the exile or outcast as one of the great strengths of his poetry. Williams also considers Mahon's stanc...
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In the following essay, Taylor addresses Mahon's relation to Ireland, suggesting that Mahon's position as detached artist allows him to revisit the realities of past and current strife w...
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In the following essay, Duytschaever applies Walter Benjamin's literary theory to Mahon's poetry and his attitude toward history. Duytschaever sees in both Benjamin and Mahon an ambivale...
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In the following essay, Mullaney links Mahon's observations on silence to his relationship to the violence in Ireland. Mullaney reads silence as a representation of oppressed voices, as a comme...
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In the following essay, Wilson discusses the importance of place in Mahon's poetry. He also observes a subtle shift in Mahon's treatment of popular culture in his works, moving away from...
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In the following essay, Tinley emphasizes Mahon's connections to poets including Gérard de Nerval, Philippe Jaccottet, François Villon, Bertolt Brecht, and others to highlight the...
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Critical Essay by Robin Skelton
[Derek Mahon's collection Night Crossing] suffers from gentility…. He writes deftly, levelly, subtly, reminding one of the controlled mild ironies of Lark...
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Critical Essay by Peter Porter
It is especially good to have Mahon's carefully edited 'selected collected' [Poems: 1962–1978]. It may be a little dismaying to find a poet u...
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Critical Essay by Brian Donnelly
In 'Tradition and the Individual Talent,' T. S. Eliot warns against the tendency to single out and praise those aspects of a writer's work '...
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Critical Essay by Jack Holland
Since the mid-1960s, several Northern Irish poets have made their presence felt in the English literary world. The most praised, Seamus Heaney, has been hailed by some c...
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Critical Essay by Andrew Motion
Two years ago Derek Mahon published what he called the 'selected collected' edition of his poems. It was, he said, 'in some senses, a first book, t...
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Critical Essay by John Mole
Derek Mahon's new collection [The Hunt by Night] contains several poems good enough to place alongside his "A Disused Shed in Co. Wexford", a justly ce...
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Critical Essay by The Times Literary Supplement
No one has satisfactorily explained how it is that a whole young generation of Irish poets—Heaney, Mahon, Longley, Muldoon and others—is a...
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Critical Essay by Alan Brownjohn
Between Night Crossing in 1968 and his new collection, Lives, Derek Mahon produced a very promising … pamphlet called Ecclesiastes. It now looks like a bridge b...
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Critical Essay by P. N. Furbank
The first poem in Derek Mahon's Lives is about arriving home in Dublin, distraught, after a Transatlantic flight: and something like the time- and place-confusio...
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Critical Essay by Douglas Dunn
If events in Ireland have been thought malefic in their relations to the art of poetry (as they are to almost everything else) then that may be the reason why Heaney and...
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Critical Essay by Anthony Thwaite
In a verse letter by Michael Longley, a fellow Ulsterman, Derek Mahon is addressed approvingly as one of the "poetic conservatives". He might well take ...
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Critical Essay by Terence Brown
In Derek Mahon's poetry it is possible to see what can be made of the Irish urban and suburban experience…. [Mahon] has produced a small body of remarkabl...
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Critical Essay by Seamus Deane
[Mahon's] imagination seems to be at once haunted and attracted by the thought of a total apocalyptic disaster which would wipe out the mess of the modern world a...
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Critical Essay by Brian Donnelly
With three published volumes of poetry behind him—Night-Crossing (1968), Lives (1972), The Snow Party (1975)—Derek Mahon has now clearly emerged as one o...
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